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I know a number of MonSFFen are fans of New Voyages and might want to know where they stand. James Cawley was invited by Peters, but declined to participate. He’s staying the heck out of it. Smart man.
If you are on FB, check these out. I had no idea there were so many fan productions, and apparently high standards, too.
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Paramount dropped its lawsuit against Alec Peters, maker of the Axanar fan films. But Ananar is not quite out of the woods yet, and Paramount is creating a fan film guide–something that should have been done years ago, but back then we all knew fan films did not hire professional actors to reprise their original roles, sell merchandise, tabletop games, their own convention, and so forth.
In response to a question asked by a fan at Balticon, George RR Martin agreed the televised series of his Game of Thrones is fan fiction. GRRM is known for his stance against fanfic–he told us at a WC panel I attended, “Don’t tell me about your fanfic because then I would have to sue you”. So, obvious question: How can HBO get away with it?
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Next month we take a break from the filming to host our mega book sale, but then in August, François and Keith plan to try completing the filming. It’s possibly still going to take more time, but plans are under way to set up some sessions outside our meeting dates.
As promised earlier, I have uploaded video of the Ad Astra Masquerade to YouTube. It was short, real short…Sigh, maybe hosting Costume Con again will shake things up.
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I will try to post some comments and photos of the convention from the hotel.
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Cathy had this badge made for her last year at Sasquan.
Yup–that didn’t take long. Even before the finalists were announced, The Guardian newspaper was interviewing GRRM and Vox Day. This is a really good article for somebody wondering what all the fuss is about. Funny cartoon to go with it.
File 770 has a table showing the finalists compared with the recommended list from the Sad Puppies, and the slate from the Rabid puppies.
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I wish I could be at this year’s business meeting, but Helsinki next year is going to cost me an arm and a leg. I hope it is well attended, and that the EPH proposal is given the green light. Something has to be done to repair the damage done to the Hugos. Granted, there have always been a few nominations, even winners, that we look back at and wonder what possessed the nominators and voters, but the stuff proposed by Vox Day is just plain horrible by any measure.
The finalists for this year’s Hugo Awards and John W. Campbell Award for Best New Writer were announced on Tuesday, April 26, 2016, at 12:00 PM CDT. The announcement was made live to social media, including the Twitter and Facebook accounts of MidAmeriCon II, and via press release.
4032 valid nominating ballots (4015 electronic and 17 paper) were received and counted from the members of Sasquan, MidAmeriCon II, and Worldcon 75.
BEST NOVEL (3695 ballots)
Ancillary Mercy by Ann Leckie (Orbit)
The Cinder Spires: The Aeronaut’s Windlass by Jim Butcher (Roc)
The Fifth Season by N.K. Jemisin (Orbit)
Seveneves: A Novel by Neal Stephenson (William Morrow)
Uprooted by Naomi Novik (Del Rey)
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BEST NOVELLA (2416 ballots)
Binti by Nnedi Okorafor (Tor.com)
The Builders by Daniel Polansky (Tor.com)
Penric’s Demon by Lois McMaster Bujold (Spectrum)
Perfect State by Brandon Sanderson (Dragonsteel Entertainment)
Slow Bullets by Alastair Reynolds (Tachyon)
BEST NOVELETTE (1975 ballots)
“And You Shall Know Her by the Trail of Dead” by Brooke Bolander (Lightspeed, Feb2015)
“Flashpoint: Titan” by CHEAH Kai Wai (There Will Be War Volume X, Castalia House)
“Folding Beijing” by Hao Jingfang, trans. Ken Liu (Uncanny Magazine, Jan-Feb 2015)
“Obits” by Stephen King (The Bazaar of Bad Dreams, Scribner)
“What Price Humanity?” by David VanDyke (There Will Be War Volume X, Castalia House)
BEST SHORT STORY (2451 ballots)
“Asymmetrical Warfare” by S. R. Algernon (Nature, Mar 2015)
The Commuter by Thomas A. Mays (Stealth)
“If You Were an Award, My Love” by Juan Tabo and S. Harris (voxday.blogspot.com, Jun 2015)
“Seven Kill Tiger” by Charles Shao (There Will Be War Volume X, Castalia House)
Space Raptor Butt Invasion by Chuck Tingle (Amazon Digital Services)
BEST RELATED WORK (2080 ballots)
Between Light and Shadow: An Exploration of the Fiction of Gene Wolfe, 1951 to 1986 by Marc Aramini (Castalia House)
“The First Draft of My Appendix N Book” by Jeffro Johnson (jeffro.wordpress.com)
“Safe Space as Rape Room” by Daniel Eness (castaliahouse.com)
SJWs Always Lie: Taking Down the Thought Police by Vox Day (Castalia House)
“The Story of Moira Greyland” by Moira Greyland (askthebigot.com)
BEST GRAPHIC STORY (1838 ballots)
The Divine written by Boaz Lavie, art by Asaf Hanuka and Tomer Hanuka (First Second)
Erin Dies Alone written by Grey Carter, art by Cory Rydell (dyingalone.net)
Full Frontal Nerdity by Aaron Williams (ffn.nodwick.com)
Invisible Republic Vol 1 written by Corinna Bechko and Gabriel Hardman, art by Gabriel Hardman (Image Comics)
The Sandman: Overture written by Neil Gaiman, art by J.H. Williams III (Vertigo)
BEST DRAMATIC PRESENTATION (LONG FORM) (2904 ballots)
Avengers: Age of Ultron written and directed by Joss Whedon (Marvel Studios; Walt Disney Studios Motion Pictures)
Ex Machina written and directed by Alex Garland (Film4; DNA Films; Universal Pictures)
Mad Max: Fury Road written by George Miller, Brendan McCarthy, and Nico Lathouris, directed by George Miller (Village Roadshow Pictures; Kennedy Miller Mitchell; RatPac-Dune Entertainment; Warner Bros. Pictures)
The Martian screenplay by Drew Goddard, directed by Ridley Scott (Scott Free Productions; Kinberg Genre; TSG Entertainment; 20th Century Fox)
Star Wars: The Force Awakens written by Lawrence Kasdan, J. J. Abrams, and Michael Arndt, directed by J.J. Abrams (Lucasfilm Ltd.; Bad Robot Productions; Walt Disney Studios Motion Pictures)
BEST DRAMATIC PRESENTATION (SHORT FORM) (2219 ballots)
Doctor Who:“Heaven Sent” written by Steven Moffat, directed by Rachel Talalay (BBC Television)
Grimm:“Headache” written by Jim Kouf and David Greenwalt, directed by Jim Kouf(Universal Television; GK Productions; Hazy Mills Productions; Open 4 Business Productions; NBCUniversal Television Distribution)
Jessica Jones:“AKA Smile” written by Scott Reynolds, Melissa Rosenberg, and Jamie King, directed by Michael Rymer (Marvel Television; ABC Studios; Tall Girls Productions;Netflix)
My Little Pony: Friendship Is Magic:“The Cutie Map” Parts 1 and 2 written by Scott Sonneborn, M.A. Larson, and Meghan McCarthy, directed by Jayson Thiessen and Jim Miller (DHX Media/Vancouver; Hasbro Studios)
Supernatural:“Just My Imagination” written by Jenny Klein, directed by Richard Speight Jr. (Kripke Enterprises; Wonderland Sound and Vision; Warner Bros. Television)
BEST EDITOR – SHORT FORM (1891 ballots)
John Joseph Adams
Neil Clarke
Ellen Datlow
Jerry Pournelle
Sheila Williams
BEST EDITOR – LONG FORM (1764 ballots)
Liz Gorinsky
Vox Day
Sheila E. Gilbert
Jim Minz
Toni Weisskopf
BEST PROFESSIONAL ARTIST (1481 ballots)
Lars Braad Andersen
Larry Elmore
Abigail Larson
Michal Karcz
Larry Rostant
BEST SEMIPROZINE (1457 ballots)
Beneath Ceaseless Skies edited by Scott H. Andrews, Nicole Lavigne, and Kate Marshall
Daily Science Fiction edited by Michele-Lee Barasso and Jonathan Laden
Sci Phi Journaledited by Jason Rennie
Strange Horizons edited by Catherine Krahe, Julia Rios, A. J. Odasso, Vanessa Rose Phin,Maureen Kincaid Speller, and the Strange Horizons staff
Uncanny Magazine edited by Lynne M. Thomas & Michael Damian Thomas, Michi Trota, and Erika Ensign & Steven Schapansky
BEST FANZINE (1455 ballots)
Black Gate edited by John O’Neill
Castalia House Blog edited by Jeffro Johnson
File 770 edited by Mike Glyer
Superversive SF edited by Jason Rennie
Tangent Online edited by Dave Truesdale
BEST FANCAST (1267 ballots)
8-4 Play, Mark MacDonald, John Ricciardi, Hiroko Minamoto, and Justin Epperson
Cane and Rinse, Cane and Rinse
HelloGreedo, HelloGreedo
The Rageaholic, RazörFist
Tales to Terrify, Stephen Kilpatrick
BEST FAN WRITER (1568 ballots)
Douglas Ernst
Mike Glyer
Morgan Holmes
Jeffro Johnson
Shamus Young
BEST FAN ARTIST (1073 ballots)
Matthew Callahan
Christian Quinot
disse86
Kukuruyo
Steve Stiles
JOHN W. CAMPBELL AWARD FOR BEST NEW WRITER (1922 ballots)
MonSFFA trades zines with various other editors and clubs. We have received the following fanzines recently.
Spartacus, a perzine by Guy Lillian: most interesting articles on current US politics and the messy justice system.
Alexiad, perzine by Joe Major: Long article on James Bond and Thunderball.
Art of Garthiness, perzine by Garth Spenser: Garth’s continuing efforts to teach common sense. Also, funny graphic of Vancouver and fanzine reviews. Online VigrX plus can canadian levitra be ordered and its benefits can be worth considering. The pills are manufactured by Ajanta Pharma need cialis online cheap to be taken after consulting a qualified doctor. The main ingredient of these various versions of kamagra brand includes generic sample viagra sildenafil citrate. Don Bosco, on the other hand, was a great proponent of viagra free pills http://amerikabulteni.com/2012/01/30/fareed-zakaria-the-end-of-an-era-for-japan/ learning. BCSFAzine, clubzine edited by Felicity Walker: Notes on club meeting and upcoming events.
OSFS Statement: Clubzine: We receive paper copies from the Ottawa SF Society. They have a website, but they do not seem to upload their zines to the site. They carry a lot of astronomy news. If interested in seeing it, ask me at a meeting.
Broken Toys is a really good perzine by Taral Wayne. You can download it from http://efanzines.com/Taral/BrokenToys-48.pdf and you really should have a look at last year’s editions as they are nominated for an Aurora.
After many months of planning, pre-production work, and test footage, MonSFFA’s film division, MonSFFilms, began shooting on its paper-cut-out, stop-motion animated short film project.
With final character art completed by writer/art director Keith Braithwaite, and the articulated model cardboard “skeletons”, or armatures, fashioned by animator Francois Menard on hand, production crew members Josée Bellemare, Cathy Palmer-Lister, and Marquise assembled the shooting models under Francois’ supervision. Meanwhile, Mark Burakoff, fabricator of our animation stand, Keith, Dominique Durocher, Marc Durocher, and others set up a shooting stage in a corner of the club’s meeting room.
Animator Francois Menard snaps a frame of a T-Rex test-model last August, at the outset of our project. This session also served as a try-out of our Mark Burakoff-built animation stand. The film’s visual elements will, for the most part, be made of cardboard and crayon-coloured construction paper.During MonSFFA’s recent April meeting, Francois checks his monitor and snaps a frame during the shooting of scenes for the club’s latest film project.
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Two scenes were committed to digital media on this day, each starring our story’s Pterodactyl.
A quick review of the dailies before the crew packed up for the afternoon drew positive commentary, with many noting that the scene looked a lot better than they’d expected. Despite the simplicity and two-dimensional nature of this paper-cut-out piece of animation, the resulting images displayed a certain three-dimensional quality, due in large part, it was noted, to our option of shooting physical elements on a multi-plane animation stand. The deft lighting of clouds (cotton wadding) resulted in a visually striking environment through which our Pterodactyl could fly.
The shoot will continue in the coming months.
Francois adjusts the shooting model of our Pterodactyl during the club’s recent April meeting. Tufts of cotton wadding can be seen, here, resting on several of the animation stand’s planes, creating a convincing skyscape through which the Pterodactyl could fly.
Francois manipulates and views the animation model on a monitor hooked up to the camera.
