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The N3F Review of Books
The N3F
Review of Books, incorporating Prose Bono
Professor George Phillies, D.Sc., Editor
September 2020
Click here to download
Editorial
1 … Editorial
Fiction
2 … A Long Time Until Now by Michael Z. Williamson Review by Jim McCoy
3 … Alchemy of Shadows by David L. Burkhead Review by Pat Patterson
5 … An Accident of Stars by Foz Meadows Review by Chris Nuttall
7 … Bite Sized by Holly Chism Review by Pat Patterson
8 … Chosen Ones by Veronica Roth Review by Mindy Hunt
10 … Coven by Declan Finn Review by Jim McCoy
12 … Footfall by Larry Niven and Jerry Pournelle A Retrospect by Chris Nuttall
17 … Ghost Hour by Jennifer Brozek Review by Jim McCoy
19 … Halving it All by Stephanie McPeak Petersen Review by Philip Cahill
20 … Legend by Christopher Woods Review by Pat Patterson
21 … Light Magic by Ellie Ferguson Review by Pat Patterson
23 … Murphy’s Law of Vampires by Declan Finn Review by Jim McCoy
24 … Neither Here nor There by Mackey Chandler Review by Pat Patterson
26 … The Oppenheimer Alternative by Robert J. Sawyer Review by Sam Lubell
27 … The Pride of the Damned by Peter Grant Review by Pat Patterson
28 … Psychic Spiral by Amie Gibbons and Country Music Review by Pat Patterson
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31 … So Little and So Light by Sarah A. Hoyt Review by Pat Patterson
34 … Son of Grendel by Matthew W. Quinn Review by Chris Nuttall
35 … Team Newb: Sun and Shadow Online by M. Helbig Review by Jim McCoy
37 … Tide of Battle by Michael Z. Williamson Review by Pat Patterson
38 … Today I Am Carey by Martin L. Shoemaker Review by Sam Lubell
40 … Under a Spell by Hannah Jayne Review by Mindy Hunt
41 … Whispers of the Apoc: Tales from the Zombie Apocalypse Edited by Martin Wilsey
Review by Pat Patterson
Prose Bono
43 … Deep Characters By Cedar Sanderson
44 … Romantic Tension Part 1 by Jagi Lamplighter
46 … Ask A Writer: Sex and Writing by Chris Nuttall
Non-Fiction
47 … Author Frank Luke, An Interview by Tamara Wilhite
49 … DC Comics Before Superman: Major Malcolm Wheeler-Nicholson’s Pulp Comics
by Nicky Wheeler-Nicholson Review by Jon Swartz, Ph.D.
50 … Life and Death Beyond Earth, an Analysis by Tamara Wilhite
52 … The Perversity of Things: Hugo Gernsback on Media, Tinkering, and Scientifiction. Edited by
Grant Wythoff Review by Jon D. Swartz, Ph.D., N3F Historian
FINIS … 52
October 17 Virtual Meeting
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Northern Lights possible in coming week
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https://spaceweather.com
https://www.spaceweatheralerts.comGEOMAGNETIC STORM WARNING: A solar wind stream is heading for Earth, and it could spark the strongest geomagnetic storm in more than a year. NOAA forecasters say storm levels could reach category G2 (moderately strong) when the gaseous material arrives on Sept. 29th. Bright “equinox auroras” are already dancing around the Arctic Circle. If the G2-storm unfolds as predicted, Northern Lights could descend into upper-tier US states as well. Get the full story at Spaceweather.com.
Aurora alerts: Sign up for Space Weather Alerts and receive a text message when auroras appear in your area.
Above: A hole in the sun’s atmosphere is facing Earth, spewing solar wind in our direction. False-color image from NASA/SDO.
October 17 Virtual Meeting
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October 17 Virtual Meeting
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Spot every planet and take part in International Observe the Moon Night
Spot every planet and take part in International Observe the Moon Night this week from September 25 to October 2.
It’s supposed to be clear tonight, so do get out there under the sky and look at the moon and planets. A pair of binoculars will easily show you the planets, and if you can put them on a tripod, or steady them on a railing, you can see the moons of Jupiter.
Lunar observing, look for Clavius in the south. There is a beautiful arc of little craters within with larger one that looks like a necklace.
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The Sky This Week: Solar system bonanza
The Moon passes 1.6° south of Jupiter at 3 A.M. EDT this morning; our satellite then passes 2° south of Saturn at 5 P.M. EDT. You can still see the Moon near the two giant planets after dark this evening. Look south to find the Moon, now 10° southeast of Jupiter and nearly 4° southeast of Saturn. All three are readily visible to the naked eye, but binoculars or a telescope will reveal more detail on the planets, including Saturn’s rings and the alternating colored cloud bands of Jupiter.
Jupiter’s intriguingly icy moon, Europa, begins to transit the planet’s disk from the east starting at 10:07 P.M. EDT. Its shadow slips onto the disk 2.5 hours later, just 14 minutes before the moon passes off the planet’s western limb. Europa’s shadow slowly crosses Jupiter over the next 2.5 hours, disappearing by 3:30 A.M. the morning of the 26th.
Sunrise*: 6:51 A.M.
Sunset: 6:51 P.M.
Moonrise: 3:57 P.M.
Moonset: 12:25 A.M.
Moon Phase: Waxing gibbous (67%)
*Times for sunrise, sunset, moonrise, and moonset are given in local time from 40° N 90° W. The Moon’s illumination is given at 12 P.M. local time from the same location.
Saturday, September 26
Tonight is International Observe the Moon Night. Click over to NASA’s official page at http://moon.nasa.gov/observe for more information about the event and how you can participate simply by stepping outside and looking up.
With our satellite a well-lit waxing gibbous today, much of its terrain will be on display, as well as many of the Apollo landing sites. Several maria, or seas, appear as dark splotches against the brighter surrounding terrain. These darker areas never held water but are instead ancient lava flows, left over from when our Moon was much younger. Their relatively smooth floors made them ideal targets for manned landings. Easily visible tonight are Mare Serenitas, Mare Tranquillitatis, Mare Crisium, Mare Fecunditatis, and Mare Nectaris. Just peeking out from the terminator is Mare Imbrium, bordered by the rugged Apennine mountains, named after the mountain range in Italy.
Festival Stop Motion Montréal : Lauréats et bilan
Lauréats et bilan d’une 12eédition sur canapé mémorable!
Le Festival Stop Motion Montréal a conclu sa 12e édition qui s’est déroulée entièrement en ligne du 14 au 20 septembre dernier. La cérémonie de clôture a eu lieu le dimanche 20 septembre en direct sur Facebook et a permis de rencontrer et de célébrer virtuellement les cinéastes récompensés, dispersés sur plusieurs continents. Le jury formé de professionnels de l’industrie du cinéma était composé de Maral Mohammadian, productrice à l’Office national du film du Canada, de Bren López Zepeda, animatrice et cinéaste indépendante montréalaise et d’Aaron Wood, cofondateur et producteur aux Studios Slurpy à Londres.
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Le jury a également désiré remettre des mentions spéciales pour chacune des catégories
Une édition en ligne abondante
Le Festival s’est associé à la plateforme de diffusion canadienne VUCAVU pour rendre disponibles au public du monde entier 90 courts métrages en provenance de 30 pays et 3 classes de maîtres. Nous remercions nos invités spéciaux Vanessa Loubineau, Jean-François Lévesque et Justin Rasch pour s’être joint à nous et pour leurs généreuses et détaillées présentations. Grâce au format webinair en direct, ils nous ont offert des conférences d’une durée de deux heures, voir même trois au grand plaisir de nos spectateurs friants de conseils de la part de professionnels.
7 jours complets d’activités en ligne ont été organisés plutôt que les 3 jours habituels des éditions en présentiel. Au total, 11 programmes de courts métrages ont été proposés, dont 9 en compétition et 2 programmes thématiques soit un programme québécois et une sélection de films écossais.
Deux ateliers techniques d’animation ont été prodigués via Zoom par des professionnels de renom soit par Dale Hayward et Sylvie Trouvé de L’académie See Lean à Montréal et la Française Julia Peguet qui a dirigé son atelier depuis la Slovénie. Ces ateliers ont attiré des participants de l’Inde, des États-Unis, d’Allemagne, de France, de Colombie, de Montréal et de Hongrie.
Le Festival Stop Motion Montréal a aussi offert de nombreuses activités gratuites sur les réseaux sociaux: 19 entrevues avec des réalisateurs de la compétition, une table ronde avec le jury 2020, un brunch avec l’équipe du film «Moi, Barnabé» (ONF) de Jean-François Lévesque, une visite virtuelle du studio d’Alicia Eisen à Vancouver ainsi que des festivités d’ouverture et de clôture.
Ces événements offerts en direct ou en séance de visionnement en groupe ont permis de garder les spectateurs connectés et engagés tout au long de la semaine. Toutes ces activités gratuites demeurent d’ailleurs disponibles sur la page Facebook du Festival.
Un défi relevé et un Festival en croissance
Le Festival a doublé ses ventes de laissez-passer VIP par rapport à 2019 et c’est plus de 400 000 comptes sur les réseaux qui ont été rejoints au cours de cette édition virtuelle. Des participants d’Amérique du Nord, d’Amérique du Sud, d’Europe, d’Afrique et d’Asie se sont joints toute la semaine aux activités. Le défi lié à la crise sanitaire a donc été relevé: le Festival a maintenu son mandat de diffusion tout en élargissant sa portée. Cette édition en ligne façonnera fort probablement les années futures de l’événement, le Festival amorçant d’ores et déjà une réflexion à propos d’éditions hybrides qui pourraient répondre à la fois aux besoins des artistes et professionnels locaux et de sa communauté internationale.
Stop Motion Festival : Winners and recap
Winners and recap of a memorable 12th Home Sweet Home Edition
It’s a wrap for Festival Stop Motion Montreal’s 12th edition and first-ever virtual edition, which ran completely online this past September 14-20. In a live-streamed closing ceremony held Sunday, September 20, the Festival team and jury members assembled to announce this year award winners and, thanks to the virtual format, had some of the filmmakers join in to accept their awards from wherever they were across the globe. The jury, made up of industry professionals, was composed of Maral Mohammadian; producer at the National Film Board of Canada, Bren López Zepeda; Montreal animator and independent filmmaker and Aaron Wood; co-founder and producer at London’s Slurpy Studios.
An abundant online edition
The Festival partnered with Canadian broadcast platform VUCAVU to bring 90 short films from 30 different countries and 3 special guest masterclass conferences online and available to the public worldwide this year, in efforts to provide a safe Festival experience to all during these unprecedented pandemic times. We would like to thank our wonderful special guests; Vanessa Loubineau, Jean-François Lévesque and Justin Rasch for joining us and participating in this novel virtual edition, and for being so generous with their time, technical expertise and thoughtful advice. Thanks to the online format, and to meet the demands of our lovely and eager audience members, our masterclasses were extended to 2-hour and 3-hour sessions which could have easily gone on even longer! We hope that all audience members enjoyed the opportunity to ask their questions and got as much knowledge and amazement out of the conferences as our Festival team did.
The Festival was extended to a full 7-day experience, as compared to past physical editions which took place over 3 days. A total of 11 different film screening programs were offered, which included 9 in competition and 2 thematic programs with one highlighting local talent in a Quebec films retrospective and another with a selection of Scottish films from the Edinburgh Short Film Festival.
Two separate technical skills animation workshops were led by renowned industry leaders; Julia Peguet and See Learn Academy’s Dale Hayward and Sylvie Trouvé, which attracted all levels of participants from India, the United States, Germany, France, Colombia, Montreal, and Hungary.
The Festival offered a slew of free activities throughout the week on their social networks in a conscious effort to keep viewers connected and engaged which included a multitude of interactive Watch Parties and Live Streams.
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Among the offerings was a virtual studio tour with Vancouver-based Alicia Eisen, 19 different meetings with the filmmakers from the competition programs, a Fireside Chat with the 2020 Jury Members and a Cozy Brunch Conversation with Jean-François Lévesque and the crew members of I, Barnabé (NFB).
VIP Pass holders were given access to a private Networking Pod, allowing festival goers to interact and network with one another, ask questions in a safe environment, offer film and masterclass reviews, job opportunities and more! The Opening and Closing Ceremonies were also live-streamed with the addition of an Official 2020 Festival Cake Bake Along, with all of these free activities remaining up on the Festival’s Facebook page to watch at your own leisure.
A challenge accepted and overachieved; the future is bright for this growing Festival
The Festival doubled its VIP pass sales compared to its previous edition, having had participants tune in from almost every continent and reached over 400,000 accounts on their growing social media networks.
The pandemic challenge was met and surpassed, leaving the Festival team proud in having maintained its mandate in making stop motion animation discoverable and accessible to all, in providing a platform for the artists and their works to shine, and in stimulating the local and international stop motion industry.
The successful reception of this online edition has certainly shaped the future of the Festival which will continue to develop and broaden its reach. Upcoming hybrid editions are being considered in order to meet the diverse needs of its local and international stop motion communities.
October 17 Virtual Meeting
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