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I was dubious about the first sequel to Pixar’s wonderful Toy Story, which turned out to be terrific. But a fourth go-round for Woody, Buzz and company? I harbored doubts but I should have had more faith in the Pixar team. This is a highly enjoyable film with laugh-out-loud gags, ingenious plotting, and endearing new characters. By the closing scene I found myself marveling at how my emotions were stirred by these innately inanimate objects.
The movie deals with the passage of time in clever ways, showing how Andy’s toys have made a series of transitions, acknowledging that this is to be expected in any toy’s “lifetime.” A little girl named Bonnie is the latest child to hold these characters close to her, literally and figuratively. Then she goes to kindergarten orientation and crafts a new “toy” out of a plastic spork. She calls him Forky and he means the world to her, completely eclipsing Woody and his pals. Their feelings are hurt, but they also want what’s best for Bonnie. That’s when the story begins in earnest.
KEEPING THE MAGIC ALIVE
For three amazing Toy Story films spread over 15 years, one group was consistently marginalized. When I go to the movies, they make up at least half the audience. But they barely existed alongside Woody, Buzz, Mr. Potato Head and the rest of the boys.
I’m talking of course about Canadians, and the franchise has righted this historical wrong in a huge way with the addition of Duke Caboom, voiced by the suddenly everywhere Keanu Reeves. When Disney started making noise about this new character, I thought he was merely diversity stunt-casting. Turns out only the stunt part is true: Canada’s answer to Evel Knievel (apologies to the late Ken Carter) is an integral part of this new chapter, which finds Woody trying to safeguard a new toy named Forky.
Patriotic joking aside, there’s a whole lot happening in Toy Story 4, the most amazing thing being how first-time feature director Josh Cooley manages to keep the overstuffed 100 minutes moving so fast and feeling so nimble. The film’s eight writers must have been working overtime.
First there’s Forky, a new toy crafted by kindergarten-aged Bonnie from a spork, a pipe cleaner, a Popsicle stick, Plasticine and two mismatched googly eyes. The great comedian Marty Feldman being no longer with us, the voice goes to Tony Hale, who nails this Frankenstein’s-monster’s existential angst. Viewers of a certain philosophical bent, prepare to ponder whether cutlery has a soul. (Detractors of single-use plastic utensils will tell you they are almost eternal.)
Forky, convinced that trash he is and unto trash shall he return, leaps out of the Bonnie’s family vehicle seeking oblivion. Woody (Tom Hanks) follows on a rescue mission, with Buzz Lightyear (Tim Allen) not far behind. This sets up a series of zippy adventures, many of them taking place in and around a fairground, others in an antiques store.
