DATELINE, SUNDAY, APRIL 17, 2016:

After many months of planning, pre-production work, and test footage, MonSFFA’s film division, MonSFFilms, began shooting on its paper-cut-out, stop-motion animated short film project.

With final character art completed by writer/art director Keith Braithwaite, and the articulated model cardboard “skeletons”, or armatures, fashioned by animator Francois Menard on hand, production crew members Josée Bellemare, Cathy Palmer-Lister, and Marquise assembled the shooting models under Francois’ supervision. Meanwhile, Mark Burakoff, fabricator of our animation stand, Keith, Dominique Durocher, Marc Durocher, and others set up a shooting stage in a corner of the club’s meeting room.

 
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Two scenes were committed to digital media on this day, each starring our story’s Pterodactyl.

A quick review of the dailies before the crew packed up for the afternoon drew positive commentary, with many noting that the scene looked a lot better than they’d expected. Despite the simplicity and two-dimensional nature of this paper-cut-out piece of animation, the resulting images displayed a certain three-dimensional quality, due in large part, it was noted, to our option of shooting physical elements on a multi-plane animation stand. The deft lighting of clouds (cotton wadding) resulted in a visually striking environment through which our Pterodactyl could fly.

The shoot will continue in the coming months.