All posts by Cathy Palmer-Lister

Stop Motion

Festival Stop Motion Montréal : Lauréats et bilan

Lauréats et bilan d’une 12eédition sur canapé mémorable!

Le Festival Stop Motion Montréal a conclu sa 12e édition qui s’est déroulée entièrement en ligne du 14 au 20 septembre dernier. La cérémonie de clôture a eu lieu le dimanche 20 septembre en direct sur Facebook et a permis de rencontrer et de célébrer virtuellement les cinéastes récompensés, dispersés sur plusieurs continents. Le jury formé de professionnels de l’industrie du cinéma était composé de Maral Mohammadian, productrice à l’Office national du film du Canada, de Bren López Zepeda, animatrice et cinéaste indépendante montréalaise et d’Aaron Wood, cofondateur et producteur aux Studios Slurpy à Londres.

 

 

 

 

 

 

 

 
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Le jury a également désiré remettre des mentions spéciales pour chacune des catégories

Une édition en ligne abondante

Le Festival s’est associé à la plateforme de diffusion canadienne VUCAVU pour rendre disponibles au public du monde entier 90 courts métrages en provenance de 30 pays et 3 classes de maîtres. Nous remercions nos invités spéciaux Vanessa Loubineau, Jean-François Lévesque et Justin Rasch pour s’être joint à nous et  pour leurs généreuses et détaillées présentations. Grâce au format webinair en direct, ils nous ont offert des conférences d’une durée de deux heures, voir même trois au grand plaisir de nos spectateurs friants de conseils de la part de professionnels.

7 jours complets d’activités en ligne ont été organisés plutôt que les 3 jours habituels des éditions en présentiel. Au total, 11 programmes de courts métrages ont été proposés, dont 9 en compétition et 2 programmes thématiques soit un programme québécois et une sélection de films écossais.

Deux ateliers techniques d’animation ont été prodigués via Zoom par des professionnels de renom soit par Dale Hayward et Sylvie Trouvé de L’académie See Lean à Montréal et la Française Julia Peguet qui a dirigé son atelier depuis la Slovénie. Ces ateliers ont attiré des participants de l’Inde, des États-Unis, d’Allemagne, de France, de Colombie, de Montréal et de Hongrie.

Le Festival Stop Motion Montréal a aussi offert de nombreuses activités gratuites sur les réseaux sociaux: 19 entrevues avec des réalisateurs de la compétition, une table ronde avec le jury 2020, un brunch avec l’équipe du film «Moi, Barnabé» (ONF) de Jean-François Lévesque, une visite virtuelle du studio d’Alicia Eisen à Vancouver ainsi que des festivités d’ouverture et de clôture.

Ces événements offerts en direct ou en séance de visionnement en groupe ont permis de garder les spectateurs connectés et engagés tout au long de la semaine. Toutes ces activités gratuites demeurent d’ailleurs disponibles sur la page Facebook du Festival.

Un défi relevé et un Festival en croissance

Le Festival a doublé ses ventes de laissez-passer VIP par rapport à 2019 et c’est plus de 400 000 comptes sur les réseaux qui ont été rejoints au cours de cette édition virtuelle. Des participants d’Amérique du Nord, d’Amérique du Sud, d’Europe, d’Afrique et d’Asie se sont joints toute la semaine aux activités. Le défi lié à la crise sanitaire a donc été relevé: le Festival a maintenu son mandat de diffusion tout en élargissant sa portée. Cette édition en ligne façonnera fort probablement les années futures de l’événement, le Festival amorçant d’ores et déjà une réflexion à propos d’éditions hybrides qui pourraient répondre à la fois aux besoins des artistes et professionnels locaux et de sa communauté internationale.

Stop Motion

Stop Motion Festival : Winners and recap

Winners and recap of a memorable 12th Home Sweet Home Edition

It’s a wrap for Festival Stop Motion Montreal’s 12th edition and first-ever virtual edition, which ran completely online this past September 14-20. In a live-streamed closing ceremony held Sunday, September 20, the Festival team and jury members assembled to announce this year award winners and, thanks to the virtual format, had some of the filmmakers join in to accept their awards from wherever they were across the globe. The jury, made up of industry professionals, was composed of Maral Mohammadian; producer at the National Film Board of Canada, Bren López Zepeda; Montreal animator and independent filmmaker and Aaron Wood; co-founder and producer at London’s Slurpy Studios.

An abundant online edition

The Festival partnered with Canadian broadcast platform VUCAVU to bring 90 short films from 30 different countries and 3 special guest masterclass conferences online and available to the public worldwide this year, in efforts to provide a safe Festival experience to all during these unprecedented pandemic times. We would like to thank our wonderful special guests; Vanessa Loubineau, Jean-François Lévesque and Justin Rasch for joining us and participating in this novel virtual edition, and for being so generous with their time, technical expertise and thoughtful advice. Thanks to the online format, and to meet the demands of our lovely and eager audience members, our masterclasses were extended to 2-hour and 3-hour sessions which could have easily gone on even longer! We hope that all audience members enjoyed the opportunity to ask their questions and got as much knowledge and amazement out of the conferences as our Festival team did.

The Festival was extended to a full 7-day experience, as compared to past physical editions which took place over 3 days. A total of 11 different film screening programs were offered, which included 9 in competition and 2 thematic programs with one highlighting local talent in a Quebec films retrospective and another with a selection of Scottish films from the Edinburgh Short Film Festival.

Two separate technical skills animation workshops were led by renowned industry leaders; Julia Peguet and See Learn Academy’s Dale Hayward and Sylvie Trouvé, which attracted all levels of participants from India, the United States, Germany, France, Colombia, Montreal, and Hungary.

The Festival offered a slew of free activities throughout the week on their social networks in a conscious effort to keep viewers connected and engaged which included a multitude of interactive Watch Parties and Live Streams.
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Among the offerings was a virtual studio tour with Vancouver-based Alicia Eisen, 19 different meetings with the filmmakers from the competition programs, a Fireside Chat with the 2020 Jury Members and a Cozy Brunch Conversation with Jean-François Lévesque and the crew members of I, Barnabé (NFB).

VIP Pass holders were given access to a private Networking Pod, allowing festival goers to interact and network with one another, ask questions in a safe environment, offer film and masterclass reviews, job opportunities and more! The Opening and Closing Ceremonies were also live-streamed with the addition of an Official 2020 Festival Cake Bake Along, with all of these free activities remaining up on the Festival’s Facebook page to watch at your own leisure.  

A challenge accepted and overachieved; the future is bright for this growing Festival 

The Festival doubled its VIP pass sales compared to its previous edition, having had participants tune in from almost every continent and reached over 400,000 accounts on their growing social media networks.

The pandemic challenge was met and surpassed, leaving the Festival team proud in having maintained its mandate in making stop motion animation discoverable and accessible to all, in providing a platform for the artists and their works to shine, and in stimulating the local and international stop motion industry.

The successful reception of this online edition has certainly shaped the future of the Festival which will continue to develop and broaden its reach. Upcoming hybrid editions are being considered in order to meet the diverse needs of its local and international stop motion communities.

 

 

Corona meetings from home, MonSFFA Website

Prize Winners announced

Winners of the Participation Prizes were Keith Braithwaite (Platinum), Brian Knapp (regular membership) and Wayne Glover (non-member). They get to choose from these The essential buy cheap sildenafil fatty acids enable their bodies to increase moisture in the skin and hair. A man’s testicles soft viagra tabs produce testosterone via prostate gland. There are men who start taking more than one 100 mg tablet in 24 hours. sildenafil delivery is basically a product which has specially been designed for curing erectile dysfunction from men. In terms of figures, nearly 40 % of people suffer browse over here viagra tablets price from low thyroid functions. wooden jigsaw puzzles :

Astronomy News

Hint of possible life in clouds of Venus

Being fans of science fiction, you have probably already heard about the report that there are signs of possible life forms in the clouds of Venus. Don’t get excited, it’s a bit of a stretch, and the lifeforms–if they exist–are likely microbial.

But it is very interesting! If life can actually exist in the hellish conditions of Venus, it can certainly evolve in the clouds of the gas giants.

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Here’s a good one:  https://www.bbc.com/news/science-environment-54133538

Astronomy News

GREEN CLOUDS OVER SCANDINAVIA

Space Weather News for Sept. 14, 2020
https://spaceweather.com
https://www.spaceweatheralerts.com

GREEN CLOUDS OVER SCANDINAVIA: Autumn is coming to the Arctic. We know because, last night, the clouds turned green. An outburst of auroras was so bright, it filled rainclouds with a green geomagnetic glow. Multiple observers saw the phenomenon in Sweden and Norway. The display was caused by a crack in Earth’s magnetic field, a type of fracture that forms most often during weeks around equinoxes. Get the full story at Spaceweather.com.
Preview (opens in a new tab)
[] 
Above: A Lights over Lapland webcam recorded green clouds over Abisko, Sweden, on Sept. 13, 2020.

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Movies

And yet another zine today!

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Films Fantastic 11

Fanzines

New zines to share!

A bumper crop of zines have arrived in the MonSFFA mailbox. Enjoy!

From Leybl in Israel: CyberCozen September Issue

This month’s roundup:
– Part XIV of the Time-Space series: Review of Stephen Baxter’s “Anti-Ice”
– ETs STAY HOME! (Part 2) “Occupation” – Reviewing some movies about invasions from outer space.
Our usual, interesting tidbits from various websites.

From Joe Major, Alexiad

Table of Contents
Editorial. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1
Reviewer’s Notes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1
Back to Work . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
Cat Watching. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
Dragon Awards . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
The Joy of High Tech . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
Hugo Awards. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
Retro-Hugo Awards . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
Rocks and Fossils . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
What Isobel Deserves . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
Worldcons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
Book Reviews
JTM Buettner, My Enemy’s Enemy . . . . . . . . . . . . . . . . . . . . . . . . 3
JTM Close, Trinity . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3
JTM Dali/Franks, Giraffes on Horseback Salad . . . . . . . . . . . . . . 2
JTM Moore, Great War 1898 Crisis to Quagmire. . . . . . . . . . . . . 2
JTM O’Brady, The Impossible First . . . . . . . . . . . . . . . . . . . . . . . 4
JTM Silver, After Hastings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2
JTM Zakon, Sealion Drowning . . . . . . . . . . . . . . . . . . . . . . . . . . . 3
TV Reviews
TW The Big Bang Theory. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
Random Jottings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2             Letters ……………..9

Tightbeam, edited by George Phillies and Jon Swartz, who wrote:

We also introduce something a new subgenre PolSciFi — Political (propaganda) Science Fiction, material where the author(s) want to send a political message. I expect that many readers are thoroughly sick of politics at this point, so PolSciFi appears at the very end of the issue, after Cedar Sanderson’s delectable Food of Famous Writers, so as not to spoil your appetite. Download Tightbeam

Table of Contents

Art
Front Cover …Woman of the Wild…Angela K. Scott
7 … Little Fairy … Angela K. Scott
12 … Mask and Rose … Angela K. Scott
20 … Moon Keeper … Angela K. Scott
26 … It’s Just One of Those Days … Angela K. Scott
Back Cover … FutureScape…Jose Sanchez

Editorial ­ PolSciFi … George Phillies

Letter of Comment
4 … Richard Dengrove
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Anime
5 … Giving It Another Try … Jessi Silver

FanAc
7 … Announcing a New Fan Experience … Cedar Sanderson
8 … FANAC Fan History Project UPDATE 13 … Joe Siclari

Fanzines
11 … Fanfaronade … Justin E. A. Busch

Games
13 … Harry Potter: Hogwarts Mystery … Jim McCoy

Hugo Awards
16 … The Hugos, continued … Tom Feller

Novels and Anthologies
18 … Bentley Little’s The Ignored … Will Mayo
19 … Existence by David Brin … Sam Lubell

Sercon
19 … Anthony Boucher Bio-Bibliography … Jon D. Swartz, Ph.D., N3F Historian
23 … An Interview with Cedar Sanderson … Tamara Wilhite

Video
25 … Doctor Whom? An Analysis from Several Years Ago … Chris Nuttall
27 … Rabid Ears: Ravings of a TV Fiend … by Cathode Ray

Food of Famous Writers
29 … The Creamy Fish Chowder of Nathan Lowell … Cedar Sanderson

PolSciFi
30 … Alternate Truths Edited by Phyllis Irene Radford and Bob Brown … Chris Nuttall

George Phillies from The National Fantasy Fan Federation has passed on these zines:

Askew 30

Askew 31

First Fandom Newsletter

MT VOID 2129-2136, edited by Mark and Evelyn Leeper

       MT VOID 2129        MT VOID 2130        MT VOID 2131      

         MT VOID 2132       MT VOID 2133    MT VOID 2135    

MT VOID 2136   (We don’t have #34)

Spartacus-38, Edited by Guy Lillian III

This Here! 32   Edited by Nic Farey

Corona meetings from home, MonSFFA Website

All the posts for the MonSFFA meeting of September 12th.

Missed the meeting? No worries, we have everything archived! You can still make comments and ask questions for a few days yet. Here are all the posts in order.

Stand by!

Virtual Meeting 06 – Intro

Post 1 of 6: The introduction by Keith Braithwaite

Post 1 of 6: September 12 DIY, Virtual MonSFFA Meeting

Post 2: the first presentation today, by Danny Sichel, Education as we see it in SF/F!

Post 2 of 6: September 12 DIY, Virtual MonSFFA Meeting

Post 3 of 6: The Break by Cathy

Post 3 of 6: September 12 DIY, Virtual MonSFFA Meeting

Post 4 of 6: Shakespearean actors in SF/F–by Joe Aspler!

Post 4 of 6: September 12 DIY, Virtual MonSFFA Meeting

Post 5 of 6: It crawled from the garden!

Post 5 of 6: September 12 DIY, Virtual MonSFFA Meeting


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Post 6 of 6: The Wrap! Presented by Keith Braithwaite

In which the winners and the correct answers to the Big MonSFFA trivia quiz are posted!

Post 6 of 6: September 12 DIY, Virtual MonSFFA Meeting

And one last post!

Virtual Meeting 06 – Signoff

Participation Prizes: I will wait a few days for people to catch up, then have a drawing. A prize will be offered in each of 3 categories: Platinum member, regular member, visitor

Gargoyle and wyrm. The wyrm is available in walnut, maple, cherry. The Gargoyle is walnut.
Parasaurolophus and unicorn. Both of cherry.

 

Corona meetings from home

Post 3 of 6: September 12 DIY, Virtual MonSFFA Meeting

2 Comments

Welcome to the Break! We have a Zoom, WARP 108, Prizes, and lot of projects on display!

Zoom along with us! It’s easy! Just click the link in the invitation. You don’t need a camera, if you don’t have an audio connection either, you can type your comments.

Have you downloaded your WARP 108 yet? It’s here: http://www.monsffa.ca/?page_id=6915

Cover art by Lindsay Brown and Keith Braithwaite : A Gryphon, representing strength and courage battles a monstrous personification of the corona virus!

 

Copies will be mailed to members without Internet connection. Printed issues will be available to our members whenever we meet again. 

Participation Prizes: Everyone who contributes in some way to the meeting, even if only a comment on our website or facebook page, has a chance to win! We draw 3 names, one each from 3 categories: members, platinum members, visitors.

On offer this month:

(I hope people still like my jigsaw puzzles)

The Gargoyle is made of walnut. I have several wyrms made from different woods-your choice of walnut, maple, cherry.
Parasaurolophus and unicorn are both made of cherry.

On the “display table” we have projects from 3 of our members.

From Josée Bellmare: New T-shirt designs

Click on thumbnails to view full size.

I have just finished my latest t-shirt. I have done more t-shirts in the past 5 months that in the past two years. Now I just need places to show them off.

In the feeling old department:

I saw in the comics section of the Saturday Gazette, Hi and Lois, the teenage son was comparing cleaning his room to an archeology dig. He was discovering treasures he had forgotten were there. What struck me was the comic book he was holding : the first ever copy of The X-Men. I know because I have the same comic book. You feel your age when your prized collector’s item is compared to an ancient relic.

From Wayne Glover:

Wayne says work on his ship is progressing very slowly. Apparently, he is having trouble finding a particular paint he needs. Meanwhile, there is Gundam.

Click on thumbnails to view full size.

From Brian Knapp: Cylon Raiders, Iron Man, and Doc Savage

Click on thumbnails to view full size.

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Moebius Models 1/72 Cylon Raider (2 complete kits): The Cylon Raider is a quick weekend build. Each kit has only thirteen parts, including the stand. After assembly you just need to do a little seam filling and sanding before you are ready to paint. I used Testor’s Model Master 28003 Silver Lacquer for the base coat. I then marked off different panels and hand painted these using Citadel’s Chainmail and Boltgun Metal acrylics. The insignia took a few tries to hand paint the raised surface using Polly Scale RLM 25 Green. Cleanup of any acrylic paint was easy using a Q-tip dipped in Isopropyl Alcohol.The engine thrusters exhausts were painted using Model Master Burnt Iron. Panel lines were done using Vallejo’s Mecha Weathering Acrylic Black Wash. As a final touch, I added an M.V. Products (Model Railroad Lens) to represent the Cylon Mono-eye.
Click on thumbnails to view full size.
Dragon Models Iron Man 3 1/24 Mark 16 “Nightclub” Armor: Another quick build with only ten parts. Kit parts are molded in both polystyrene and vinyl and should be glued together using cyanoacrylate/super glue. The kit is designed to be a simple snap fit, with the chest and back plates (styrene) trapping the arms, legs, and head together. I needed to enlarge the pin locating holes to get these to fit together properly. I still needed to fill and sand the seams between them before painting. Since some kit parts are vinyl, acrylic paints are your best option. Since the Mark 16 “Nightclub” armor was designed as a stealth suit, it’s color scheme is shown as a metallic blue in the instructions. I’ve varied that somewhat by painting the base color using Vallejo’s Mecha Color Metallic Blue, then picking out different panels using Tamiya’s Clear Blue to break up the monotone finish. Then using Vallejo’s Mecha Weathering Black wash on the panel lines. The faceplate is Model Color Silver, with the eyes done in White. There is also a thin red line around the Arc Reactor using Tamiya Clear Red. Light panels on the armor are Vallejo Mecha Color Deep Blue. The container base is Polly Scale Zinc Chrome Primer with Vallejo Mecha Weathering Dark Rust & Black Washes. Details and scratches are done with a Silver artist pencil. The base is Model Master Flat Black.
Click on thumbnails to view full size
Mojo Resin? 120mm Doc Savage Kit: I’ve had the Doc Savage kit for a very long time. I picked him up at the Chiller Theatre convention in Hasbrouck Heights during the late nineties. I would start it, get stalled, and strip the paint off. Rinse, cycle, repeat. He’s gone through at least three repaints, before I finally finished him this time. Base colors are Model Color and The Army Painter Warpaints – all acrylic. Flesh colors are a combination of Model Air Skin Tone and Model Color Sunny Skintone. The eyes are Bright Gold. The pants are Khaki, shirt is Skeleton Bone with Off white for highlights. Boots are Leather Brown. Doc’s hair/skull cap is Ochre Brown. The base is Desert Yellow with Citadel Snakebite Leather for the nameplate. The native mask is done in Model Master Acrylic Wood with details picked out in Off-White, Metallic Green eyes, and Tamiya Clear Red for the mouth. The name was painted using Game Color Bright Bronze. The palm frond was painted Golden Olive with Green Brown for the interior stalk. I used Citadel’s Seraphim Sepia for the overall wash, then dry brushed lightened colors over the entire figure. Finally softening any harsh color edges using Tamiya Weathering Master pastels. Ivory and Salmon for the skin tones. Mud for the pants and Sand for the base. Declaring Doc finally done … and now for those humming tunes from John Phillip Souza – the trailer for the 1975 George Pal film.?
https://youtu.be/w2QQLVv7ghc
Doc Savage: The Man of Bronze (1975) Official Trailer – Ron Ely, Paul Gleason

That’s it from me! Up next, a great presentation from Joe Aspler!

Montreal Area Event / Convention, Stop Motion

Newsletter from Stop Motion Montreal

September 14th – 20th : Stop Motion Festival

News from Montreal’s Stop Motion Festival!

http://www.stopmotionmontreal.com/home/4589636949

en français: http://www.stopmotionmontreal.com/accueil/4589487169

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The 2-day StopMoMTL_2020 Workshop: Nailing The Shot with See Learn Academy will remain at 200$ thanks to the gracious support of our new sponsor, Mega Construx! Improve your character animation skills and go through the industry process with renowned animators who’ve worked on The Little Prince Movie, the NFB’s Bone Mother, commercials for Honda, Nike and many more!

Register today: info@stopmotionmontreal.com
Full description on our website
MEGA NOUVELLES! Nous sommes ravis d’annoncer que le prix de nos ateliers techniques avec L’académie See Learn restera à 200$ pour l’expérience complète de 2 jours grâce au soutien de notre nouveau partenaire MEGA! Améliorez vos compétences en matière d’animation de personnages et apprenez les processus de l’industrie avec des animateurs de renom qui ont travaillé sur Le Petit Prince, La mère des os de l’ONF, des publicités pour Honda et Nike et plus encore!

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