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100 years of Amazing Stories!

On March 10, 2026, Amazing Stories will mark a singular milestone: one hundred years since the moment science fiction became a genre with a name, a home, and a future.

On a cold Wednesday in Manhattan—March 10, 1926—The Experimenter Publishing Company released the first issue of Amazing Stories. Its cover was impossible to miss: bright yellow, boldly optimistic, and illustrated by Frank R. Paul, who would soon be recognized as the founding visual architect of science fiction. Behind that cover stood editor and publisher Hugo Gernsback, holding a radical idea: that stories grounded in real science, boldly extrapolated into tomorrow, deserved a magazine of their own.

With his opening editorial, “A New Kind of Magazine,” Gernsback didn’t just launch a publication—he defined a genre. He called it scientifiction: stories that were entertaining, intellectually serious, rooted in known science, and unafraid to speculate. Sometimes they advocated. Sometimes they warned. Always, they invited readers to imagine what might be.

That first issue of Amazing Stories did more than publish fiction. It established science fiction’s rules of engagement, made the future visible, and—perhaps most importantly—created a conversation. The magazine’s letters column became the birthplace of science fiction fandom, a community that would grow into clubs, fanzines, conventions, cosplay, superheroes, and an enduring global culture. The modern world’s relationship with the future can be traced, in no small part, back to those pages.

It is no exaggeration to say that the last century would look very different without Amazing Stories.

Why This Matters Now

At a time when scientific progress is accelerating faster than ever—reshaping how we live, work, communicate, and even define what it means to be human—science fiction’s original mission feels newly urgent. For a century, Amazing Stories has explored both the promise and the peril of innovation, reminding us that the future is not something that simply happens to us, but something we actively imagine, question, and choose. As we confront challenges that once seemed purely speculative, science fiction remains what it has always been at its best: a rehearsal space for tomorrow, powered by curiosity, skepticism, and hope.

We invite readers, writers, historians, fans, and future-builders to join us in celebrating this extraordinary anniversary. Celebrate with us in person at Ravencon in Richmond, Virginia, April 26–28, 2026. Or celebrate in your own way: read a story, discover a new author, write a review, or visit our website to explore a sampling of what began on a newsstand in 1926 and helped shape the imagination of a century.

It has been our privilege, honour, and joy to help keep Amazing Stories alive. We look forward—with appropriate scientific optimism—to carrying its legacy into the next hundred years.

(A formal centennial celebration will be held at Ravencon, Richmond, Virginia, April 26–28, 2026.)

The Best of Amazing Stories: The 1940 Anthology

The stories in the 1940 anthology are all eligible for the retro Hugo to be awarded at the 2016 World Con in Kansas.

Available in an Amazon Kindle edition for $2.99.

best-of-1940Featuring a kicking cover by Robert Fuqua, illustrating Eando Binder’s Adam Link Fights a War.  (Adam Link was featured in not one, but TWO Outer Limits episodes and, historically interesting, is the first robot character to appear under the title I, Robot.  (Ike’s publisher’s would borrow that title a few years later for a small collection of short stories….), The Best of Amazing Stories, The 1940 Anthology brings you four short stories, five novelettes and a novella.
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The contents are: Don Wilcox – “The Voyage That Lasted 600 Years”; David Wright O’Brien – “Truth is a Plague”; Ralph Milne Farley – “The Living Mist”; A. W. Bernal – “Paul Revere and the Time Machine”; Malcolm Jameson – “Monster Out of Space”; Nelson S. Bond – “Sons of the Deluge”; Ed Earl Repp – “The Day Time Stopped Moving”; Ross Rocklynne – “The Mathematical Kid”; Richard O. Lewis – “The Strange Voyage of Dr. Penwing”; Donald Bern – “The Three Wise Men of Space”; with interior illustrations by Frank R. Paul, Julian S. Krupa and H. R. Hammond.

Read more: The Best of Amazing Stories: The 1940 Anthology