Category Archives: Movies

£23,000 for a movie poster?

In the some fans have too much money department….

EARLY PROMO ART. Sotheby’s auctioned off a Revenge of the Jedi poster on August 28 (Original Film Posters Online). Note, that’s “Revenge,” not “Return.” They’d estimated it would go for £1,400–2,600. After 23 bids it sold for £23,000.

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Dr Who in Montreal Cinema

Dr Who with Tom Baker, the Genesis of the Daleks, is showing in Montreal Cinemas.

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Currently, there are 4 going to watch the show at the Quartier Latin, June 14, at 7:00 pm. Tickets can be purchased on line.

Chunk of original Star Wars Death Star goes for sale on eBay

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ILM Modelmakers Share Star Wars Stories and Secrets

ILM Modelmakers Share Star Wars Stories and Secrets

By Wesley Fenlon

ILM veterans gathered at Maker Faire to talk about their Hollywood modelmaking memories. Here are some of the best Star Wars behind-the-scenes stories and tips from modelmakers with more than 100 years of combined experience.

At their best, modelmakers create houses and cityscapes and space ships so convincing, we believe they’re 100 feet tall when they’re only one, or a thousand feet tall when they’re really on a miniature set surrounded by other models. They build tiny houses in such excruciating detail, we think they’re real when they explode into a million pieces. They build space ships so convincingly, we buy into the universe–even if, upon closer inspection, the white hot engines of a Star Destroyer look an awful lot like aluminum clip-on lights.

Or when R2-D2’s holo projector looks like the spitting image of a reading light from a vintage airplane. Or when Luke Skywalker’s lightsaber is a dead ringer for a 1940s camera flash with windshield wipers stuck to it to serve as a grip.

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At this year’s Bay Area Maker Faire, veteran modelmakers from ILM sat together on a panel to talk about the tricks and techniques of professional modelmaking. Like, for example, how they use found objects–just about anything they can get their hands on–to build iconic props like Luke’s lightsaber or Han Solo’s blaster.

“You can take things that you throw away, like the bubble blister packs that everything comes packaged in nowadays, pop them off, cut them apart carefully, and you’ve got little domes and cool shapes,” said Sean House, a prop maker who’s recently worked on the upcoming Pacific Rim and The Lone Ranger. “The things that the razor blades come in–you can plant these things on models and make the most amazing things and nobody will ever know. And yet it adds an air of realism that’s grounded in reality. I think that’s what made the Star Wars universe work, because people could sorta kinda recognize these things even if they didn’t know what they were.”

The hour talk included some really interesting modelmaking techniques and more than a few great anecdotes from the making of the original Star Wars trilogy. Two of the other panelists, Lorne Peterson and Charlie Bailey, spent 30 years at ILM, working on Star Wars, Indiana Jones, and dozens of other films. Don Bies, who began working at ILM in the mid-80s after remote controlling R2 units for Lucasfilm, also sat on the panel. Fon Davis, a younger ILM veteran, moderated the talk.

Here are some of the best Star Wars behind-the-scenes stories and tips from modelmakers with more than 100 years of combined experience.

Click here to co continue reading…

 

Mighty Marvel Roundups

Carl Slaughter has a couple of Marvel roundups posted of File 770.

 

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Ant-Man and The Wasp – Official Trailer

Marvel Studios’ Ant-Man and The Wasp – Official Trailer

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Critics answer 10 pressing fan questions about Avengers: Infinity War

IT’S A HUNKY-CHRIS SHOWDOWN! : Critics answer 10 pressing fan questions about Avengers: Infinity War

PHOTOS: DISNEY Captain American leads a horde of superheroes into battle in Avengers: Infinity War. Having so much star power assembled in one place has critics divided.

A compilation of film critics’ impressions concerning Avengers: Infinity War, answers key, essentially non-spoilerish questions about what the Hollywood Reporter calls a “densely packed superhero orgy.”

1 Is the film worth seeing?

Early tallies gave Infinity War an 88-per-cent “fresh” score on Rotten Tomatoes and an average pro-reviewer score of 68 on Metacritic. Basically, Infinity War is no Black Panther (the highest-scoring Marvel Cinematic Universe film on Rotten Tomatoes). It’s not even a Thor: Ragnarok. But a huge cliffhanger hits its marks and sets things up solidly for next year’s followup moneyed monstrosity: Infinity War, Chapter 2.

2 Look at all those superheroes! Is this movie too darned bloated? “Infinity War does suffer at times from a certain bloat,” writes IGN. “There’s no getting around the abundance of characters and subplots that are feeding into (villain) Thanos’ bigger story.” Variety writes with praise: “Avengers: Infinity War can, at times, make it feel like you’re at a birthday party where you got so many presents that you start to grow tired of opening them. But taken on its own piñata-of-fun terms, it’s sharp, fast-moving and elegantly staged.”

3 But isn’t it confusing trying to follow a half-dozen narrative threads across the universe? Gratefully, the veteran filmmakers here are expert traffic cops of such major franchise intersections. “Directors Joe and Anthony Russo and screenwriters Christopher Markus and Stephen McFeely … find clever groupings of characters and an equitable rhythm as the film shifts between narratives,” Vanity Fair writes.

4 But doesn’t it result in too many of heroes getting short shrift?

“No one is relegated to stock player, no matter how small their role,” writes IGN. “Yes, War Machine fans, there’s even something here for you.” But The Associated Press counters: “There may be some hint of overpopulation anxiety in Thanos’s ambition and in the Russos’ frighteningly overcrowded film.” And Entertainment Weekly slams: “Marvel is sitting on such an embarrassment of riches with its deep bench of characters that some don’t have much more to do than act as glorified extras.”

5 OK, but what about tone?

I hear this film goes dark. “Infinity War is big, blustery and brave, taking viewers to places that they may not be used to going,” writes Washington Post critic Michael O’Sullivan, pointing to narrative shadows uncommon for the MCU.

6 So does Marvel’s signature humour help leaven the proceedings?

The screenwriters “have a deft, jokey, sometimes glib touch that spreads the humour around and prevents this long film from ever getting stodgy,” says The Hollywood Reporter. The actors “snap off one-liners and sharp remarks with an extra edge of sarcastic disdain.” But New York magazine’s Vulture is no fan, writing: “The relentlessly lame one-liners of those poor galaxy guardians are the movie’s low points.”

7 So how does Thanos stack up against the best MCU villains? “(Josh) Brolin makes Thanos a suitably authoritative, melancholy villain — someone who really does seem deluded enough to fancy himself a merciful deity rather than a mass murderer for the ages,” writes the Los Angeles Times.

8 Infinity War pits goateed egotists against each other, as well as several actors named Chris. How does it all shake out?

“Tony Stark (Robert Downey Jr.) and Doctor Strange (Benedict Cumberbatch) stage a Sherlock Holmes meta-duel and compare goatees,” writes The New York Times. “The hunky-Chris showdown — Hemsworth vs. Pratt (Peter Quill) vs. Evans (Captain America) — ends in a three-way tie.”

9 So how do you classify this cog within the efficient and massive Marvel Studios machine?

“As an exercise of studio might … it has no peer. Flagrantly, bombastically extravagant, it plays its audience like a hundred-million fiddles,” writes Vulture. “Infinity War isn’t really anything you could call a movie — it’s more of a fulfilment centre,” scalds Time magazine.

10 One last question: Just how many films are there so far in the Marvel Cinematic Universe?

It is sometimes reported that there are 18 movies in the MCU, but don’t be fooled — and don’t forget Universal’s The Incredible Hulk (2008). The correct tally is 19 films, say such outlets as Time, as well as Box Office Mojo.

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Huge cast for Marvel’s big showdown

AVENGERS ASSEMBLE:  Huge cast for Marvel’s big showdown

PHOTOS: DISNEY Falcon, portrayed by Anthony Mackie, flies over a Wakandan battlefield, one of several in the lengthy Avengers: Infinity War.

AVENGERS: INFINITY WAR

★★★ ½ out of 5

Cast: Everyone (Chris Hemsworth, Josh Brolin, Robert Downey Jr., etc.) Director: Anthony Russo, Joe Russo Duration: 2h29m

Count on Robert Downey Jr. as Tony Stark to sum up this two-and-a-half-hour monster Marvel movie in just 13 words: “He’s from space. He came here to steal a necklace from a wizard.”

“He” is an all-powerful bad guy with Josh Brolin’s voice and Washington’s Mount Rushmore chin who gets an even briefer introduction at the end of the opening scene, when news arrives on Earth in the form of what I’m going to call a Hulk-ogram. “Thanos is coming!”

Thanos wants the Infinity Stones, a sextet of MacGuffins that have been noisily coming together for the past 10 years and 18 films. The Time Stone is in a necklace and gives the wizard Doctor Strange (Benedict Cumberbatch) his powers. The Mind Stone sits plainly in the forehead of Vision (Paul Bettany). The Soul Stone is presumably somewhere in Motown. I’ll leave you to discover the others — unless Thanos gets to them first.

Rather than list the rest of the performers, it might be easier to say who’s not in the movie: Paul Rudd’s Ant-Man and Jeremy Renner as Hawkeye sit this one out. The cast is so sprawling that we’re an hour in before we’ve caught up with them all.

One of the very few newcomers is Peter Dinklage in what might be his biggest screen role yet. He plays a giant dwarf who has to help Thor forge a new weapon, after his last one got shattered in Ragnarok. (Hammer time!) His scene is one of a number of (thankfully) lighter moments spread through the picture. Another reminds us of Rocket’s fetish for prosthetic devices.

Christopher Markus and Stephen McFeely are the scribes behind the Captain America movies and return for this one, as do directors Anthony and Joe Russo. They do a remarkably good job of juggling actors and locations that span the Earth, the galaxy … and even Scotland.

And for once a villain’s quest is easy to understand, if not to root for. Thanos has clearly read Malthus’s 1798 Essay on the Principle of Population and decided that the only way to save the universe from ruin is to cut the number of residents in half. “They called me a madman,” he crows at one point, forgetting that “they” are usually right about such things.

So on the one hand we have a being willing to trade trillions of lives for greater prosperity for the survivors, and on the other a group ready to sacrifice their own lives to stop him. And there are sacrifices aplenty along the way — although it must be said that Loki’s back-from-the-dead performance in the last Thor movie makes me wonder if anyone in this universe ever truly perishes.

It’s also worth noting that with so many good guys spread out across so many fronts, there are endless opportunities for herecomes-the-cavalry moments, to the point where one ticked-off character asks why her rescuer was just off-screen for so long before swooping in to help at the last second.

And where previous Marvel outings have delighted in hero-on-hero matchups (Hulk v. Iron Man, Spider-Man v. Captain America, and the amusingly brief Black Widow v. Ant-Man), Infinity War puts all the good guys on the same side — well, except for a short misunderstanding when two teams show up to fight Thanos at the same time. In fact, one of the movie’s most touching moments is a pre-battle chat between, of all beings, Thor and Rocket Raccoon.

The ending is easily Marvel’s most shocking yet, so the less said the better. It doesn’t so much hang viewers from a cliff as drop them off and leave them in the dust below.

It’s a powerful final note, undercut by the understanding that the team is already deep into production on Untitled Avengers Sequel, due out next May.

If Infinity War was the Second World War, I’d go all Churchill and declare that this is not even the beginning of the end. But it is definitely the end of the beginning.

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Costumed fans flock to Avengers movie premiere

Costumed fans flock to Avengers movie premiere

They’re happy to let ‘nerd flag fly’ at Marvel release

DAVE SIDAWAY Left to right, Alyssia Duval (Thor), Marjorie B (Hulk), Spider-Man, aka Spider_Inferno on social media, Karine (Iron Man) and Steven Lee (Captain America), dressed up for opening night of Avengers: Infinity War at the Scotiabank Theatre in Montreal on Thursday. The film is the latest in Marvel’s all-star superhero series.

In a quiet corner of the Scotiabank Cinema on Thursday evening, a guy who goes by the name Spider_Inferno was changing into a custom-made Spider-Man costume.

His girlfriend Alyssia Duval, dressed as Thor, was having trouble with the last part — zipping up the back of his mask. Nearby, their friends milled about in Hulk, Iron Man and Captain America get-ups.

The occasion was the early-bird screening of Avengers: Infinity War, the latest in Marvel’s all-star superhero series, which officially opens on Friday.

“I’ve been dressing up as SpiderMan for six or seven years now,” said Spider_Inferno, 35, who appears regularly at conventions, kids’ birthday parties and Comiccon.

“I’ve been a Spider-Man fan since I was five years old. Peter Parker is a real hero, not like Superman, who is the most unrelatable superhero character out there.”

How deep is his love? Spider_ Inferno has a Spider-Man tattoo, his condo is “literally a SpiderMan shrine,” and he is the owner of some 5,000 Spider-Man comics.

“He’s definitely my spirit animal,” he said.

Which made for a good reason to be excited about Avengers: Infinity War, and to dress for the occasion.

“As a huge comic geek, who has read the Infinity Wars comic books, … I’m looking forward to seeing all 10 years of MCU (Marvel Comics Universe) come together,” Spider_Inferno said.

“All those superheroes we love and grew up watching are coming together for an epic story; I can’t wait. I’ve anticipating this for quite a while.”

Standing by in her Thor outfit, Duval, 27, exhibited a more tempered enthusiasm.

“I go to all the conventions with him now, so I dress up, too,” she said. “But I’m a Trekkie; I dress up as Star Trek characters. I love Marvel and the Avengers as well, obviously.”

Steven Lee, 20, was excited to finally be donning even a toneddown version of the wardrobe of his idol Captain America.

“Dressing up as your favourite character — it’s not every day you get to do it,” he said. “I’ve wanted to dress up before, but I didn’t have the right people. Now that we’re all motivated to see this together, the time is right.”

Marjorie, 34, was also new to the costume game.

“Since meeting these people who were dressing up, I thought I might as well join in the fun,” she said.

“It’s like stepping into another universe, having fun, letting go, letting your nerd flag fly.”

The provider of the super apparel — with the exception of Spider_Inferno’s, of course — was Karine, aka Iron Man, 44, whose home is “full of cinema stuff.”

Originally from Venezuela, she grew up reading DC Comics, but has since converted to Marvel. She was approaching the evening’s main event with an open mind.

“I always avoid trailers,” she said. “I really want the element of surprise.”

As Spider_Inferno indulged other filmgoers’ selfie requests, a young woman in an Iron Man hoodie, and matching mask under her arm, gave a bashful wave to the costumed crew.

“Dressing up — I just like,” said Carol-Ann Teasdale, 21, who had come to the screening on her own.

“I don’t know how to describe it. It helps me connect with other people at the cinema.”

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HIgh Praise for “A Quiet Place”

KEEP QUIET — OR ELSE

One of the best ‘silent films’ in years

Chris Knight gives A QUIET PLACE ★★★★★ out of 5

PHOTOS: PARAMOUNT PICTURES Millicent Simmonds, left, and Noah Jupe are silent siblings on the run from out-of-this-world monsters in the movie A Quiet Place. Top: Emily Blunt also stars.

A QUIET PLACE ★★★★★ out of 5 Cast: John Krasinski, Emily Blunt, Millicent Simmonds Director: John Krasinski Duration: 1h30m

The general rule in horror movies is that things always get very quiet before something horrible happens. So how does it work if it’s quiet all the time?

It works magnificently in A Quiet Place, directed by John Krasinski and starring him and his wife, Emily Blunt. They play a married couple living in a postapocalyptic world that has one rule to keep you alive: Shhh.

We’re thrown into things on “Day 89,” the onscreen title tells us, and left to piece together what’s going on. But the screenplay, by Krasinski and horror writers Scott Beck and Bryan Woods, never leaves us in the dark for long.

It’s immediately obvious that the family has to be quiet. The reason why comes in the form of a headline screaming from what I’m guessing was the final edition of The New York Post. And a possible way out tiptoes into the picture about halfway through its 90 minutes, making you want to shout at the screen for the characters to notice it too. But shouting would be unwise.

There’s also some delicious tension. Early in the film, a pair of AA batteries signals a catastrophe waiting to happen. Later, a rusty nail will loom larger than the snow globe in Citizen Kane, or the Maltese falcon in that other old movie.

After the opening credits, we’re suddenly a year and a bit later: Day 472 if you’re keeping score. The family — I don’t think we ever hear their names — is living on a farm, where they grow corn (the silent grain?) and play Monopoly with fuzzy felt tokens. (So many other games are out — Trouble, Uno, Boggle, Operation, KerPlunk.) Communication is aided by the fact that the daughter (Millicent Simmonds) is deaf, so everyone knows sign language.

But the family is about to get bigger. Blunt’s character is clearly pregnant and, regardless of what you may have heard, newborns are notoriously noisy, as is the act of having them.

This seems a good place to mention the monsters. No one knows where they came from, but they clearly have some DNA from Ridley Scott’s Alien, although that’s true of almost every beast of the past 40 years. They’re leggier with heads like overripe melons. And they can hear better than your kids in the next bedroom. Scary, I know.

Family-affair movies can feel like vanity projects — see Guy Ritchie’s Swept Away, or Will and Jaden Smith in After Earth — but about the worst you can say about this one is: Great chemistry between the leads? Well of course: They’ve had 10 years and two children together to build it!

There are some lovely moments as well between Simmonds and her movie brother (Noah Jupe), one of whom is carrying a load of guilt on tiny shoulders. Let’s hope they know how to suffer in silence.

And the film is a technical triumph, too. Cinematography is by Denmark’s Charlotte Bruus Christensen, who knows exactly how to direct your gaze to where it’s needed — unless, like me, you are watching much of the movie through spread fingers. And Marco Beltrami’s score is not only beautiful but essential in a film with so little spoken dialogue.

Finally, let us turn back to Krasinski, who doesn’t just direct the film — he conducts it. A Quiet Place joins Get Out, It Follows, The Babadook and The Cabin in the Woods as one of the great horror movies of the past decade. It’s one of the best “silent movies” of the past hundred years. And it has such a fantastic ending that I wanted to dive back in just to experience again the way it sneaks up on us. Silently. Of course.

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