Three orchestras will be performing Star Wars music in Montreal. They are the Orchestre FILMharmonique, GFN productions, which put on an orchestral version of The Lord of the Rings: The Fellowship of the Ring in January, and Orchestre à vents de musiques de films (OVMF) .
MonSFFen are already familiar with the OVMF, since several of us have attended their concerts. —CPL
Three different orchestras set to perform music from the Star Wars movie series
Montreal Gazette, T’CHA DUNLEVY
PHOTOS: CHRISTINNE MUSCHIPatrick Morin conducts the Orchestre d’Harmonie Leonardo da Vinci, one of three orchestras performing concerts of Star Wars music. The shows feature the music of composer John Williams, who is known for other movie scores, including Jaws and Harry Potter films.
May the orchestra be with you.
Make that orchestras. Not one, not two, but three different classical ensembles will perform the music of Star Wars in Montreal over the next 60 days.
Leading the charge is Star Wars: A New Hope In Concert, April 19 and 20 at Salle Wilfrid-Pelletier, Place des Arts, with music by the 80-piece Orchestre FILMharmonique, featuring musicians from the Orchestre symphonique de Montréal and the Orchestre Métropolitain playing the iconic tunes while the original Star Wars movie screens in the background.
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Congratulations to everyone whose works in French translations made the shortlist — Marie Brennan, Ian McDonald, Neal Stephenson, Jodi Taylor, Adrian Tchaikovsky, and Ben H. Winters, for their novels, and Neil Gaiman, Carolyn Ives Gilman, Tendai Huchu, Linda Nagata, and Mike Resnick for their short fiction.
The awards will be presented on June 9 at the Étonnants Voyageurs festival in Saint-Malo, France.
The jurors for the award are Joëlle Wintrebert (president), Jean-Luc Rivera (vice-president), Bruno Para (assistant secretary), Jean-Claude Dunyach (treasurer), Sylvie Allouche, François Angelier, Audrey Burki, Olivier Legendre, Sylvie Le Jemtel, Jean-Claude Vantroyen. The Secretary (not a member of the jury) is Pascal Patoz.
Roman francophone / Novel in French
BonheurTM de Jean BARET (Le Bélial’)
Dernières fleurs avant la fin du monde de Nicolas CARTELET (Mü Éditions)
Le Cycle de Syffe, tomes 1 & 2 de Patrick K. DEWDNEY (Au diable vauvert)
Rouille de Floriane SOULAS (Scrineo)
Les Pierres et les Roses, tomes 1 à 3 d’Elisabeth VONARBURG (Alire)
Roman étranger / Foreign Novel
Mémoires, par Lady Trent, tomes 1 à 5 de Marie BRENNAN (L’Atalante) [The Memoirs of Lady Trent, volumes 1-5]
Luna, tomes 1 & 2 de Ian McDONALD (Denoël) [Luna: New Moon and Luna: Wolf Moon]
Les Chroniques de St Mary, tomes 1 & 2 de Jodi TAYLOR (Hervé Chopin) [The Chronicles of St. Mary’s, volumes 1 and 2]
Dans la toile du temps d’Adrian TCHAIKOVSKY (Denoël) [Children of Time] (Interestingly, the literal translation of the French title is In the Web of Time; this is a book about spider people)
Underground Airlines de Ben H. WINTERS (ActuSF)
Nouvelle francophone / Short Fiction in French
H+ de Pierre BORDAGE (in Dimension Technosciences @ venir, Rivière Blanche)
Ex silentio d’Olivier CARUSO (in Bifrost n°91)
La Déferlante des Mères de Luc DAGENAIS (in Solaris n°207)
Le Patient aveugle de Cécile LADJALI (in L’Autre siècle, Fayard)
Nouvelle étrangère / Foreign Short Fiction
La vérité est une caverne dans les Montagnes noires de Neil GAIMAN (in Signal d’alerte, Au diable vauvert) [“The Truth Is a Cave in the Black Mountains”, from the collection Trigger Warning: Short Fictions and Disturbances]
Voyage avec l’extraterrestre de Carolyn Ives GILMAN (in Bifrost n°91) [“Touring With the Alien”]
OrgHôtes de Tendai HUCHU (in Galaxies n°55) [“HostBods”]
L’Obélisque martien de Linda NAGATA (in Bifrost n°89) [“The Martian Obelisk”]
Retour à la maison de Mike RESNICK (in Galaxies n°54) [“Homecoming”]
Roman jeunesse francophone / Novels for youth in French
Rhizome de Nadia COSTE (Seuil Jeunesse)
Les Plieurs de temps, tomes 1 à 4 de Manon FARGETTON (Rageot)
Power Club, tomes 1 à 3 d’Alain GAGNOL (Syros)
La Mémoire des couleurs de Stéphane MICHAKA (Pocket Jeunesse)
Roslend, tomes 1 à 3 de Nathalie SOMERS (Didier Jeunesse)
Roman jeunesse étranger / Foreign novels for youth
Diego et les rangers du Vastlantique d’Armand BALTAZAR (Bayard) [Diego and the Rangers of the Vastlantic]
L’Anti-magicien, tomes 1 & 2 de Sebastien DE CASTELL (Gallimard Jeunesse) [Spellslinger and Shadowblack]
L’Ars Arcana de Lisa MAXWELL (Casterman) [The Last Magician]
Shades of Magic, tomes 1 à 3 de V.E. SCHWAB (Lumen) [A Darker Shade of Magic, A Gathering of Shadows, A Conjuring of Light]
La Faucheuse, tomes 1 et 2 de Neal SHUSTERMAN (Robert Laffont) [Scythe and Thunderhead]
Prix Jacques Chambon de la traduction / Jacques Chambon Translation Prize
Michelle CHARRIER pour Les Livres de la Terre fracturée, tomes 1 à 3 de N.K. JEMISIN (Nouveaux Millénaires) [The Broken Earth Trilogy]
Jacques COLLIN pour Anatèm, tomes 1 & 2 de Neal STEPHENSON (Albin Michel) [Anathem]
Mélanie FAZI pour Sixième du crépuscule de Brandon SANDERSON (Livre de Poche) [the collection Sixth of the Dust]
Francis GUÉVREMONT pour Invasion de Luke RHINEHART (Aux Forges de Vulcain) [Invasion]
luvan pour Amatka de Karin TIDBECK (La Volte)
Prix Wojtek Siudmak du graphisme / Wojtek Siudmak Graphic Design prize
Armand BALTAZAR pour Diego et les rangers du Vastlantique d’Armand BALTAZAR (Bayard) [Diego and the Rangers of the Vastlantic]
Adrian BORDA pour Musiques d’Outre-mondes, dirigée par Eric Lysøe (Arkuiris)
Nicolas FRUCTUS pour La Quête onirique de Vellitt Boe de Kij JOHNSON (Le Bélial’) [The Dream-Quest of Vellitt Boe]
Jamie GREGORY pour Marqués d’Alice BROADWAY (Pocket) [Ink]
Jeam TAG pour Rétrofictions de Guy COSTES & Joseph ALTAIRAC (Encrage)
Essai / Essay
Dictionnaire de la fantasy dirigé par Anne BESSON (Vendémiaire)
Comment parler à un alien ? Langage et linguistique en science-fiction de Frédéric LANDRAGIN (Le Bélial’)
Libère-toi cyborg ! le pouvoir transformateur de la science-fiction féministe de ïan LARUE (Cambourakis)
Hors des décombres du monde de Yannick RUMPALA (Champ Vallon)
Prix special
Guy COSTES & Joseph ALTAIRAC for their career as scholars and collectors over 40 years, exhibited in their monumental work Rétrofictions. Encyclopédie de la Conjecture Romanesque Rationnelle Francophone (Encrage)
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“HISTORY OF THE MARVEL UNIVERSE is exactly what it says on the package—a sweeping story that covers all of the important events in the span of Marvel history from the Big Bang all the way to the heat-death of the universe. It’s not a Handbook, it’s not MARVEL SAGA, it’s an all-new story that puts all of these events into a greater context. But like those earlier projects, it will also serve as a massive master reference resource for anybody who wants to know what went down when. Even those readers who think they know everything will find new surprises and revelations—and the artwork for the series will make it a visual delight for both those new to Marvel as well as decades-seasoned Marvelites.”
See preview images from HISTORY OF THE MARVEL UNIVERSE by Mark Waid, Javier Rodriguez, and Alvaro Lopez!
Last month, Marvel.com gave fans a first look at HISTORY OF THE MARVEL UNIVERSE, a new limited series coming this July that will serve as the definitive guide to how the Marvel Universe began. Written by Mark Waid with art by Javier Rodriguez and Alvaro Lopez, HISTORY OF THE MARVEL UNIVERSE promises to deliver a fresh retelling of Marvel’s most classic stories.
Interior art by Rodriguez and Lopez was revealed at the Chicago Comic and Entertainment Expo, but now we can show you the cover of HISTORY OF THE MARVEL UNIVERSE #1 by Steve McNiven!
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There is also to be a demo vs Bill 21, which I believe will affect traffic on and around Notre Dame — CPL
Transport Quebec is urging drivers to avoid the Turcot Interchange and Highway 20 eastbound near the St-Pierre Interchange on the April 12-14 weekend.
Montreal Gazette, 12 Apr 2019
On the Turcot, here are the areas affected:
■ Complete closure of the ramp from the Décarie Expressway to the section of Highway 15 South that leads to the Champlain Bridge. From Friday at midnight to Monday at 5 a.m.
■ Complete closure of the ramps between the Ville-Marie Expressway and Highway 20 in both directions. From Friday at midnight to Monday at 5 a.m.
■ One of two lanes will be closed on the ramp between Highway 15 northbound (from the Champlain Bridge) and the Décarie Expressway. From Friday at midnight until Sunday at 8 a.m.
■ Highway 20 eastbound will be completely closed between Exit 64 (St-Jacques St., Angrignon Blvd.) and the next entrance ramp, from Friday at midnight to Monday at 5 a.m.
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■ In the Nuns’-Island/Champlain Bridge area, detours will be in effect between Friday at 10 p.m. and Monday at 5 a.m.:
■ Complete closure of Highway
■ 10 eastbound (the Bonaventure Expressway) between Exit 5 (Autoroute 15, Gaétan-Laberge Blvd., Verdun) and Nuns’ Island.
Chris Knight gave Hellboy a scathing review. I find critics often sneer at SF/F movies or TV shows, or perhaps worse, are condescending, but it looks like Hellboy really surpasses in the ridiculous plot line category. Is it meant to be over the top?
Knight even gives a checklist of villains to help us keep track. (I had to look up luchadors.)
demons
fairies
changelings
vampires
leprous hags
luchadors
skeletons
giants
giant skeletons
witches
sorceresses
seers
dragons
dragonettes
Nazis
trolls
pig-monsters
were-cats
ectoplasmic entities
and a giant, fire-breathing anemone. (Now this I’d love to see!
According to Variety: “Hellboy” has received mostly negative reviews, with a current 12% rating on Rotten Tomatoes. Critics have compared the R-rated film unfavorably to the two installments directed by Guillermo del Toro and starring Ron Perlman. “Hellboy” carries a $50 million production cost.
I know there are Hellboy fans among us–I would love to hear your opinions!—CPL
From the Gazette:
Abandon hope, all ye who enter
Hellboy throws everything at the screen — and sadly, it all sticks
Montreal Gazette
CHRIS KNIGHT
HELLBOY
★★ out of 5 Cast: David Harbour, Milla Jovovich, Ian McShane Director: Neil Marshall Duration: 2h
Hellboy is an unholy mess. In what other movie does the protagonist ride an elevator from a fish and chips shop to a pocket dimension, there to meet Baba Yaga (voiced by Emma Tate, embodied by contortionist Troy James), a spindly hag who lives in a dilapidated wooden house atop giant chicken legs, feeds him cream-of-child soup, and tells him where to find Nimue, the villainous Blood Queen, who needs to visit the site of her 517 AD dismembering by King Arthur to regain her full powers and unleash a plague upon Britain?
That’s just one scene, mind you. And if you missed it you’d be none the worse off, since by this point in the movie we already know Nimue’s backstory and the fact that Hellboy, a demon-spawned superhero with a mean right hook, is on her trail.
Written by Andrew Cosby (TV’s Eureka) and directed by Neil Marshall (episodes of TV’s this, that and the other), Hellboy actually gets off to a rousing, even rip-roaring, start. The opening scene, set 1,500 years ago, introduces Milla Jovovich’s power-mad villain, and also serves notice that the violence will swing between cartoonish and gruesome, sometimes both at once. Imagine if the Looney Tunes coyote got crushed by a rock but bled out when it happened. Don’t bring the kids.
Next we meet Stranger Things’ David Harbour as Hellboy, taking over from Ron Perlman. I found Harbour’s Hellboy 20 per cent too quippy, but still a solid, dependable presence.
Dispensing with backstory, which the film doles out later in its endless (two-hour) run, we watch as Hellboy tries to save a friend who has been taken over by evil forces. It’s the first of many, many monsters he’ll meet, greet and defeat. Here’s a handy checklist: demons, fairies, changelings, vampires, leprous hags, luchadors, skeletons, giants, giant skeletons, witches, sorceresses, seers, dragons, dragonettes, Nazis, trolls, pig-monsters, were-cats, ectoplasmic entities and a giant, fire-breathing anemone.
Hellboy runs through this menagerie, sometimes in the company of his adoptive father (Ian McShane), sometimes with a sort of Doctor Who Companion type named Alice (Sasha Lane) and in the latter part of the movie with Ben Daimio (Daniel Dae Kim), a British operative who may be secretly trying to kill him.
In fact, just about everyone in the movie is secretly trying to kill Hellboy at one point or another, thanks to a prophecy that says he’s going to bring about the end of the world. And he doesn’t help his case when he starts stomping around, complaining that monsters aren’t getting a fair shake, and that maybe the Blood Queen is misunderstood.
Marshall doesn’t seem ready to trust the audience to understand the movie, what with numerous scenes of driving where a quick cut would do, and an impressive number of inventive ways to make a blood-splatter noise.
There’s a good superhero movie lurking inside this Hellboy reboot — heck, there are probably two or three in there, and a shameless promise of a sequel to boot. But this film is intent on throwing everything it can on the screen, whether it all fits together or not. If you’re going to hell in a handbasket, perhaps best not to put all your eggs in there with you.
cknight@postmedia.com
Twitter.com/chrisknightfilm
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The editor wishes to thank the contributors to this issue:
Barbara Silverman
Paul Gareau
Danny Sichel
Lloyd Penney
Marquise*
Keith Braithwaite
Sylvain St-Pierre
And yours truly, Cathy Palmer-Lister
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Hey, MonSFFen, we need you to search your recycle bins for STUFF we can use to build space ships! You can start bring in your junk at the April meeting so we have and idea of what we have in time for the May workshop.
Your help in collecting these bits and bobs will count toward the Christmas Party draw!
Check out this video for inspiration!
Keith says:
At next month’s May 11 club meeting, we will embark upon our group project for 2019 with the first of three scheduled workshops for MonSFFA’s Utopia Planitia Shipyards Competition!
This is a reality show-style team contest in which scratchbuilt model spaceships will be fabricated over the course of three one-hour sessions (May, July, and September).
Said ships are to be made using a variety of discarded everyday household items like empty soft drink bottles, toothpaste caps and assorted lids, plastic cups, empty plastic food containers, drinking straws, plastic utensils, parts of old broken toys or sections of the housings for obsolete household electronics and appliances, old door hinges, nuts and washers, fasteners, clasps, clothespins, and such—essentially, any small, interestingly-shaped plastic, metal, or wooden doohickeys!
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The various pieces will be cut up, shaped, glued together, detailed, and painted to produce a model spacecraft.
So, in advance of May’s first workshop, club members are asked to collect for this project such items as described above that they can scavenge around the kitchen, basement, or garage. Please insure that these items are thoroughly cleaned before bagging or boxing them and bringing them in to our upcoming April and/or May meetings.
We thank you in advance for your cooperation in helping us successfully stage our makeshift model-building competition!
Participants are encouraged to come prepared; put together a small personal tool kit—scissors, utility knives, and other cutting tools, a straight-edge, files, masking or electrical tape, etc.
The club will supply certain equipment, such as glue, paint and brushes, and a drill.
Further details and the rules of the competition will be outlined during an introductory preamble just prior to the first workshop.
After the contest, the completed spaceship models will be photographed against an “outer space” scenic backdrop for a planned feature in a future issue of club fanzine Warp, with the winning model gracing the cover.
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