Category Archives: Comics / Graphic Novels

Comics / Graphic Novels

Marvel: FREE COMIC BOOK DAY

FREE COMIC BOOK DAY IS MAY 4. Free Comic Book Day is just around the corner, and Marvel is ready —

Free Comic Book Day 2019 is the perfect chance to dive deep into the Marvel Universe with new stories and exciting adventures alongside some of Marvel’s most acclaimed creators – and this year, Marvel is bringing you the biggest and boldest stories yet!

In FCBD Avengers #1, industry superstars Jason Aaron and Stefano Caselli spin in all-new tale for Marvel’s main Avengers series, while Savage Avengers, from Gerry Duggan and Mike Deodato, creates one of the most dynamic, and deadly versions of the Avengers ever!

In FCBD Spider-Man #1, creators Tom Taylor, Saladin Ahmed, and Cory Smith take the superstar heroes of the Spider-Verse in a shocking new direction, with a story that will build to one of Marvel’s most fantastic and epic tales! Meanwhile, Donny Cates and Ryan Stegman remind us that “everyone is a target” by bringing absolute terror to the pages of this year’s FCBD with a prelude to Absolute Carnage – the most fearsome event in the Marvel Universe!

Both FCBD Avengers #1 and FCBD Spider-Man #1 are available in comic stores everywhere on May 4th. In addition to the comic, select retailers will receive FREE Avengers promo buttons highlighting the dynamic and stunning cover art from FCBD Avengers #1 by Ed McGuinness, available while supplies last!

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Comics / Graphic Novels

“HISTORY OF THE MARVEL UNIVERSE”

“HISTORY OF THE MARVEL UNIVERSE is exactly what it says on the package—a sweeping story that covers all of the important events in the span of Marvel history from the Big Bang all the way to the heat-death of the universe. It’s not a Handbook, it’s not MARVEL SAGA, it’s an all-new story that puts all of these events into a greater context. But like those earlier projects, it will also serve as a massive master reference resource for anybody who wants to know what went down when. Even those readers who think they know everything will find new surprises and revelations—and the artwork for the series will make it a visual delight for both those new to Marvel as well as decades-seasoned Marvelites.”

See preview images from HISTORY OF THE MARVEL UNIVERSE by Mark Waid, Javier Rodriguez, and Alvaro Lopez!

 

Last month, Marvel.com gave fans a first look at HISTORY OF THE MARVEL UNIVERSE, a new limited series coming this July that will serve as the definitive guide to how the Marvel Universe began. Written by Mark Waid with art by Javier Rodriguez and Alvaro Lopez, HISTORY OF THE MARVEL UNIVERSE promises to deliver a fresh retelling of Marvel’s most classic stories.

Interior art by Rodriguez and Lopez was revealed at the Chicago Comic and Entertainment Expo, but now we can show you the cover of HISTORY OF THE MARVEL UNIVERSE #1 by Steve McNiven!

Click here to view the image and read more.

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Comics / Graphic Novels

The Montreal Comic Arts Festival is kicking off its 8th edition!

News  >  January 11, 2019

The Montreal Comic Arts Festival is kicking off its 8th edition!

This year, once again, we would love for you to be an active part of it. In 2019, MCAF’s theme is ‘international’. We will be addressing, among other things, the notions of borders, belonging, and integration.

We are looking for applicants to host workshops about comics, of course, or any other subject that you are passionate about. If you have ideas for discussions, round tables, or conferences that you’d like to propose, we would love to hear it!

To apply, you need:

-past experience hosting a workshop or conference

-an awesome idea linked to comics
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-to prepare a workshop of about 45 minutes in length

Write to us at programing@fbdm-montreal.ca and submit your project before Wednesday, February 8th, at midnight.

All projects will be evaluated based on merit, and confirmations will be sent out within a week of the deadline to apply. Note that only selected candidates will be contacted.

A compensation will be offered to all chosen applicants.

We’re looking forward to hear all your ideas!

Stay informed, subscribe to our newsletter.

Comics / Graphic Novels, Tributes

I had a conversation with Stan Lee once

I had a conversation with Stan Lee once.

In 2011, he was a guest at the Montreal Comic con. That was the year that attendance skyrocketed. I’d been going for the previous few years, so I went that time also.

There was a Q-and-A session that I attended; I’m not sure if that took place before or after the conversation. I remember that I didn’t get the chance to ask my question – were there any of his characters that he was surprised *didn’t* become a success? – because the ‘Fathers For Justice’ guy from a few years back (remember him? Dressed up as Spider-Man and climbed the bridge to get attention, and shut down traffic for a few hours?) was asking this very long and involved question which boiled down to “do you support my worthy cause, Stan, please say yes”, and afterward Stan was tired and they had to end the session a bit early.

But the conversation. At one point, Stan was moving from one part of the Palais des Congres to another, and although his assistants wanted to take him through the back corridors, he decided to walk across the main convention floor. Which were full of people who went absolutely wild because STAN LEE WAS WALKING AMONG THEM. People who were calling out “STAN, STAN, WE LOVE YOU STAN”.

I was rummaging through a longbox at some dealer’s spot when this took place, and by chance Stan moved towards me.

I was about 10 feet away from him.

I looked at him.

I raised my fist and said “All hail Stan!”

He grinned, and said “You’re damn right.”

And then he moved on.

I consider that a conversation.

Goodbye, Stan.

Excelsior.

Danny Sichel

Comics / Graphic Novels, Tributes

Stan Lee dead at age 95

Dozens of tributes to Stan Lee on line. This one is from this morning’s Montreal Gazette.

Comic book legend Lee dead at age 95

Creator of the universe of Marvel superheroes helped us dream big, Mark Daniell writes.
  • Montreal Gazette ,
EMERGING ENTERTAINMENT

Stan Lee, seen surrounded by images of his many iconic superhero creations, died on Monday. He was 95.

“I hope your nephew enjoys the Avengers.” That’s how my one and only interview with comic book legend Stan Lee ended on a rainy afternoon in Boston. Lee, the dynamo who helped co-create Spider-Man, Black Panther, Daredevil, Iron Man, The Fantastic Four, X-Men and The Incredible Hulk, among others, was rushed early Monday morning to Cedars-Sinai Medical Center in Los Angeles where he was declared dead, said Kirk Schenck, a lawyer for Lee’s daughter, J.C. Lee. He was 95. In recent years he had been plagued by several health issues, including a battle with pneumonia, but he was still full of life. In this business, I’ve had the chance to meet a lot of my idols, but sitting across from the man who was the architect of many of my childhood dreams and who helped me fall in love with comic books was a pinch-me moment. When we spoke in 2015, the Marvel Cinematic Universe — which has given big-screen life to many of his creations — was in full swing. But, as always, he was looking ahead. Lee, who rose to prominence in the 1960s, name-checked Black Panther, which was released earlier this year, as one of the titles he was most looking forward to seeing. In rat-a-tat-tat fashion, he listed off sequels to the Avengers, Guardians of the Galaxy, and Captain America as other instalments he was anticipating. Then he got into Daredevil (telling me he envisioned it on the small screen long before Netflix acquired the property), the Inhumans and Ant-Man. He also raved about Spider-Man joining the MCU. “I think it’s one of the best things to happen,” Lee said. “Now he’ll be able to appear in any of our other movies. It’s going to be great.” And just like the rest of us, he was on the edge of his seat wondering what characters might be coming soon to a theatre near you. “I don’t even know how (Marvel) decides what to do next, because every one of them is so exciting and the public is waiting for them … I don’t think there has ever been anything like this in the movies before where you see one company turning out hit after hit. It’s kind of nice.” Asked to name a favourite film, he was coy. “I don’t have a favourite. Every single one of them I see I like better than the last one. I love them all.” An elder statesman in the comic book world, Lee is credited with helping turn superheroes into a form of art. It’s rumoured that he dreamed up a new story every day for a decade. Still, he could name his favourite Spider-Man cameo without hesitation. “I did a story years ago where I teamed Spider-Man, briefly, with the Fantastic Four,” he said. “Spidey decided he didn’t want to run around capturing bad guys for nothing; he wanted to get paid. So he thought he’d join the Fantastic Four and make some money. He swung into their window and said, ‘Hi, I want to join you. What do you pay?’ And when he found out they don’t get paid, he swung right out again.” Lee created the Fantastic Four with artist Jack Kirby in 1961 and it almost didn’t happen. He wanted to do character development at a time when no one else in comic books was interested in that. He almost quit. It was his wife — Joan, who died last year — who encouraged him to try one more comic book idea — the Fantastic Four. His success with that team helped him imagine the series of heroes we all know and love. But it was perhaps Spider-Man who resonated the most. “For some reason, young people seem to prefer Spider-Man. Everywhere I go I see Spider-Man costumes,” he said. Lee was warm and effusive as I gushed over his creations. And when I asked him about DC’s failure to connect with Batman v Superman: Dawn of Justice, he was diplomatic. “More power to them,” he said. Lee, who was born Stanley Martin Lieber on Dec. 28, 1922, in New York, worked well into his 90s on films, TV and a slew of internet ventures. He made cameos in all the Marvel movies and when we spoke he declared his appearance in Avengers: Age of Ultron his favourite. On top of that, up until recently, he was a regular on the convention circuit. And it turned out staying busy was his key to a long and fruitful life. “Just keep busy,” he told me, when I asked him his motto. “I think the most important thing is to be busy, because if you have work occupying you, you don’t have time to worry about the other serious problems in life.” Rest well, Mr. Lee. Thank you for helping us all dream big.

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Comics / Graphic Novels

A DICHOTOMOUS KEY for identifying webcomics

From MonSFFan Danny Sichel, who writes:

RAIN VERSUS LAUNDRY: a key for identifying webcomics about young women enmeshed in time-travel shenanigans, set in major Canadian cities.

1: The comic is set in:

a) Toronto
b) Montreal

2: The comic updates:

a) Monday/Wednesday/Friday
b) Daily

3: The comic is formatted as:

a) 3 to 5 horizontal panels, with speech bubbles
b) infinite canvas with large blocks of text

4: The protagonist uses a cane because:

a) she’s got glaucoma and is legally blind
b) she’s ruined her knees

5: When there’s multiple instances of the protagonist co-existing as a result of time travel:

a) each one will inevitably become the next.
b) they can be mutually exclusive and hugely different.

6: The sidekick was originally:

a) someone who tried to bully the protagonist in high school
b) an innocent bystander who the protagonist rescued from a deathtrap

7: The mad scientist lives:

a) now
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8: The possibly malevolent supernatural entity looks like:

a) a blonde guy with a limp
b) a shapeshifter – sometimes it’s a TV, sometimes it’s a snake, sometimes it’s a ball of energy, but it always glows green.

9: The terror is:

a) existential – the protagonist realizes that whatever she does with her life, her friendships are doomed and she’ll end up homeless and living decades in her own past without any free will
b) physical – the protagonist is being chased by trans-temporal zombies and a big violent Russian guy and a skull-headed monster based on the corpse of a beagle but now it’s the size of a van

10: The time travel is:

a) super subtle, with no visual indicators except for things appearing, disappearing, and or growing
b) super flashy, with bright colors and flickering lights

11: The timeline is:

a) immutable
b) badly fractured into a dozen alternates or more

12: The writer is:

a) working from a tight plan
b) guided by dozens of suggestions from the readers

If your answers are all A, you are reading “It Never Rains”, by Kari Maaren. (http://itneverrainscomic.com/)

If your answers are all B, you are reading “All-Night Laundry”, by Zach Hall under the name ‘Jack Fractal’. (http://all-night-laundry.com/)

If your answers are a combination of A and B, I don’t know what you’re reading.

 

Comics / Graphic Novels

A roundup of DC related videos

From File 770, a roundup of DC related videos.

http://file770.com/?p=42215

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Comics / Graphic Novels

Bronx Street to be Renamed After Batman Co-Creator

HONOR IN GOTHAM. Welcome2TheBronx says a street will be given the name of Batman’s co-creator: “Recognition At Last! Bronx Street to be Renamed After Batman Co-Creator Bill Finger”.

On December 8th, late Bronxite and DeWitt Clinton alumni Bill Finger and co-creator of Batman will have justice with a Bronx street renamed after him.

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Born Milton Finger in Denver, Colorado on February 8, 1914, eventually he and his family moved to The Bronx where he was raised and went to DeWitt Clinton High School (where Bob Kane went as well).

Kane was trying to come up with a character to compete with the craze created by Superman but was stuck in a rut when he asked Bill Finger for some advice. The two would meet up at Poe Park on the Grand Concourse to come up with ideas and it was Finger who told him to change his costume into what became the Batman we know

Comics / Graphic Novels

Taking Cosplay to new level

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Comics / Graphic Novels

Winners of Will Eisner Comic Industry Awards

The winners of the Will Eisner Comic Industry Awards 2017 were announced July 21 at San Diego Comic-Con International.
Winner in each category is highlighted in RED.
Best Short Story
  • “The Comics Wedding of the Century,” by Simon Hanselmann, in We Told You So: Comics as Art (Fantagraphics)
  • “The Dark Nothing,” by Jordan Crane, in Uptight #5 (Fantagraphics)
  • “Good Boy,” by Tom King and David Finch, in Batman Annual #1 (DC)
  • “Monday,” by W. Maxwell Prince and John Amor, in One Week in the Library (Image)
  • “Mostly Saturn,” by Michael DeForge, in Island Magazine #8 (Image)
  • “Shrine of the Monkey God!” by Kim Deitch, in Kramers Ergot 9 (Fantagraphics)

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Best Single Issue/One-Shot
  • Babybel Wax Bodysuit, by Eric Kostiuk Williams (Retrofit/Big Planet)
  • Beasts of Burden: What the Cat Dragged In, by Evan Dorkin, Sarah Dyer, and Jill Thompson (Dark Horse)
  • Blammo #9, by Noah Van Sciver (Kilgore Books)
  • Criminal 10th Anniversary Special, by Ed Brubaker and Sean Phillips (Image)
  • Sir Alfred #3, by Tim Hensley (Pigeon Press)
  • Your Black Friend, by Ben Passmore (Silver Sprocket)
Best Continuing Series
  • Astro City, by Kurt Busiek and Brent Anderson (Vertigo/DC)
  • Kill or Be Killed, by Ed Brubaker and Sean Phillips (Image)
  • The Mighty Thor, by Jason Aaron and Russell Dauterman (Marvel)
  • Paper Girls, by Brian K. Vaughan and Cliff Chiang (Image)
  • Saga, by Brian K. Vaughan and Fiona Staples (Image)
Best Limited Series
  • Archangel, by William Gibson, Michael St. John Smith, Butch Guice, and Tom Palmer (IDW)
  • Briggs Land, by Brian Wood and Mack Chater (Dark Horse)
  • Han Solo, by Marjorie Liu and Mark Brooks (Marvel)
  • Kim and Kim, by Magdalene Visaggio and Eva Cabrera (Black Mask)
  • The Vision, by Tom King and Gabriel Walta (Marvel)

Best New Series

  • Black Hammer, by Jeff Lemire and Dean Ormston (Dark Horse)
  • Clean Room, by Gail Simone and Jon Davis-Hunt (Vertigo/DC)
  • Deathstroke: Rebirth, by Christopher Priest, Carlo Pagulayan, et al. (DC)
  • Faith, by Jody Houser, Pere Pérez, and Marguerite Sauvage (Valiant)
  • Mockingbird, by Chelsea Cain and Kate Niemczyk (Marvel)

Best Publication for Early Readers (up to age 8)

  • Ape and Armadillo Take Over the World, by James Sturm (Toon)
  • Burt’s Way Home, by John Martz (Koyama)
  • The Creeps, Book 2: The Trolls Will Feast! by Chris Schweizer (Abrams)
  • I’m Grumpy (My First Comics), by Jennifer L. Holm and Matthew Holm (Random House Books for Young Readers)
  • Narwhal: Unicorn of the Sea, by Ben Clanton (Tundra)
Best Publication for Kids (ages 9-12)
  • The Drawing Lesson, by Mark Crilley (Watson-Guptill)
  • Ghosts, by Raina Telgemeier (Scholastic)
  • Hilda and the Stone Forest, by Luke Pearson (Flying Eye Books)
  • Rikki, adapted by Norm Harper and Matthew Foltz-Gray (Karate Petshop)
  • Science Comics: Dinosaurs, by MK Reed and Joe Flood (First Second)
Best Publication for Teens (ages 13-17)
  • Bad Machinery, vol. 5: The Case of the Fire Inside, by John Allison (Oni)
  • Batgirl, by Hope Larson and Rafael Albuquerque (DC)
  • Jughead, by Chip Zdarsky, Ryan North, Erica Henderson, and Derek Charm (Archie)
  • Monstress, by Marjorie Liu and Sana Takeda (Image)
  • Trish Trash: Roller Girl of Mars, by Jessica Abel (Papercutz/Super Genius)
  • The Unbeatable Squirrel Girl, by Ryan North and Erica Henderson (Marvel)
Best Humor Publication
  • The Further Fattening Adventures of Pudge, Girl Blimp, by Lee Marrs (Marrs Books)
  • Hot Dog Taste Test, by Lisa Hanawalt (Drawn & Quarterly)
  • Jughead, by Chip Zdarsky, Ryan North, Erica Henderson, and Derek Charm (Archie)
  • Man, I Hate Cursive, by Jim Benton (Andrews McMeel)
  • Yuge! 30 Years of Doonesbury on Trump, by G. B. Trudeau (Andrews McMeel)
Best Anthology
  • Baltic Comics Anthology š! #26: dADa, edited by David Schilter and Sanita Muizniece (kuš!)
  • Island Magazine, edited by Brandon Graham and Emma Rios (Image)
  • Kramers Ergot 9, edited by Sammy Harkham (Fantagraphics)
  • Love Is Love, edited by Sarah Gaydos and Jamie S. Rich (IDW/DC)
  • Spanish Fever: Stories by the New Spanish Cartoonists, edited by Santiago Garcia (Fantagraphics)
Best Reality-Based Work
  • Dark Night: A True Batman Story, by Paul Dini and Eduardo Risso (Vertigo/DC)
  • Glenn Gould: A Life Off Tempo, by Sandrine Revel (NBM)
  • March (Book Three), by John Lewis, Andrew Aydin, and Nate Powell (Top Shelf)
  • Rosalie Lightning: A Graphic Memoir, by Tom Hart (St. Martin’s)
  • Tetris: The Games People Play, by Box Brown (First Second)
Best Graphic Album—New
  • The Art of Charlie Chan Hock Chye, by Sonny Liew (Pantheon)
  • Black Dog: The Dreams of Paul Nash, by Dave McKean (Dark Horse)
  • Exits, by Daryl Seitchik (Koyama)
  • Mooncop, by Tom Gauld (Drawn & Quarterly)
  • Patience, by Daniel Clowes (Fantagraphics)
  • Wonder Woman: The True Amazon, by Jill Thompson (DC Comics)
Best Graphic Album—Reprint
  • Demon, by Jason Shiga (First Second)
  • Incomplete Works, by Dylan Horrocks (Alternative)
  • Last Look, by Charles Burns (Pantheon)
  • Meat Cake Bible, by Dame Darcy (Fantagraphics)
  • Megg and Mogg in Amsterdam and Other Stories, by Simon Hanselmann (Fantagraphics)
  • She’s Not into Poetry, by Tom Hart (Alternative)
Best U.S. Edition of International Material
  • Equinoxes, by Cyril Pedrosa, translated by Joe Johnson (NBM)
  • Irmina, by Barbara Yelin, translated by Michael Waaler (SelfMadeHero)
  • Love: The Lion, by Frédéric Brémaud and Federico Bertolucci (Magnetic)
  • Moebius Library: The World of Edena, by Jean “Moebius” Giraud et al. (Dark Horse)
  • Wrinkles, by Paco Roca, translated by Erica Mena (Fantagraphics)
Best U.S. Edition of International Material—Asia
  • The Art of Charlie Chan Hock Chye, by Sonny Liew (Pantheon)
  • Goodnight Punpun, vols. 1–4, by Inio Asano, translated by JN PRoductions (VIZ Media)
  • orange: The Complete Collection, vols. 1–2, by Ichigo Takano, translated by Amber Tamosaitis, adaptation by Shannon Fay (Seven Seas)
  • The Osamu Tezuka Story: A Life in Manga and Anime, by Toshio Ban and Tezuka Productions, translated by Frederik L. Schodt (Stone Bridge Press)
  • Princess Jellyfish, vols. 1–3, by Akiko Higashimura, translated by Sarah Alys Lindholm (Kodansha)
  • Wandering Island, vol. 1, by Kenji Tsuruta, translated by Dana Lewis (Dark Horse)
Best Archival Collection/Project—Strips (at least 20 years old)
  • Almost Completely Baxter: New and Selected Blurtings, by Glen Baxter (NYR Comics)
  • Barnaby, vol. 3, by Crockett Johnson, edited by Philip Nel and Eric Reynolds (Fantagraphics)
  • Chester Gould’s Dick Tracy, Colorful Cases of the 1930s, edited by Peter Maresca (Sunday Press)
  • The Realist Cartoons, edited by Paul Krassner and Ethan Persoff (Fantagraphics)
  • Walt & Skeezix 1931–1932, by Frank King, edited by Jeet Heer and Chris Ware (Drawn & Quarterly)
Best Archival Collection/Project—Comic Books (at least 20 Years Old)
  • The Complete Neat Stuff, by Peter Bagge, edited by Eric Reynolds (Fantagraphics)
  • The Complete Wimmen’s Comix, edited by Trina Robbins, Gary Groth, and J. Michael Catron (Fantagraphics)
  • Fables and Funnies, by Walt Kelly, compiled by David W. Tosh (Dark Horse)
  • Trump: The Complete Collection, by Harvey Kurtzman et al., edited by Denis Kitchen and John Lind (Dark Horse)
  • U.S.S. Stevens: The Collected Stories, by Sam Glanzman, edited by Drew Ford (Dover)
Best Writer
  • Ed Brubaker, Criminal 10th Anniversary Special, Kill or Be Killed, Velvet (Image)
  • Kurt Busiek, Astro City (Vertigo/DC)
  • Chelsea Cain, Mockingbird (Marvel)
  • Max Landis, Green Valley (Image/Skybound); Superman: American Alien (DC)
  • Jeff Lemire, Black Hammer (Dark Horse); Descender, Plutona (Image); Bloodshot Reborn (Valiant)
  • Brian K. Vaughan, Paper Girls, Saga (Image)
Best Writer/Artist
  • Jessica Abel, Trish Trash: Roller Girl of Mars (Papercutz/Super Genius)
  • Box Brown, Tetris: The Games People Play (First Second)
  • Tom Gauld, Mooncop (Drawn & Quarterly)
  • Tom Hart, Rosalie Lightning: A Graphic Memoir (St. Martin’s)
  • Sonny Liew, The Art of Charlie Chan Hock Chye (Pantheon)
Best Penciller/Inker or Penciller/Inker Team
  • Mark Brooks, Han Solo (Marvel)
  • Dan Mora, Klaus (BOOM! Studios)
  • Greg Ruth, Indeh (Grand Central Publishing)
  • Francois Schuiten, The Theory of the Grain of Sand (IDW)
  • Fiona Staples, Saga (Image)
  • Brian Stelfreeze, Black Panther (Marvel)
Best Painter/Multimedia Artist (interior art)
  • Federico Bertolucci, Love: The Lion (Magnetic)
  • Brecht Evens, Panther (Drawn & Quarterly)
  • Manuele Fior, 5,000 km per Second (Fantagraphics)
  • Dave McKean, Black Dog (Dark Horse)
  • Sana Takeda, Monstress (Image)
  • Jill Thompson, Wonder Woman: The True Amazon (DC); Beasts of Burden: What the Cat Dragged In (Dark Horse)
Best Cover Artist (for multiple covers)
  • Mike Del Mundo, Avengers, Carnage, Mosaic, The Vision (Marvel)
  • David Mack, Abe Sapien, BPRD Hell on Earth, Fight Club 2, Hellboy and the BPRD 1953 (Dark Horse)
  • Sean Phillips, Criminal 10th Anniversary Special, Kill or Be Killed (Image)
  • Fiona Staples, Saga (Image)
  • Sana Takeda, Monstress (Image)
Best Coloring
  • Jean-Francois Beaulieu, Green Valley (Image/Skybound)
  • Elizabeth Breitweiser, Criminal 10th Anniversary Special, Kill or Be Killed, Velvet (Image); Outcast by Kirkman & Azaceta (Image/Skybound)
  • Sonny Liew, The Art of Charlie Chan Hock Chye (Pantheon)
  • Laura Martin, Wonder Woman (DC); Ragnorak (IDW); Black Panther (Marvel)
  • Matt Wilson, Cry Havoc, Paper Girls, The Wicked + The Divine (Image); Black Widow, The Mighty Thor, Star-Lord (Marvel)
Best Lettering
  • Dan Clowes, Patience (Fantagraphics)
  • Brecht Evens, Panther (Drawn & Quarterly)
  • Tom Gauld, Mooncop (Drawn & Quarterly)
  • Nick Hayes, Woody Guthrie (Abrams)
  • Todd Klein, Clean Room, Dark Night, Lucifer (Vertigo/DC); Black Hammer (Dark Horse)
  • Sonny Liew, The Art of Charlie Chan Hock Chye (Pantheon)
Best Comics-Related Periodical/Journalism
Best Comics-Related Book
  • blanc et noir: takeshi obata illustrations, by Takeshi Obata (VIZ Media)
  • Ditko Unleashed: An American Hero, by Florentino Flórez and Frédéric Manzano (IDW/Editions Déesse)
  • Krazy: George Herriman, A Life in Black and White, by Michael Tisserand (Harper)
  • The Life and Legend of Wallace Wood, vol. 1, edited by Bhob Stewart and J. Michael Catron (Fantagraphics)
  • More Heroes of the Comics, by Drew Friedman (Fantagraphics)
Best Academic/Scholarly Work
  • Brighter Than You Think: Ten Short Works by Alan Moore, with essays by Marc Sobel (Uncivilized)
  • Forging the Past: Set and the Art of Memory, by Daniel Marrone (University Press of Mississippi)
  • Frank Miller’s Daredevil and the Ends of Heroism, by Paul Young (Rutgers University Press)
  • Pioneering Cartoonists of Color, by Tim Jackson (University Press of Mississippi)
  • Superwomen: Gender, Power, and Representation, by Carolyn Cocca (Bloomsbury)
Best Publication Design
  • The Art of Charlie Chan Hock Chye, designed by Sonny Liew (Pantheon)
  • The Complete Wimmen’s Comix, designed by Keeli McCarthy (Fantagraphics)
  • Frank in the Third Dimension, designed by Jacob Covey, 3D conversions by Charles Barnard (Fantagraphics)
  • The Realist Cartoons, designed by Jacob Covey (Fantagraphics)
  • Si Lewen’s Parade: An Artist’s Odyssey, designed by Art Spiegelman (Abrams)
Best Webcomic
Best Digital Comic