All posts by Cathy Palmer-Lister

Event Horizon Telescope releases first-ever black hole image

From Astronomy Magazine

http://www.astronomy.com/

Event Horizon Telescope releases first-ever black hole image

After decades of theorizing about the possibility of catching a black hole image, astronomers have finally pulled it off. The results offer new insights into the mysterious objects.

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AConsensus
The first ever image of a black hole shows the supermassive black hole in the heart of galaxy M87
On Wednesday, astronomers revealed the first image ever taken of a black hole, bringing a dramatic conclusion to a decades-long effort. The iconic image offers humanity its first glimpse at the gas and debris that swirl around its event horizon, the point beyond which material disappears forever. A favorite object of science fiction has finally been made real on screen.
Read more

The nature of M87: EHT’s look at a supermassive black hole

By directly imaging M87’s supermassive black hole and accretion disk, researchers are already learning more about the complex processes that shape the jets of active galaxies.

MORE

Why the Event Horizon Telescope took so long to image a black hole

Scientists have finally imaged the invisible. Why did it take two decades to snap a shot of a black hole?

MORE

How the Event Horizon Telescope imaged an invisible black hole

How scientists imaged a black hole is nearly as impressive as the picture itself.

READ MORE

A couple of articles involving Canadians on the ISS

A couple of articles involving Canadians on the ISS appeared in the Montreal Gazette:

  • Chris Hadfield’s famous photos from the International Space Station will soon be available to the public
  • Saint-Jacques walks in space

Chris Hadfield’s famous photos to be made public  

Montreal Gazette,

Astronaut Chris Hadfield’s famous photos from the International Space Station will soon be available to the public. Hadfield donated more than 13,000 photos to Dalhousie University in Halifax, where they will be preserved and available for educational and research purposes. Marlo MacKay of the Dalhousie Libraries says they will be available as of Thursday, when the university will hold a public launch. Hadfield took 45,000 photographs during a five-month mission commanding the ISS that ended in May 2013.

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‘A GLIMPSE OF THE FUTURE’

Saint-Jacques walks in space

CANADIAN SPACE AGENCY/NASAAstronaut David Saint-Jacques tackled a 61/2-hour-long to-do list alongside NASA’s Anne McClain during Monday’s spacewalk at the International Space Station. Saint-Jacques is the first Canadian to perform a spacewalk since 2007.

LONGUEUIL, QUE.  Astronaut David Saint-Jacques became just the fourth Canadian to complete a spacewalk Monday, accomplishing several tasks alongside NASA astronaut Anne McClain in about six-and-a-half hours before returning inside the International Space Station.

Saint-Jacques, 49, is the first Canadian to perform a spacewalk since 2007.

After re-entering the space station, he hailed the mission as “a glimpse of the future as we venture further into space.” He said the international effort was an excellent example of collaboration.

“Because when we manage to look beyond our differences, we achieve things that seem impossible,” Saint-Jacques said. “That’s how we progress.”

McClain, who was performing her second spacewalk, thanked the ground team. “We know that it’s a lot of hard work, and a lot of big sighs of relief as soon as the hatch did get closed,” she said.

The spacewalk appeared to run like clockwork, with Saint-Jacques and McClain actually leaving the space station half-an-hour earlier than scheduled.

Retired astronaut Dave Williams said astronauts prefer to have a cushion against the unpredictability of working in space. “We like to get ahead on the timeline and stay ahead, because you never know what’s going to happen during a spacewalk,” Williams said at the Canadian Space Agency headquarters in suburban Montreal.

Williams holds the Canadian record for the most spacewalks, with three for a total of just under 18 hours outside the space station during a 2007 mission. Those came at a time when there was extensive building going on at the station.

Now, astronauts are transitioning mostly to maintenance tasks, which partly explains the long gap since the last Canadian spacewalk by Williams. The other two Canadian astronauts to have performed the feat are Steve MacLean in 2006 and Chris Hadfield in 2001.

Saint-Jacques is on his first posting to the space station, which began on Dec. 3. After emerging from the station, the Canadian performed a few brief movements to get used to his suit before diving into the to-do list, which took 6 hours, 29 minutes.

The tasks took the pair all over the station and included relocating a battery adapter plate, upgrading the station’s wireless communication system and connecting jumper cables along the midpoint of the station’s main truss to give Canadarm2 an alternative power source.

Saint-Jacques, McClain and Oleg Kononenko of the Russian space agency, Roscosmos are scheduled to return to Earth in June.

New ALIENS short movies released to celebrate franchise’s 40th anniversary

From the Wertzone:

The Aliens franchise is turning 40 this year and Fox (and new corporate overlords Disney) are celebrating that fact to the hilt, although it’s fair to say that the last few movies in the franchise have not exactly set the world on fire.

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In an interesting and commendable movie, Fox have allowed several film-makers to shoot some new, live-action short films set in the Aliens setting. The first two, Containment and Specimen, have already been released and four more are on the way.

They are surprisingly quite good, probably the best additions to the live-action Aliens mythos since at least Alien 3 was released in 1992. The short length suits the creeping horror of the franchise a lot better, and allows them to experiment with tone a bit.

With Fox having been gobbled up by Disney, it appears that plans to make further movies in the Prometheus/Covenant sub-series are on hold. It’ll be interesting to see if there are plans to take the franchise somewhere fresher in the future, but these short films indicate that maybe there’s life in the old facehugger yet.

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The Event Horizon Telescope may soon release first-ever black hole image

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From Astronomy Magazine

 The Event Horizon Telescope may soon release first-ever black hole image

A photo of the Milky Way’s central black hole, Sagittarius A*, would be the first of its kind.

RELATED TOPICS: BLACK HOLES | GALAXIES
blackhole
While still a simulation for now, the Event Horizon Telescope has promised to image a black hole, and they’re poised to make a big announcement.Hotaka Shiokawa
No, you can’t actually take a picture of a black hole. But astronomers have promised to do the next best thing: To image the seething chaos just outside the black hole, known as its event horizon. To capture this region, just on the cusp of the black hole itself, astronomers have had to link telescopes from across the globe and focus them on the closest, most massive black holes known: Sagittarius A* (pronounced “A-star”), which resides at the center of our own Milky Way galaxy, as well as the even larger supermassive black hole that sits at the center of nearby galaxy M87.

The result, known as the Event Horizon Telescope (EHT) had its big observing run in April of 2017. Researchers warned that it would take time to piece together the data. And the team has repeatedly dropped hints that the results could be ready soon, only for the project to continue on. But based on their upcoming press event, set for April 10, it seems that time may have come, and that viewers are about to see the first-ever picture of a black hole’s event horizon.

TeamworkEHT is actually a team of telescopes working together in a process known as interferometry. This lets the connected telescopes behave as if they had one enormous collecting area. Of course, there are gaps between the individual observatories, and each telescope is unique and behaves in slightly different ways – as well as experiencing different weather, and having a different view of the black hole, though this last is actually the feature that makes the combined imaging so accurate. But figuring out how to stitch all that data together is why researchers have taken so long to turn the 2017 data into a presentable image.

But the cooperation pays off. Individually, the telescopes are world-class. And together, they deliver enough observing power that a person standing in New York City could use the EHT to read the writing on a quarter in Los Angeles, something none of them could do individually.

It’s not clear which of the black holes targeted by EHT may be ready to show off to the public. It’s also not for certain that they’ve actually accomplished the feat yet. But after such a wait, the pictures should be stunning. The National Science Foundation, which helps fund EHT, will be hosting the press conference. Due to the collaboration being spread across the globe, other press conferences will happen simultaneously in Brussels, Santiago, Shanghai, Taipei and Tokyo, highlighting the cooperation and vast resources it takes to make a project this large succeed.

The announcement will be livestreamed at the NSF’s webpage.

Twilight Zone inspired other spooky shows

SHOW INSPIRED OTHER SPOOKY SERIES

The Outer Limits (1963-65)

The show that’s most closely compared to The Twilight Zone focused less on social commentary and more on straight-up horror and science fiction. It ran for two seasons and was known for its “monster of the week” format.

Tales of the Unexpected (1979-88)

This ITV series was largely based on the stories of Roald Dahl — he even introduced them Rod Serling-style — and is remembered for its fairground-like theme and crafty twist endings.

Hammer House of Horror (1980)

This short-lived series was a distinctly British take on the horror anthology. It ran for 13 episodes and featured such heritage talent as Denholm Elliott, Peter Cushing and Brian Cox.

Black Mirror (2011-present)

Charlie Brooker’s anthology mines its anxieties from our uncertain relationship with technology. Last year, it pushed the boundaries of technological innovation itself with the feature-length “choose your own adventure” Bandersnatch.

Inside No. 9 (2014-present)

Steve Pemberton and Reece Shearsmith’s macabre anthology is an exercise in playing with the form. Technical trickery, silent comedy and smart wordplay have featured in their high-concept stories, all loosely connected to the number nine.

London Daily Telegraph

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BACK IN THE TWILIGHT ZONE

Just in time for our meeting on the 13th, an article in the Gazette about Twilight Zone.  –CPL
BACK IN THE TWILIGHT ZONE
Classic series that paved way for Star Trek and Black Mirror getting a Peele reboot

CBSThe Twilight Zone creator Rod Serling would be stunned and humbled that people are still talking about his work, his daughter says. The series is returning for 10 new episodes with Jordan Peele stepping into Serling’s role.

The Twilight Zone Debuts April 4, Citytv

Sixty years after The Twilight Zone was first broadcast, its influence on popular culture reaches far beyond the fifth dimension. Just imagine a parallel universe where the spooky anthology series and its creator Rod Serling never existed. There would be no Star Trek, no Twin Peaks, no Black Mirror, no twist endings, no breaking of the fourth wall and no one whistling the “do-do-do-do, do-do-do-do” theme tune whenever something strange happens.

Originally broadcast from 1959 to 1964, The Twilight Zone told one-off tales of mystery, monsters and men from space, usually with a rug-pull twist in the final seconds — “They were dead all along! It was all a dream! The humans are the real monsters!” — a trick borrowed from other anthologies such as Alfred Hitchcock Presents.

Serling himself played its suit-wearing, chain-smoking host, who wandered into the stories to introduce the week’s mystery and warn viewers they were about to enter The Twilight Zone.

Now it is set to return for 10 new episodes debuting in Canada on Citytv Thursday, with Get Out and Us writer-director Jordan Peele stepping into Serling ’s role as the narrator, producer and co-writer.

What gave the original show its power was its sharp-minded political allegory and social conscience, tapping into the anxieties of the day through probing moral quandaries.

Continue reading BACK IN THE TWILIGHT ZONE

BLOWING UP SATELLITE adds to space junk!

I gave a presentation to MonSFFA about space junk. Recently, India added to the clutter over our heads by blowing up a satellite. CPL

Space Weather News for April 3, 2019
http://spaceweather.com
https://www.spaceweatheralerts.comBLOWING UP SATELLITES DURING SOLAR MINIMUM: Last week, India conducted an anti-satellite weapons test, shattering Microsat-R into more than 6,500 pieces. Circling Earth like tiny bullets, some of those fragments are now potentially threatening the International Space Station. Read today’s edition of Spaceweather.com to find out why conducting anti-satellite tests during Solar Minimum can be a terrible idea.

NEW: Sign up for Space Weather Alerts and get an instant text message when geomagnetic storms are underway.

[] 
Above: A computer simulation of the March 27th ASAT test created by Analytical Graphics Inc.

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2019 Hugo Award & 1944 Retro Hugo Award Finalists

2019 Hugo Award & 1944 Retro Hugo Award Finalists

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The finalists for the 2019 Hugo Awards, Lodestar Award for Best Young Adult Book, and John W. Campbell Award for Best New Writer and for the 1944 Retrospective Hugo Awards were announced online today by Dublin 2019.

There were 1800 valid nominating ballots (1797 electronic and 3 paper) received and counted from the members of the 2018 and 2019 World Science Fiction Conventions for the 2019 Hugo Awards. For the 1944 Retro Hugo Awards, 217 valid nominating ballots (214 electronic and 3 paper) were received.


The finalists for the 2019 Hugo Awards, Lodestar Award for Best Young Adult Book, and John W. Campbell Award for Best New Writer are:Best Novel

  • The Calculating Stars, by Mary Robinette Kowal (Tor)
  • Record of a Spaceborn Few, by Becky Chambers (Hodder & Stoughton / Harper Voyager)
  • Revenant Gun, by Yoon Ha Lee (Solaris)
  • Space Opera, by Catherynne M. Valente (Saga)
  • Spinning Silver, by Naomi Novik (Del Rey / Macmillan)
  • Trail of Lightning, by Rebecca Roanhorse (Saga)

Best Novella

  • Artificial Condition, by Martha Wells (Tor.com publishing)
  • Beneath the Sugar Sky, by Seanan McGuire (Tor.com publishing)
  • Binti: The Night Masquerade, by Nnedi Okorafor (Tor.com publishing)
  • The Black God’s Drums, by P. Djèlí Clark (Tor.com publishing)
  • Gods, Monsters, and the Lucky Peach, by Kelly Robson (Tor.com publishing)
  • The Tea Master and the Detective, by Aliette de Bodard (Subterranean Press / JABberwocky Literary Agency)

Best Novelette

  • “If at First You Don’t Succeed, Try, Try Again,” by Zen Cho (B&N Sci-Fi and Fantasy Blog, 29 November 2018)
  • “The Last Banquet of Temporal Confections,” by Tina Connolly (Tor.com, 11 July 2018)
  • “Nine Last Days on Planet Earth,” by Daryl Gregory (Tor.com, 19 September 2018)
  • The Only Harmless Great Thing, by Brooke Bolander (Tor.com publishing)
  • “The Thing About Ghost Stories,” by Naomi Kritzer (Uncanny Magazine 25, November-December 2018)
  • “When We Were Starless,” by Simone Heller (Clarkesworld 145, October 2018)

Best Short Story

  • “The Court Magician,” by Sarah Pinsker (Lightspeed, January 2018)
  • “The Rose MacGregor Drinking and Admiration Society,” by T. Kingfisher (Uncanny Magazine 25, November-December 2018)
  • “The Secret Lives of the Nine Negro Teeth of George Washington,” by P. Djèlí Clark (Fireside Magazine, February 2018)
  • “STET,” by Sarah Gailey (Fireside Magazine, October 2018)
  • “The Tale of the Three Beautiful Raptor Sisters, and the Prince Who Was Made of Meat,” by Brooke Bolander (Uncanny Magazine 23, July-August 2018)
  • “A Witch’s Guide to Escape: A Practical Compendium of Portal Fantasies,” by Alix E. Harrow (Apex Magazine, February 2018)

Best Series

  • The Centenal Cycle, by Malka Older (Tor.com publishing)
  • The Laundry Files, by Charles Stross (most recently Tor.com publishing/Orbit)
  • Machineries of Empire, by Yoon Ha Lee (Solaris)
  • The October Daye Series, by Seanan McGuire (most recently DAW)
  • The Universe of Xuya, by Aliette de Bodard (most recently Subterranean Press)
  • Wayfarers, by Becky Chambers (Hodder & Stoughton / Harper Voyager)

Best Related Work

  • Archive of Our Own, a project of the Organization for Transformative Works
  • Astounding: John W. Campbell, Isaac Asimov, Robert A. Heinlein, L. Ron Hubbard, and the Golden Age of Science Fiction, by Alec Nevala-Lee (Dey Street Books)
  • The Hobbit Duology (documentary in three parts), written and edited by Lindsay Ellis and Angelina Meehan (YouTube)
  • An Informal History of the Hugos: A Personal Look Back at the Hugo Awards, 1953-2000, by Jo Walton (Tor)
  • www.mexicanxinitiative.com: The Mexicanx Initiative Experience at Worldcon 76 (Julia Rios, Libia Brenda, Pablo Defendini, John Picacio)
  • Ursula K. Le Guin: Conversations on Writing, by Ursula K. Le Guin with David Naimon (Tin House Books)

Best Graphic Story

  • Abbott, written by Saladin Ahmed, art by Sami Kivelä, colours by Jason Wordie, letters by Jim Campbell (BOOM! Studios)
  • Black Panther: Long Live the King, written by Nnedi Okorafor and Aaron Covington, art by André Lima Araújo, Mario Del Pennino and Tana Ford (Marvel)
  • Monstress, Volume 3: Haven, written by Marjorie Liu, art by Sana Takeda (Image Comics)
  • On a Sunbeam, by Tillie Walden (First Second)
  • Paper Girls, Volume 4, written by Brian K. Vaughan, art by Cliff Chiang, colours by Matt Wilson, letters by Jared K. Fletcher (Image Comics)
  • Saga, Volume 9, written by Brian K. Vaughan, art by Fiona Staples (Image Comics)

Best Dramatic Presentation, Long Form

  • Annihilation, directed and written for the screen by Alex Garland, based on the novel by Jeff VanderMeer (Paramount Pictures / Skydance)
  • Avengers: Infinity War, screenplay by Christopher Markus and Stephen McFeely, directed by Anthony Russo and Joe Russo (Marvel Studios)
  • Black Panther, written by Ryan Coogler and Joe Robert Cole, directed by Ryan Coogler (Marvel Studios)
  • A Quiet Place, screenplay by Scott Beck, John Krasinski and Bryan Woods, directed by John Krasinski (Platinum Dunes / Sunday Night)
  • Sorry to Bother You, written and directed by Boots Riley (Annapurna Pictures)
  • Spider-Man: Into the Spider-Verse, screenplay by Phil Lord and Rodney Rothman, directed by Bob Persichetti, Peter Ramsey and Rodney Rothman (Sony)

Best Dramatic Presentation, Short Form

  • The Expanse: “Abaddon’s Gate,” written by Daniel Abraham, Ty Franck and Naren Shankar, directed by Simon Cellan Jones (Penguin in a Parka / Alcon Entertainment)
  • Doctor Who: “Demons of the Punjab,” written by Vinay Patel, directed by Jamie Childs (BBC)
  • Dirty Computer, written by Janelle Monáe, directed by Andrew Donoho and Chuck Lightning (Wondaland Arts Society / Bad Boy Records / Atlantic Records)
  • The Good Place: “Janet(s),” written by Josh Siegal & Dylan Morgan, directed by Morgan Sackett (NBC)
  • The Good Place: “Jeremy Bearimy,” written by Megan Amram, directed by Trent O’Donnell (NBC)
  • Doctor Who: “Rosa,” written by Malorie Blackman and Chris Chibnall, directed by Mark Tonderai (BBC)

Best Editor, Short Form

  • Neil Clarke
  • Gardner Dozois
  • Lee Harris
  • Julia Rios
  • Lynne M. Thomas and Michael Damian Thomas
  • E. Catherine Tobler

Best Editor, Long Form

  • Sheila E. Gilbert
  • Anne Lesley Groell
  • Beth Meacham
  • Diana Pho
  • Gillian Redfearn
  • Navah Wolfe

Best Professional Artist

  • Galen Dara
  • Jaime Jones
  • Victo Ngai
  • John Picacio
  • Yuko Shimizu
  • Charles Vess

Best Semiprozine

  • Beneath Ceaseless Skies, editor-in-chief and publisher Scott H. Andrews
  • Fireside Magazine, edited by Julia Rios, managing editor Elsa Sjunneson-Henry, social coordinator Meg Frank, special features editor Tanya DePass, founding editor Brian White, publisher and art director Pablo Defendini
  • FIYAH Magazine of Black Speculative Fiction, executive editors Troy L. Wiggins and DaVaun Sanders, editors L.D. Lewis, Brandon O’Brien, Kaleb Russell, Danny Lore, and Brent Lambert
  • Shimmer, publisher Beth Wodzinski, senior editor E. Catherine Tobler
  • Strange Horizons, edited by Jane Crowley, Kate Dollarhyde, Vanessa Rose Phin, Vajra Chandrasekera, Romie Stott, Maureen Kincaid Speller, and the Strange Horizons Staff
  • Uncanny Magazine, publishers/editors-in-chief Lynne M. Thomas and Michael Damian Thomas, managing editor Michi Trota, podcast producers Erika Ensign and Steven Schapansky, Disabled People Destroy Science Fiction Special Issue editors-in-chief Elsa Sjunneson-Henry and Dominik Parisien

Best Fanzine

  • Galactic Journey, founder Gideon Marcus, editor Janice Marcus
  • Journey Planet, edited by Team Journey Planet
  • Lady Business, editors Ira, Jodie, KJ, Renay & Susan
  • nerds of a feather, flock together, editors Joe Sherry, Vance Kotrla and The G
  • Quick Sip Reviews, editor Charles Payseur
  • Rocket Stack Rank, editors Greg Hullender and Eric Wong

Best Fancast

  • Be the Serpent, presented by Alexandra Rowland, Freya Marske and Jennifer Mace
  • The Coode Street Podcast, presented by Jonathan Strahan and Gary K. Wolfe
  • Fangirl Happy Hour, hosted by Ana Grilo and Renay Williams
  • Galactic Suburbia, hosted by Alisa Krasnostein, Alexandra Pierce, and Tansy Rayner Roberts, produced by Andrew Finch
  • Our Opinions Are Correct, hosted by Annalee Newitz and Charlie Jane Anders
  • The Skiffy and Fanty Show, produced by Jen Zink and Shaun Duke, hosted by the Skiffy and Fanty Crew

Best Fan Writer

  • Foz Meadows
  • James Davis Nicoll
  • Charles Payseur
  • Elsa Sjunneson-Henry
  • Alasdair Stuart
  • Bogi Takács

Best Fan Artist

  • Sara Felix
  • Grace P. Fong
  • Meg Frank
  • Ariela Housman
  • Likhain (Mia Sereno)
  • Spring Schoenhuth

Best Art Book
Under the WSFS Constitution every Worldcon has the right to add one category to the Hugo Awards for that year only. Dublin 2019 has chosen to use this right to create an award for an art book.

  • The Books of Earthsea: The Complete Illustrated Edition, illustrated by Charles Vess, written by Ursula K. Le Guin (Saga Press /Gollancz)
  • Daydreamer’s Journey: The Art of Julie Dillon, by Julie Dillon (self-published)
  • Dungeons & Dragons Art & Arcana: A Visual History, by Michael Witwer, Kyle Newman, Jon Peterson, Sam Witwer (Ten Speed Press)
  • Spectrum 25: The Best in Contemporary Fantastic Art, ed. John Fleskes (Flesk Publications)
  • Spider-Man: Into the Spider-Verse – The Art of the Movie, by Ramin Zahed (Titan Books)
  • Tolkien: Maker of Middle-earth, ed. Catherine McIlwaine (Bodleian Library)

There are two other Awards administered by Worldcon 76 that are not Hugo Awards:

Lodestar Award for Best Young Adult Book

  • The Belles, by Dhonielle Clayton (Freeform / Gollancz)
  • Children of Blood and Bone, by Tomi Adeyemi (Henry Holt / Macmillan Children’s Books)
  • The Cruel Prince, by Holly Black (Little, Brown / Hot Key Books)
  • Dread Nation, by Justina Ireland (Balzer + Bray)
  • The Invasion, by Peadar O’Guilin (David Fickling Books / Scholastic)
  • Tess of the Road, by Rachel Hartman (Random House / Penguin Teen)

John W. Campbell Award for Best New Writer

  • Katherine Arden*
  • S.A. Chakraborty*
  • R.F. Kuang
  • Jeannette Ng*
  • Vina Jie-Min Prasad*
  • Rivers Solomon*

*Finalist in their 2nd year of eligibility


The finalists for the 1944 Retrospective Hugo Awards are:Best Novel

  • Conjure Wife, by Fritz Leiber, Jr. (Unknown Worlds, April 1943)
  • Earth’s Last Citadel, by C.L. Moore and Henry Kuttner (Argosy, April 1943)
  • Gather, Darkness! by Fritz Leiber, Jr. (Astounding Science-Fiction, May-July 1943)
  • Das Glasperlenspiel [The Glass Bead Game], by Hermann Hesse (Fretz & Wasmuth)
  • Perelandra, by C.S. Lewis (John Lane, The Bodley Head)
  • The Weapon Makers, by A.E. van Vogt (Astounding Science-Fiction, February-April 1943)

Best Novella

  • “Attitude,” by Hal Clement (Astounding Science-Fiction, September 1943)
  • “Clash by Night,” by Lawrence O’Donnell (Henry Kuttner & C.L. Moore) (Astounding Science-Fiction, March 1943)
  • “The Dream-Quest of Unknown Kadath,” by H.P. Lovecraft, (Beyond the Wall of Sleep, Arkham House)
  • The Little Prince, by Antoine de Saint-Exupéry (Reynal & Hitchcock)
  • The Magic Bed-Knob; or, How to Become a Witch in Ten Easy Lessons, by Mary Norton (Hyperion Press)
  • “We Print the Truth,” by Anthony Boucher (Astounding Science-Fiction, December 1943)

Best Novelette

  • “Citadel of Lost Ships,” by Leigh Brackett (Planet Stories, March 1943)
  • “The Halfling,” by Leigh Brackett (Astonishing Stories, February 1943)
  • “Mimsy Were the Borogoves,” by Lewis Padgett (C.L. Moore & Henry Kuttner) (Astounding Science-Fiction, February 1943)
  • “The Proud Robot,” by Lewis Padgett (Henry Kuttner) (Astounding Science-Fiction, February 1943)
  • “Symbiotica,” by Eric Frank Russell (Astounding Science-Fiction, October 1943)
  • “Thieves’ House,” by Fritz Leiber, Jr (Unknown Worlds, February 1943)

Best Short Story

  • “Death Sentence,” by Isaac Asimov (Astounding Science Fiction, November 1943)
  • “Doorway into Time,” by C.L. Moore (Famous Fantastic Mysteries, September 1943)
  • “Exile,” by Edmond Hamilton (Super Science Stories, May 1943)
  • “King of the Gray Spaces” (“R is for Rocket”), by Ray Bradbury (Famous Fantastic Mysteries, December 1943)
  • “Q.U.R.,” by H.H. Holmes (Anthony Boucher) (Astounding Science-Fiction, March 1943)
  • “Yours Truly – Jack the Ripper,” by Robert Bloch (Weird Tales, July 1943)

Best Graphic Story

  • Buck Rogers: Martians Invade Jupiter, by Philip Nowlan and Dick Calkins (National Newspaper Service)
  • Flash Gordon: Fiery Desert of Mongo, by Alex Raymond (King Features Syndicate)
  • Garth, by Steve Dowling (Daily Mirror)
  • Plastic Man #1: The Game of Death, by Jack Cole (Vital Publications)
  • Le Secret de la Licorne [The Secret of the Unicorn], by Hergé (Le Soir)
  • Wonder Woman #5: Battle for Womanhood, written by William Moulton Marsden, art by Harry G. Peter (DC Comics)

Best Dramatic Presentation, Long Form

  • Batman, written by Victor McLeod, Leslie Swabacker and Harry L. Fraser, directed by Lambert Hillyer (Columbia Pictures)
  • Cabin in the Sky, written by Joseph Schrank, directed by Vincente Minnelli and Busby Berkeley (uncredited) (MGM)
  • A Guy Named Joe, written by Frederick Hazlitt Brennan and Dalton Trumbo, directed by Victor Fleming (MGM)
  • Heaven Can Wait, written by Samson Raphaelson, directed by Ernst Lubitsch (20th Century Fox)
  • Münchhausen, written by Erich Kästner and Rudolph Erich Raspe, directed by Josef von Báky (UFA)
  • Phantom of the Opera, written by Eric Taylor, Samuel Hoffenstein and Hans Jacoby, directed by Arthur Lubin (Universal Pictures)

Best Dramatic Presentation, Short Form

  • The Ape Man, written by Barney A. Sarecky, directed by William Beaudine (Banner Productions)
  • Frankenstein Meets the Wolfman, written by Curt Siodmak, directed by Roy William Neill (Universal Pictures)
  • Der Fuehrer’s Face, story by Joe Grant and Dick Huemer, directed by Jack Kinney (Disney)
  • I Walked With a Zombie, written by Curt Siodmak and Ardel Wray, directed by Jacques Tourneur (RKO Radio Pictures)
  • The Seventh Victim, written by Charles O’Neal and DeWitt Bodeen, directed by Mark Robson (RKO Radio Pictures)
  • Super-Rabbit, written by Tedd Pierce, directed by Charles M. Jones (Warner Bros)

Best Editor, Short Form

  • John W. Campbell
  • Oscar J. Friend
  • Mary Gnaedinger
  • Dorothy McIlwraith
  • Raymond A. Palmer
  • Donald A. Wollheim

Best Professional Artist

  • Hannes Bok
  • Margaret Brundage
  • Virgil Finlay
  • Antoine de Saint-Exupéry
  • J. Allen St. John
  • William Timmins

Best Fanzine

  • Fantasy News, editor William S. Sykora
  • Futurian War Digest, editor J. Michael Rosenblum
  • The Phantagraph, editor Donald A. Wollheim
  • Voice of the Imagi-Nation, editors Jack Erman (Forrest J Ackerman) & Morojo (Myrtle Douglas)
  • YHOS, editor Art Widner
  • Le Zombie, editor Wilson “Bob” Tucker

Best Fan Writer

  • Forrest J. Ackerman
  • Morojo (Myrtle Douglas)
  • Jack Speer
  • Wilson “Bob” Tucker
  • Art Widner
  • Donald A. Wollheim

Per WSFS rules, categories in which there were insufficient nominations to justify the category were dropped.

The Lodestar Award for Best Young Adult Book and the John W. Campbell Award for Best New Writer are not Hugo Awards, and therefore no retrospective versions of them were included on the nominating ballot.


Voting for the Hugo Awards is open to any supporting or attending member of Dublin 2019. Voting will open later in April 2019. There is no Hugo Award voting at the Worldcon itself. Voting ends before the convention to allow sufficient time to count votes and prepare trophies. Anyone who joins by the end of voting is eligible to vote.

The Worlds of Ursula LeGuin

An event which may interest MonSFFA members: The Worlds of Ursula LeGuin.

Received from Aurelia Talvela:

Join Cinema Politica Concordia for our last screening of the Winter season – the Quebec premiere of WORLDS OF URSULA K. LE GUIN, a spirited biographical portrait and celebration of the groundbreaking life and work of feminist author Ursula K. Le Guin.
https://www.facebook.com/events/269329950450561/
Worlds of Ursula K. Le Guin – QC premiere with special guests!
Monday, April 8, 2019 at 7:00 PM
Cinema Politica Concordia

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