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Tag Archives: Stop Motion
October Meeting on line
Missed the October meeting? Here are the links to the posts. Much of the meeting was conducted on zoom, and links to that recording will be emailed to the members.
1:00PM, Post 1 of 6 Presented by Keith Braithwaite
- Introduction, Scary Stories on Zoom!
- How to Join this Afternoon’s Virtual Chat on Zoom
- Meeting Agenda
- The Faces of Horror: Art of Basil Gogos
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1:30PM, Post 2 of 6 (Braaains!) Presented by Valérie Bédard and Mario Giguère
Zoom Presentation and Discussion: Zombies!
2:45PM, Post 3 of 6 (Break!) Cathy Palmer-Lister
- Club News
- Display Table
- Today’s Raffle Prizes
3:00PM, Post 4 of 6 (Show-and-Tell)
- Dan Kenney presents his modified BoP model
- Keith presents Strange Mysteries! An experiment in sp motion.
4:00PM, Post 4 of 6 (Art Exhibition) Presented by Brian Knapp
- Enchanted: A History of Fantasy Illustration, Part One
Post 5 of 6: Enchanted; A History of Fantasy Illustration – The Hero’s Journey & Good Vs. Evil
5:00PM, Post 6 of 6 (Wrap-Up) Keith Braithwaite
- Two-Sentence Scares!
- Thank-You!
http://www.monsffa.ca/?p=19610
Stop motion festival: Free outdoor showing!
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Festival Stop Motion Montreal
Festival Stop Motion Montréal’s lucky 13th edition :
10 days of the best in stop motion animation
Online from September 10 to 19
Images, teaser, http://www.stopmotionmontreal.com/
Discover an original selection of 93 stop motion films, organized into 12 short competition programs, via the Cinéma Public website.
This year, the Festival is shining a spotlight on Indigenous artists and will offer a roundtable discussion entitled Indigenous Stop motion Productions�Voices and Images, which will be live streamed free of charge on Facebook, Saturday, September 18 at 1:00 p.m. EDT. Presented in collaboration with Wapikoni, this event moderated by director Jani Bellefleur-Kaltush will feature Terril Calder (filmmaker), Melanie Jackson (director and producer), Zacharias Kunuk (director and producer, IsumaTV), and Neil Christopher (producer, Taqqut Productions Inc.).
A selection of films directed or produced by the guest panellists will also be part of the Festival program.
VIP FESTIVAL PASS: THE FULL EXPERIENCE – Presented by Tonic DNA
Take advantage of the Eventbrite pre-sale and receive full access to this year’s activities. – ONLY 40$ + tx!
The Festival VIP Pass, presented by TONIC DNA, offers 13 hours of the best films in stop motion cinema, including
– six regular short film competition programs,
– two family-friendly Youth Film programs,
– two TNT � Terrifying, Naked & Twisted programs (mature conntent),
– the Speak-Up program (documentaries),
– a special program showcasing films from Indigenous artists,
– a short film competition program exclusive to Canada viewers.
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– behind-the-scenes studio tours and film production visits
– a private exchange group hosted on Facebook
– games & networking sessions
They’ll also get to attend a special Q&A session with Joseph Wallace, the British director of the highly anticipated 2022 film Salvation Has No Name.
Canadian audiences will have access to watch the short film Angakuksajaujuq (The Shaman’s Apprentice) by Zacharias Kunuk, which will have its Quebec Premiere at Festival Stop Motion Montréal.
A character animation workshop: From 2D to StopMo with Jean-François Lévesque
Lead by renowned filmmaker and multidisciplinary animator (2D, 3D, stop motion), the workshop will take place in person, in an intimate yet socially-distanced atmosphere at the Maison internationale des arts de la marionnette (MIAM) in Outremont, on September 13�14, orr September 16�17. This two-day workshop is perfect for 2D or 3D annimators who wish to learn the stop motion technique, or for stop motion animators looking to improve their skills.
The participation fee ($250 + tx) includes a complimentary Festival VIP Pass which gives passholders unlimited access to the full program, including the latest short film by Jean-François Lévesque, I, Barnabé (2020).
To reserve your place (limited availability): bit.ly/JFLstopmomtl
Full detail available on Festival Stop Motion website and Eventbrite event attached
How would you like a free overnight stay for two at our partner hotel, Hotel Monville*?
Keep an eye on the Festival’s Instagram feed today, September 1st, for an exciting contest launch and for your chance to win a free night’s stay at this 20-story hotel with a new age concept, ideally located in the heart of the business district and close to the Old Port of Montreal, the city’s tourist hub.
Winner will be announced September 13th, good luck!
*Contest closes September 10, 2021. Open to North American residents aged 18+.
Le Festival Stop Motion Montréal est de retour!
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Stop Motion Festival : Winners and recap
Winners and recap of a memorable 12th Home Sweet Home Edition
It’s a wrap for Festival Stop Motion Montreal’s 12th edition and first-ever virtual edition, which ran completely online this past September 14-20. In a live-streamed closing ceremony held Sunday, September 20, the Festival team and jury members assembled to announce this year award winners and, thanks to the virtual format, had some of the filmmakers join in to accept their awards from wherever they were across the globe. The jury, made up of industry professionals, was composed of Maral Mohammadian; producer at the National Film Board of Canada, Bren López Zepeda; Montreal animator and independent filmmaker and Aaron Wood; co-founder and producer at London’s Slurpy Studios.
An abundant online edition
The Festival partnered with Canadian broadcast platform VUCAVU to bring 90 short films from 30 different countries and 3 special guest masterclass conferences online and available to the public worldwide this year, in efforts to provide a safe Festival experience to all during these unprecedented pandemic times. We would like to thank our wonderful special guests; Vanessa Loubineau, Jean-François Lévesque and Justin Rasch for joining us and participating in this novel virtual edition, and for being so generous with their time, technical expertise and thoughtful advice. Thanks to the online format, and to meet the demands of our lovely and eager audience members, our masterclasses were extended to 2-hour and 3-hour sessions which could have easily gone on even longer! We hope that all audience members enjoyed the opportunity to ask their questions and got as much knowledge and amazement out of the conferences as our Festival team did.
The Festival was extended to a full 7-day experience, as compared to past physical editions which took place over 3 days. A total of 11 different film screening programs were offered, which included 9 in competition and 2 thematic programs with one highlighting local talent in a Quebec films retrospective and another with a selection of Scottish films from the Edinburgh Short Film Festival.
Two separate technical skills animation workshops were led by renowned industry leaders; Julia Peguet and See Learn Academy’s Dale Hayward and Sylvie Trouvé, which attracted all levels of participants from India, the United States, Germany, France, Colombia, Montreal, and Hungary.
The Festival offered a slew of free activities throughout the week on their social networks in a conscious effort to keep viewers connected and engaged which included a multitude of interactive Watch Parties and Live Streams.
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Among the offerings was a virtual studio tour with Vancouver-based Alicia Eisen, 19 different meetings with the filmmakers from the competition programs, a Fireside Chat with the 2020 Jury Members and a Cozy Brunch Conversation with Jean-François Lévesque and the crew members of I, Barnabé (NFB).
VIP Pass holders were given access to a private Networking Pod, allowing festival goers to interact and network with one another, ask questions in a safe environment, offer film and masterclass reviews, job opportunities and more! The Opening and Closing Ceremonies were also live-streamed with the addition of an Official 2020 Festival Cake Bake Along, with all of these free activities remaining up on the Festival’s Facebook page to watch at your own leisure.
A challenge accepted and overachieved; the future is bright for this growing Festival
The Festival doubled its VIP pass sales compared to its previous edition, having had participants tune in from almost every continent and reached over 400,000 accounts on their growing social media networks.
The pandemic challenge was met and surpassed, leaving the Festival team proud in having maintained its mandate in making stop motion animation discoverable and accessible to all, in providing a platform for the artists and their works to shine, and in stimulating the local and international stop motion industry.
The successful reception of this online edition has certainly shaped the future of the Festival which will continue to develop and broaden its reach. Upcoming hybrid editions are being considered in order to meet the diverse needs of its local and international stop motion communities.
SHORT RANGE SENSORS DETECT…
Short Range Sensors Detect…
News from the Internet
- Stop Motion Festival in Montreal
- The Throne of Knives, (also forks and spoons)
- Obit for Stephen Thorne, actor in Dr Who
- Chesley Awards for SFF art, final ballot
- Festival Stop Motion Montreal is coming back for an 11th edition, next fall, from September 20 to 22 at Concordia University. In addition to the traditional film screenings and lectures, we will once again offer professional workshops, the week before the official launch of our festivities. Three workshops will be organized from September 16 to 20.
We invite you to submit your films today! Our 2019 call for entries is open now until June 30, 2019, and as always, submissions are free. To do so, simply use our new submission form supported by Zone Festival.
For short film competition details and how to submit your work, visit our website under Submit a film tab.
2. The Throne of Knives, (also forks and spoons): About 300 forks, knives and spoons are separated each day from the food remains of the Uppsala populace, by their local biogas plant. In order to, in a fun way, show how important it is to sort properly, Uppsala water has built a magnificent cutlery throne.
The cutlery throne consists of about 4,000 pieces of cutlery which corresponds to two weeks of cleaning. The cutlery has been washed and then welded together. The throne weighs about120 kg. About 3,5 tons of cutlery is sorted out from the waste every year, which means around 100 000 pieces. CLICK HERE TO VIEW THE THRONE
3. Stephen Thorne who acted in Dr Who and is noted for his work on audio books has passed away, aged 84.
Television credits were many and included roles in Z Cars, Crossroads, Sexton Blake, David Copperfield and Last of the Summer Wine. His voice was suited to Radio work where roles included Aslan in The Magicians Nephew, Treebeard in The Lord of the Rings, and Colon in Terry Pratchett’s Guards! Guards!. He has played many characters for Big Finish Audio productions including reprising the roles of Omega and Eldred. READ MORE HERE
4. 2019 Chesley Award Finalists (for 2018 Works): This is the official final nomination list for the 34th annual ASFA awards, the Chesleys. The Chesleys, named for the great astronomical artist Chesley Bonestell, started in 1985 as a means for the Science Fiction and Fantasy art community to recognize individual works and achievements in a given year. This year’s awards are for works and achievements in the period from January 1st to December 31st 2018.
Best Cover Illustration – Hardback Book, View Album here
- Tommy Arnold – Red Rising by Pierce Brown (Subterranean Press)
- Jensine Eckwall – Soulless Illustrated Edition by Gail Carriger (Orbit Books)
- Jon Foster – I Met a Traveller in an Antique Land by Connie Willis (Subterranean Press)
- Michael Komarck – Low Chicago edited by George R. R. Martin (Tor)
- Maurizio Manzieri – The Tea Master and the Detective by Aliette de Bodard (Subterranean Press)
- John Jude Palencar – The Fork, the Witch, and the Worm: Tales from Alagaësia by Christopher Paolini (Knopf)
- Charles Vess – The Books of Earthsea by Ursula K. Le Guin (Saga Press)
- Rebecca Yanovskaya – Sisters of the Winter Wood by Rena Rossner (Redhook)
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Best Cover Illustration – Paperback Book/Ebook, View Album here
- Melissa Gay – The Year’s Best Military & Adventure SF, Vol 4 edited by David Afsharirad (Baen Books)
- Donato Giancola – Warrior by Terry Brooks (Grim Oaks Press)
- Nataša Ilin?i? – The Raven’s Ballad: A Retelling of the Swan Princess (Otherworld Book 5) by Emma Hamm (Self Published)
- Amanda Makepeace – Diabolical Plots Year Three Edited by David Steffen (Diabolical Plots, L.L.C.)
- John Picacio – Constance Verity Saves the World by A. Lee Martinez (Simon & Schuster / Saga Press)
- Nicholas Sciacca – The Tangled Lands by Paolo Bacigalupi and Tobias Buckell (Saga Press)
Best Magazine Illustration, View album here
- Cindy Fan – Strange Horizons # 19 November 2018
- Donato Giancola – Analog March/April 2018
- Arthur Haas – Clarkesworld #140, May 2018
- Sean Andrew Murray – Clarkesworld Magazine #141, June 2018
- Greg Ruth – Stranger Things 2 Variant Cover, Dark Horse, October 31, 2018
Best Interior Illustration View album here
- Audrey Benjaminsen – “Triquetra” by Kirstyn McDermott (Tor.com)
- Jon Foster – Legion: Lies of the Beholder by Brandon Sanderson (Subterranean Press)
- Vanessa Lemen – The Left Hand of Darkness by Ursula K. Le Guin (Easton Press)
- John Picacio – “Evernight” by Victor Milán (Tor.com)
- Charles Vess – The Books of Earthsea by Ursula K. Le Guin (Saga Press)
- Jeremy Wilson – Yellow by Bill Perry (Self-published online)
Best Gaming Related Illustration, View album here
- Kari Christensen – “Feasting Hunger” – Elder Scrolls Legends Houses of Morrowind (Betheseda Softworks)
- Jesper Ejsing – “Bitterblossum” – Ultimate Masters Magic card (WotC)
- Lars Grant-West – “Glowspore” – Shaman Guilds of Ravinca (WotC)
- Howard Lyon – “Octopus Umbra” – Commander Magic card (WotC)
- Mitchell Malloy – “Frantic Search” – Ultimate Masters Magic card (WotC)
- Ryan Pancoast – “Knight of Autumn” – Guilds of Ravnica Magic card (WotC)
Best Product Illustration, View album here
- Devon Dorrity – “Dragonsteel” – Bronze & LED backlighting logo for Brandon Sanderson’s production company (Dragonsteel Entertainment)
- Rachel Quinlan – “Portal” – Promotional image for the Detroit Festival of Books
- John Jude Palencar – George R. R. Martin A Song of Ice and Fire Calendar (Bantam)
- John Picacio – “La Musica” Lone Boy
- Charles Urbach – “The Pirate Queen” – Gary Con Promotional Art
- Boris Vallejo & Julie Bell – Boris Vallejo & Julie Bell’s Fantasy Calendar (Workman Publishing)
Best Color Work – Unpublished, View album here
- Julie Bell – Pegasus Befriends the Muses – Oil on wood
- Ingrid Kallick – The Gardener Of Souls – Acrylic on masonite
- Melissa Gay – Harvest – Oil
- Te Hu – 8 buddha: jingnangshou – Digital
- Mark Poole – Falling – Acrylic
- Eric Wilkerson – The Oba – Oil on Panel
Best Monochrome Work – Unpublished, View album here
- Michael Blank – The Midnight Encounter – Photoshop
- Emily Hare – Unburnt – Watercolor
- Yoann Lossel – Diane – Graphite, Gold Leaf, mixed
- Matthew Stewart – The Scroll of Isildur – Red Watercolor pencil and white pencil on toned paper
- Chris Wade – Failure To Launch: Grounded – Graphite Pencil
- Babs Webb – Vacant Memory – Powdered graphite on bristol
Best Three Dimensional Art , View album here
- Daria Aksenova – Metamorphosis – Paper
- Dan Chudzinski – Grim – Epoxy, Sculpt, Foam, Steel, Acrylic Paint
- Devon Dorrity – Lilith and the Serpent – Bronze
- Patrick Masson – Reflection – Fimo and Magic Sculpt
- Forest Rogers – Green Faun – Mixed
- Vincent Villafranca – Bane of Thieves – Bronze
Best Art Director
- Neil Clarke – Clarkesworld Magazine
- Irene Gallo – Tor Books/Tor.com
- Dawn Murin – Wizards of the Coast
- Lauren Panepinto – Orbit Books
- Cynthia Sheppard – Wizards of the Coast
Lifetime Artistic Achievement Award
- Diane Dillon
- Jeff Easley
- Greg Manchess
- Iain McCaig
- Ruth Sanderson
- Allen Williams
- Charles Vess
THE PLASTICINE AGE
I expect a knowledgeable review of this stop motion movie by Keith and François for WARP! They are, apparently, planning a Plasticine stop motion for our next MonSFFilm production. Is Nick Park worried about the competition? –CPL
THE PLASTICINE AGE: Caveman movie’s jokes stand the test of time
How much you get out of the latest animated shenanigans from Aardman studios may depend on your reactions to the following bits of visual and aural humour: a zebra pelt is used as a crosswalk; and a soccer team’s cohesion has someone referring to them as “early Man United.”
The first gag is a play on Britain’s “zebra crossings,” the second a pun on the name of its Manchester football team. Early Man is a funny romp through prehistory, but it’s staunchly British, and makes no apologies. Though to be fair, most of its caveman humour doesn’t know any geographical boundaries. And most of its cavemen don’t even know how to spell that.
The time period is somewhere between the Late Pleistocene and the Early Plasticine era. Dug, voiced by Eddie Redmayne, is the brightest member of a tribe of cave dwellers whose simple, rabbit-hunting-and-gathering lifestyle is given a shake when they encounter a society that has figured out bronze. The newcomers are led by a Frenchman (Tom Hiddleston doing a Monty Python-style French accent) and his band of Euro-baddies (more Brits). There’s a weird Brexit subtext to the whole matchup, although given the time period maybe it’s more pre-Br’entrance.
The bronze-agers take over the cavemen’s valley, until Dug challenges them to a football match to win it back.
He’s confident, after discovering ancient rock paintings that suggest his tribe invented the game. But the players of “Real Bronzio” have all the latest tech, including puppet-driven instant replays that favour their team. You’ve heard of fake news? This is fake sports.
And so we have the classic setup in which a bunch of underdogs (and one under-pig, a sabretoothed hog voiced by director and co-writer Nick Park), must band together against seemingly impossible odds. They’re aided by Goona (Maisie Williams), a soccer-lover from the bronze side, fed up with not being allowed to play because she’s female.
The humour is all over the pitch, which means some jokes will fly over the heads of younger (and/or non-British) viewers, but also that there’s something for almost everyone to enjoy. (Though I must pause here to make a formal request to comedies: You know that scene where several characters are startled by one another, and the camera cuts from one of them screaming, to another, to another? Please. Stop.)
The stop-motion animation is up to the usual Aardman standards, as is the studio’s unusual but endearing obsession with rabbit characters. It’s not quite the equal of 2015’s Shaun the Sheep Movie, but it’s a step above The Pirates! from 2012. If Early Man was an Olympic competitor, it wouldn’t be breaking any records but would easily qualify for a third-place medal.
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MonSFFA Stop-Motion Project now on YOUTUBE
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MonSFFA’s Impulse for August online
The August edition of Impulse is now available for download. Click here.
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