Category Archives: Comics / Graphic Novels

Bronx Street to be Renamed After Batman Co-Creator

HONOR IN GOTHAM. Welcome2TheBronx says a street will be given the name of Batman’s co-creator: “Recognition At Last! Bronx Street to be Renamed After Batman Co-Creator Bill Finger”.

On December 8th, late Bronxite and DeWitt Clinton alumni Bill Finger and co-creator of Batman will have justice with a Bronx street renamed after him.

For years, many only knew Bob Kane as the creator of Batman but it was actually Bill Finger who gave Bob Kane not only the idea of how Batman should look but also created his origin story and wrote many of the stories during the beginning of the rise of the Dark Knight.

Born Milton Finger in Denver, Colorado on February 8, 1914, eventually he and his family moved to The Bronx where he was raised and went to DeWitt Clinton High School (where Bob Kane went as well).

Kane was trying to come up with a character to compete with the craze created by Superman but was stuck in a rut when he asked Bill Finger for some advice. The two would meet up at Poe Park on the Grand Concourse to come up with ideas and it was Finger who told him to change his costume into what became the Batman we know

Winners of Will Eisner Comic Industry Awards

The winners of the Will Eisner Comic Industry Awards 2017 were announced July 21 at San Diego Comic-Con International.
Winner in each category is highlighted in RED.
Best Short Story
  • “The Comics Wedding of the Century,” by Simon Hanselmann, in We Told You So: Comics as Art (Fantagraphics)
  • “The Dark Nothing,” by Jordan Crane, in Uptight #5 (Fantagraphics)
  • “Good Boy,” by Tom King and David Finch, in Batman Annual #1 (DC)
  • “Monday,” by W. Maxwell Prince and John Amor, in One Week in the Library (Image)
  • “Mostly Saturn,” by Michael DeForge, in Island Magazine #8 (Image)
  • “Shrine of the Monkey God!” by Kim Deitch, in Kramers Ergot 9 (Fantagraphics)

Best Single Issue/One-Shot
  • Babybel Wax Bodysuit, by Eric Kostiuk Williams (Retrofit/Big Planet)
  • Beasts of Burden: What the Cat Dragged In, by Evan Dorkin, Sarah Dyer, and Jill Thompson (Dark Horse)
  • Blammo #9, by Noah Van Sciver (Kilgore Books)
  • Criminal 10th Anniversary Special, by Ed Brubaker and Sean Phillips (Image)
  • Sir Alfred #3, by Tim Hensley (Pigeon Press)
  • Your Black Friend, by Ben Passmore (Silver Sprocket)

Best Continuing Series
  • Astro City, by Kurt Busiek and Brent Anderson (Vertigo/DC)
  • Kill or Be Killed, by Ed Brubaker and Sean Phillips (Image)
  • The Mighty Thor, by Jason Aaron and Russell Dauterman (Marvel)
  • Paper Girls, by Brian K. Vaughan and Cliff Chiang (Image)
  • Saga, by Brian K. Vaughan and Fiona Staples (Image)

Best Limited Series
  • Archangel, by William Gibson, Michael St. John Smith, Butch Guice, and Tom Palmer (IDW)
  • Briggs Land, by Brian Wood and Mack Chater (Dark Horse)
  • Han Solo, by Marjorie Liu and Mark Brooks (Marvel)
  • Kim and Kim, by Magdalene Visaggio and Eva Cabrera (Black Mask)
  • The Vision, by Tom King and Gabriel Walta (Marvel)

Best New Series

  • Black Hammer, by Jeff Lemire and Dean Ormston (Dark Horse)
  • Clean Room, by Gail Simone and Jon Davis-Hunt (Vertigo/DC)
  • Deathstroke: Rebirth, by Christopher Priest, Carlo Pagulayan, et al. (DC)
  • Faith, by Jody Houser, Pere Pérez, and Marguerite Sauvage (Valiant)
  • Mockingbird, by Chelsea Cain and Kate Niemczyk (Marvel)

Best Publication for Early Readers (up to age 8)

  • Ape and Armadillo Take Over the World, by James Sturm (Toon)
  • Burt’s Way Home, by John Martz (Koyama)
  • The Creeps, Book 2: The Trolls Will Feast! by Chris Schweizer (Abrams)
  • I’m Grumpy (My First Comics), by Jennifer L. Holm and Matthew Holm (Random House Books for Young Readers)
  • Narwhal: Unicorn of the Sea, by Ben Clanton (Tundra)

Best Publication for Kids (ages 9-12)
  • The Drawing Lesson, by Mark Crilley (Watson-Guptill)
  • Ghosts, by Raina Telgemeier (Scholastic)
  • Hilda and the Stone Forest, by Luke Pearson (Flying Eye Books)
  • Rikki, adapted by Norm Harper and Matthew Foltz-Gray (Karate Petshop)
  • Science Comics: Dinosaurs, by MK Reed and Joe Flood (First Second)

Best Publication for Teens (ages 13-17)
  • Bad Machinery, vol. 5: The Case of the Fire Inside, by John Allison (Oni)
  • Batgirl, by Hope Larson and Rafael Albuquerque (DC)
  • Jughead, by Chip Zdarsky, Ryan North, Erica Henderson, and Derek Charm (Archie)
  • Monstress, by Marjorie Liu and Sana Takeda (Image)
  • Trish Trash: Roller Girl of Mars, by Jessica Abel (Papercutz/Super Genius)
  • The Unbeatable Squirrel Girl, by Ryan North and Erica Henderson (Marvel)

Best Humor Publication
  • The Further Fattening Adventures of Pudge, Girl Blimp, by Lee Marrs (Marrs Books)
  • Hot Dog Taste Test, by Lisa Hanawalt (Drawn & Quarterly)
  • Jughead, by Chip Zdarsky, Ryan North, Erica Henderson, and Derek Charm (Archie)
  • Man, I Hate Cursive, by Jim Benton (Andrews McMeel)
  • Yuge! 30 Years of Doonesbury on Trump, by G. B. Trudeau (Andrews McMeel)

Best Anthology
  • Baltic Comics Anthology š! #26: dADa, edited by David Schilter and Sanita Muizniece (kuš!)
  • Island Magazine, edited by Brandon Graham and Emma Rios (Image)
  • Kramers Ergot 9, edited by Sammy Harkham (Fantagraphics)
  • Love Is Love, edited by Sarah Gaydos and Jamie S. Rich (IDW/DC)
  • Spanish Fever: Stories by the New Spanish Cartoonists, edited by Santiago Garcia (Fantagraphics)

Best Reality-Based Work
  • Dark Night: A True Batman Story, by Paul Dini and Eduardo Risso (Vertigo/DC)
  • Glenn Gould: A Life Off Tempo, by Sandrine Revel (NBM)
  • March (Book Three), by John Lewis, Andrew Aydin, and Nate Powell (Top Shelf)
  • Rosalie Lightning: A Graphic Memoir, by Tom Hart (St. Martin’s)
  • Tetris: The Games People Play, by Box Brown (First Second)

Best Graphic Album—New
  • The Art of Charlie Chan Hock Chye, by Sonny Liew (Pantheon)
  • Black Dog: The Dreams of Paul Nash, by Dave McKean (Dark Horse)
  • Exits, by Daryl Seitchik (Koyama)
  • Mooncop, by Tom Gauld (Drawn & Quarterly)
  • Patience, by Daniel Clowes (Fantagraphics)
  • Wonder Woman: The True Amazon, by Jill Thompson (DC Comics)

Best Graphic Album—Reprint
  • Demon, by Jason Shiga (First Second)
  • Incomplete Works, by Dylan Horrocks (Alternative)
  • Last Look, by Charles Burns (Pantheon)
  • Meat Cake Bible, by Dame Darcy (Fantagraphics)
  • Megg and Mogg in Amsterdam and Other Stories, by Simon Hanselmann (Fantagraphics)
  • She’s Not into Poetry, by Tom Hart (Alternative)

Best U.S. Edition of International Material
  • Equinoxes, by Cyril Pedrosa, translated by Joe Johnson (NBM)
  • Irmina, by Barbara Yelin, translated by Michael Waaler (SelfMadeHero)
  • Love: The Lion, by Frédéric Brémaud and Federico Bertolucci (Magnetic)
  • Moebius Library: The World of Edena, by Jean “Moebius” Giraud et al. (Dark Horse)
  • Wrinkles, by Paco Roca, translated by Erica Mena (Fantagraphics)

Best U.S. Edition of International Material—Asia
  • The Art of Charlie Chan Hock Chye, by Sonny Liew (Pantheon)
  • Goodnight Punpun, vols. 1–4, by Inio Asano, translated by JN PRoductions (VIZ Media)
  • orange: The Complete Collection, vols. 1–2, by Ichigo Takano, translated by Amber Tamosaitis, adaptation by Shannon Fay (Seven Seas)
  • The Osamu Tezuka Story: A Life in Manga and Anime, by Toshio Ban and Tezuka Productions, translated by Frederik L. Schodt (Stone Bridge Press)
  • Princess Jellyfish, vols. 1–3, by Akiko Higashimura, translated by Sarah Alys Lindholm (Kodansha)
  • Wandering Island, vol. 1, by Kenji Tsuruta, translated by Dana Lewis (Dark Horse)

Best Archival Collection/Project—Strips (at least 20 years old)
  • Almost Completely Baxter: New and Selected Blurtings, by Glen Baxter (NYR Comics)
  • Barnaby, vol. 3, by Crockett Johnson, edited by Philip Nel and Eric Reynolds (Fantagraphics)
  • Chester Gould’s Dick Tracy, Colorful Cases of the 1930s, edited by Peter Maresca (Sunday Press)
  • The Realist Cartoons, edited by Paul Krassner and Ethan Persoff (Fantagraphics)
  • Walt & Skeezix 1931–1932, by Frank King, edited by Jeet Heer and Chris Ware (Drawn & Quarterly)

Best Archival Collection/Project—Comic Books (at least 20 Years Old)
  • The Complete Neat Stuff, by Peter Bagge, edited by Eric Reynolds (Fantagraphics)
  • The Complete Wimmen’s Comix, edited by Trina Robbins, Gary Groth, and J. Michael Catron (Fantagraphics)
  • Fables and Funnies, by Walt Kelly, compiled by David W. Tosh (Dark Horse)
  • Trump: The Complete Collection, by Harvey Kurtzman et al., edited by Denis Kitchen and John Lind (Dark Horse)
  • U.S.S. Stevens: The Collected Stories, by Sam Glanzman, edited by Drew Ford (Dover)

Best Writer
  • Ed Brubaker, Criminal 10th Anniversary Special, Kill or Be Killed, Velvet (Image)
  • Kurt Busiek, Astro City (Vertigo/DC)
  • Chelsea Cain, Mockingbird (Marvel)
  • Max Landis, Green Valley (Image/Skybound); Superman: American Alien (DC)
  • Jeff Lemire, Black Hammer (Dark Horse); Descender, Plutona (Image); Bloodshot Reborn (Valiant)
  • Brian K. Vaughan, Paper Girls, Saga (Image)

Best Writer/Artist
  • Jessica Abel, Trish Trash: Roller Girl of Mars (Papercutz/Super Genius)
  • Box Brown, Tetris: The Games People Play (First Second)
  • Tom Gauld, Mooncop (Drawn & Quarterly)
  • Tom Hart, Rosalie Lightning: A Graphic Memoir (St. Martin’s)
  • Sonny Liew, The Art of Charlie Chan Hock Chye (Pantheon)

Best Penciller/Inker or Penciller/Inker Team
  • Mark Brooks, Han Solo (Marvel)
  • Dan Mora, Klaus (BOOM! Studios)
  • Greg Ruth, Indeh (Grand Central Publishing)
  • Francois Schuiten, The Theory of the Grain of Sand (IDW)
  • Fiona Staples, Saga (Image)
  • Brian Stelfreeze, Black Panther (Marvel)

Best Painter/Multimedia Artist (interior art)
  • Federico Bertolucci, Love: The Lion (Magnetic)
  • Brecht Evens, Panther (Drawn & Quarterly)
  • Manuele Fior, 5,000 km per Second (Fantagraphics)
  • Dave McKean, Black Dog (Dark Horse)
  • Sana Takeda, Monstress (Image)
  • Jill Thompson, Wonder Woman: The True Amazon (DC); Beasts of Burden: What the Cat Dragged In (Dark Horse)

Best Cover Artist (for multiple covers)
  • Mike Del Mundo, Avengers, Carnage, Mosaic, The Vision (Marvel)
  • David Mack, Abe Sapien, BPRD Hell on Earth, Fight Club 2, Hellboy and the BPRD 1953 (Dark Horse)
  • Sean Phillips, Criminal 10th Anniversary Special, Kill or Be Killed (Image)
  • Fiona Staples, Saga (Image)
  • Sana Takeda, Monstress (Image)

Best Coloring
  • Jean-Francois Beaulieu, Green Valley (Image/Skybound)
  • Elizabeth Breitweiser, Criminal 10th Anniversary Special, Kill or Be Killed, Velvet (Image); Outcast by Kirkman & Azaceta (Image/Skybound)
  • Sonny Liew, The Art of Charlie Chan Hock Chye (Pantheon)
  • Laura Martin, Wonder Woman (DC); Ragnorak (IDW); Black Panther (Marvel)
  • Matt Wilson, Cry Havoc, Paper Girls, The Wicked + The Divine (Image); Black Widow, The Mighty Thor, Star-Lord (Marvel)

Best Lettering
  • Dan Clowes, Patience (Fantagraphics)
  • Brecht Evens, Panther (Drawn & Quarterly)
  • Tom Gauld, Mooncop (Drawn & Quarterly)
  • Nick Hayes, Woody Guthrie (Abrams)
  • Todd Klein, Clean Room, Dark Night, Lucifer (Vertigo/DC); Black Hammer (Dark Horse)
  • Sonny Liew, The Art of Charlie Chan Hock Chye (Pantheon)

Best Comics-Related Periodical/Journalism

Best Comics-Related Book
  • blanc et noir: takeshi obata illustrations, by Takeshi Obata (VIZ Media)
  • Ditko Unleashed: An American Hero, by Florentino Flórez and Frédéric Manzano (IDW/Editions Déesse)
  • Krazy: George Herriman, A Life in Black and White, by Michael Tisserand (Harper)
  • The Life and Legend of Wallace Wood, vol. 1, edited by Bhob Stewart and J. Michael Catron (Fantagraphics)
  • More Heroes of the Comics, by Drew Friedman (Fantagraphics)

Best Academic/Scholarly Work
  • Brighter Than You Think: Ten Short Works by Alan Moore, with essays by Marc Sobel (Uncivilized)
  • Forging the Past: Set and the Art of Memory, by Daniel Marrone (University Press of Mississippi)
  • Frank Miller’s Daredevil and the Ends of Heroism, by Paul Young (Rutgers University Press)
  • Pioneering Cartoonists of Color, by Tim Jackson (University Press of Mississippi)
  • Superwomen: Gender, Power, and Representation, by Carolyn Cocca (Bloomsbury)

Best Publication Design
  • The Art of Charlie Chan Hock Chye, designed by Sonny Liew (Pantheon)
  • The Complete Wimmen’s Comix, designed by Keeli McCarthy (Fantagraphics)
  • Frank in the Third Dimension, designed by Jacob Covey, 3D conversions by Charles Barnard (Fantagraphics)
  • The Realist Cartoons, designed by Jacob Covey (Fantagraphics)
  • Si Lewen’s Parade: An Artist’s Odyssey, designed by Art Spiegelman (Abrams)

Best Webcomic

Best Digital Comic

After three decades, Astro Books faces dire financial challenge

Comic Book store at 1844 Ste.Catherine St.W, near Guy, in danger of closing.   http://astrolib.com/

Astro Books is one of the largest retailers of new, used and collectible comics in Canada

Montreal Gazette, RENÉ BRUEMMER rbruemmer@postmedia.com twitter.com/renebruemmer

DAVE SIDAWAY Astro Books has launched a crowdfunding campaign in the hope that its loyal clientele can help offset a $20,000-plus tax bill. “If we can get through this year, I think we can make it,” says 71-year-old co-owner Betty Stock.

Love, comic books and addiction have colluded to keep Astro Books alive for more than three decades. But of late, Montreal’s rising commercial tax rates, construction and the indignities of age are conspiring against it.

After 33 years mainly in Notre-Dame-de-Grâce on Sherbrooke St., and downtown on Ste-Catherine St. a bit west of Guy, one of the largest comic-book retailers in the country is appealing to its local community with a crowdfunding campaign to help cover its $20,000-plus share of the landlord’s tax bill.

After a slow winter in which drivers who fear construction detours were reluctant to venture downtown while other customers chose cocooning over browsing, owners Paul and Betty Stock were unable to save for the tax hit. The financial situation for the siblings, for whom the store is both a lifeline and a way of life, is tight.

“If the money doesn’t come in, I think we will have to close. I think so,” says Betty, 71, who deals with customers and staff with a seasoned grumpiness offset by the twinkle in her eye. “And that’s hard.”

On top of the tax bill, Astro Books (or Librairie Astro, as the awning reads) has to deal with rent north of $3,500 a month, rising hydro and water meter bills and salaries for four employees.

The store’s dog-eared appearance and a window display featuring used books ranging from Shakespeare’s Othello to a dated copy of Lonely Planet’s guide to India belies a well-organized enterprise that sells in the range of 100,000 comic books a year, as well as CDs, videos, graphic novels, collectible cards and used books of the popular fiction variety.

Key to the comics sales is a reserve system for 400 clients (it used to be 600) for whom Astro puts aside new orders as deliveries come in each week. Most customers pick them up, while some orders are mailed out as far as Taiwan. Some clients order dozens of titles — one pays $125 a week for his comic fix — but most are in the $10-to-$15-a-week range.

It has made Astro one of the largest retailers of new, used and collectible comics in Canada, with loyal customers dating back more than 20 years. They shifted their focus to comics and closed their N.D.G. store about 15 years ago when the book market slumped.

Stock says she’s seeing a shift back toward print, both for books and comics, that is also evidenced in growing sales of printed books worldwide as the popularity of Kindle and other e-readers declines.

“If we can get through this year, I think we can make it,” she said. “Book sales are getting better, and comic book sales, which had bottomed out, are climbing. People are seeking that tactile experience.”

As customers who grew up on superhero fare have matured and evolved, so have comic books, branching out to a wide variety of genres that include murder mysteries and romantic comedies. Ms. Marvel, about a New Jersey high school girl of Pakistani descent who suddenly attains superhero powers, is the first comic to have a Muslim headliner; it was a smash hit, indicative of publishers’ willingness to reflect a more diverse society, noted store clerk David Villeneuve. Acclaimed writers like Margaret Atwood and Fight Club author Chuck Palahniuk have entered the graphic-novel genre.

For customers like Sean Gallagher, it’s the ambience and the availability of new genres, many chosen for him by store employees, that have kept him coming back for 20 years.

“I like the convenience, and the atmosphere,” says Gallagher, a 42-year-old computer designer who fell in love with comics at the age of nine.

Gallagher is also picking up titles like Looney Tunes and Teen Titans for his seven-year-old son, aiding in the store’s marketing strategy of “getting them addicted.” Because comic books are written as serial novels, with storylines spanning multiple editions, once a reader has read one, they want to see how it ends.

“They find a used comic at $1 — it gets them hooked,” Stock says. Soon, hopefully, they’re following a few titles a month.

For Von Allan, both a customer and a comic-book creator and graphic novelist, much of the store’s charm lies in its willingness to support and promote lesserknown titles outside of the mainstream, including his own.

“A store that is willing to lend a hand and help rookies get started is rare,” Allan said. “And Paul’s been doing that for decades. I can’t stress that enough. For a young artist starting out, it means the world. We need more stores like this, and I’m saying that as a friend, customer and comic creator.”

The last few years have been hard on the Stocks. Betty walks with two canes, but still comes in daily. Paul, 67, got past a bout of flesh-eating disease several years ago, then suffered a stroke about five years back that left him partially paralyzed. He still comes in for a few hours a day, and works from home.

“If this store closes, he would turn into a vegetable,” Betty says. “So will I. I’m not looking for that.”

Across the street at Capitaine Québec, neither is owner Charlie Vaccaro. With three comic stores in a three-block radius downtown, the close-knit competition is good for business, he said, bringing in customers from all over Montreal.

“If Astro closes, it might be short-term gain for me in terms of getting a few reserve-list customers, but … it would be long-term pain,” he said.

After half a lifetime serving book lovers and comic-book addicts, Betty says it’s the fun she would miss.

“Generally, the comic-books community is a very nice community,” she said. “We’re nice, and a bit weird.”

A link to Astro Books’ crowdfunding page is available at their website, astrolib.com.

A store that is willing to lend a hand and help rookies get started is rare. And Paul’s been doing that for decades. I can’t stress that enough.

Judges Select Gross, Peter, Prohias, and Seda for Eisner Hall of Fame

Voters Will Select 4 More Inductees

For a complete list of the judges’ choices and the nominees with bios and artwork, please click here.

Comic-Con International has announced that the Eisner Awards judges have selected four individuals to automatically be inducted into the Will Eisner Comic Awards Hall of Fame for 2017. These inductees are Milt Gross (early newspaper cartoonist known for such strips as Count Screwloose of Tooloose, Nize Baby, and That’s My Pop!), H. G. Peter (original Wonder Woman artist), Antonio Prohias (creator of MAD’s “Spy vs. Spy”), and Dori Seda (pioneering autobiographical underground cartoonist). In most years, the judges select only two automatic inductees, but an exception was made this year as part of the Will Eisner centennial celebration (Eisner would have turned 100 on March 6).

The judges have also chosen 17 nominees from which voters will select 4 to be inducted in the Hall of Fame this summer. These nominees are Peter Bagge, Howard Cruse, Steve Englehart, Justin Green, Roberta Gregory, Bill Griffith, Gilbert and Jaime Hernandez, Francoise Mouly, Jackie Ormes, George Pérez, P. Craig Russell, Posy Simmonds, Walt Simonson, Jim Starlin, Rumiko Takahashi, and Garry Trudeau.

2017 Will Eisner Comic Industry Awards

Nominees Announced for 2017 Will Eisner Comic Industry Awards
Sonny Liew’s The Art of Charlie Chan Hock Chye Tops List with Six Nominations

Comic-Con International is proud to announce the nominations for the Will Eisner Comic Industry Awards 2017. The nominees were chosen by a blue-ribbon panel of judges.

Click here for a complete list of the 2017 Eisner Awards Nominations

 

Once again, this year’s nominees reflect the wide range of material being published in comics and graphic novel form today, with over 120 titles from some 50 publishers and by creators from all over the world.

Topping the nominations is Sonny Liew’s The Art of Charlie Chan Hock Chye (Pantheon), originally published in Singapore. It is a history of Singapore from the 1950s to the present as told by a fictional cartoonist in a wide variety of styles reflecting the various time periods. It is nominated in 6 categories: Best Graphic Album–New, Best U.S. Edition of International Material–Asia, Best Writer/Artist, Best Coloring, Best Lettering, and Best Publication Design.

Boasting 4 nominations are Image’s Saga and Kill or Be Killed. Saga is up for Best Continuing Series, Best Writer (Brian K. Vaughan), and Best Cover Artist and Best Coloring (Fiona Staples). Kill or Be Killed by Ed Brubaker and Sean Phillips is nominated for Best Continuing Series, Best Writer, Best Cover Artist, and Best Coloring (Elizabeth Breitweiser). Two titles have 3 nominations: Image’s Monstress by Marjorie Liu and Sana Takeda (Best Publication for Teens, Best Painter, Best Cover Artist), and Tom Gauld’s Mooncop (Best Graphic Album–New, Best Writer/Artist, Best Lettering), published by Drawn & Quarterly. Another dozen publications have 2 nominations.

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David Brin looks at SF webcomics

From David Brin’s blog

A few years back I posted a review of my top choices in science-oriented webcomics, highlighting outstanding works such as xkcd, Saturday Morning Breakfast Cereal, Girl Genius, Schlock Mercenary, Abstruse Goose, Tree Lobsters, Scenes from a Multiverse, Dresden Codak, and others.

This time let’s follow-up with a selection of yet-more truly creative online comics, some serious space dramas, others satires or comedies. Many offer humorous insights as they delve into science, space, the future… and human nature. You’ll find star-spanning voyages, vividly portrayed aliens, frequent use of faster-than-light travel (FTL), but …. no superheroes here!

(And yes, I have hereby destroyed your productivity for the next two months!)

Many of these talented webcartoonists are dedicated to updating their works daily or weekly, offering their stories and artwork for free online. You can support your favorites by subscribing to their websites, pledging on Patreon (many provide exclusive bonus materials to donors), or buying their collected works.

In no particular order, this is just a selection of the marvellous stuff out there…

http://davidbrin.blogspot.ca/2016/06/a-look-at-some-of-best-science-fiction.html

Stan Lee Makes a Cameo During Frank Miller’s Batman: The Dark Knight Returns 30th Anniversary Panel

….The evening took an unexpected turn right out the gate as Miller’s panel was interrupted by an audience heckler. That heckler turned out to be none other than Marvel Comics legend/cameo king Stan Lee, who was on hand to celebrate pal Miller’s accomplishments. Lee of course demanded to know who would win in a showdown between publisher mainstays Batman and Captain America, to which Miller slyly responded “Robin.”….

Read all about it!

 

 

 

Football, as visualized by Jack Kirby

That Time the NFL Paid Jack Kirby to Design an Intergalactic Super Bowl

“At the height of his power in the 1970s, Kirby was commissioned for a Kirby football playerfeature in the October 21, 1973 issue of Pro! Magazine, the official publication of the National Football League. At the time, Kirby had switched to DC comics from Marvel, and presumably had a little spare time to pick up extra commissions. Hyperbolically titled “Out of Mind’s Reach,” Kirby’s collection of art depicted a future pro football match and debuted bizarre new costume designs for four different teams.

Full article is here.   Art for the intergalactic Super Bowl can be seen here.