All posts by monsffa

Who Are We? MonSFFA is the Montreal Science Fiction and Fantasy Association, a club for fans of the science fiction and fantasy genres. We are your connection to the SF/F community, local, national and international. We have been active since 1987. What Are We Into? Our areas of interest span the full spectrum of the SF/F universe: literature, movies, television, comics, gaming, art, animation, scale-model building, costuming, memorabilia collecting, film/video production and more!

Fun is in evidence at CSI exhibit

If you have watched any police procedural show you have most certainly heard of IBIS, but did you know it was developed here in Montreal? I had no idea until I read this article (scroll down) in the Gazette by Bill Brownstein. —CPL 
 In the early 1990s, Forensic Technology, located atop a Montreal Urban Community police station across from the Cavendish Mall in Côte-St-Luc, created the groundbreaking, automated Integrated Ballistics Identification System, better known as IBIS.
 From Wikipedia:
Automated firearms identification is now a universally accepted technology. As the system with the largest installed base, IBIS has become the de facto world standard.

The emergence of a world standard enables law enforcement agencies worldwide to share ballistic data. This capability is now being leveraged as a tool for international collaboration among law enforcement agencies worldwide. Countries have begun to link up their IBIS systems. Europe already has EURO-IBIS, while the United States recently concluded an agreement to link their NIBIN system with Canada’s.

INTERPOL

In early 2009, INTERPOL signed an agreement with Forensic Technology, wherein the latter will install and maintain an IBIS correlation server at INTERPOL headquarters in Lyon, France. To facilitate ballistic information sharing among INTERPOL member-countries in Asia, a second IBIS Correlation Server was installed at the INTERPOL Centre for Global Innovation in Singapore in 2015.

Forensics analyst tackles crime display at Science Centre

CHRISTINNE MUSCHI Bob Walsh of Forensic Technology reviews a mock crime scene for clues at an exhibit called A House Collided, part of the CSI: The Experience program, currently running at the Montreal Science Centre.

CSI chief Gil Grissom, via a video monitor, instructs a group of aspiring sleuths to look carefully at the evidence left behind at the crime scene and then wishes them luck in solving a messy murder case.

Among the would-be detectives is the dapper Bob Walsh, sporting a turned-up, Columbostyle trench coat and looking very much like Central Casting’s notion of a TV gumshoe.

With pencil and notepad in hand, Walsh, like the others, proceeds to check out a crime referred to as “A House Collided,” wherein a vehicle is lodged halfway into the living room of a home, and behind the wheel is a banged-up and bloodied dead man. All manner of evidence — from a slipper to a pizza carton — is strewn about the scene.

Welcome to CSI: The Experience at the Montreal Science Centre in the Old Port, where budding investigators, from schoolchildren to nonagenarians, have been converging to attempt to solve three different cases inspired by the CSI TV series.

This interactive exhibition not only (somewhat graphically) depicts murder scenes, but also allows sleuths the opportunity to carry out scientific testing in labs and to examine (facsimiles of ) corpses in an autopsy room before compiling a final report as to who committed this heinous deed and for what reason.

A computer then informs the would-be investigators whether they have correctly solved the case or if they would be better off delivering pizzas than embarking on a career in crime-detection.

Walsh, who is here at my request, is more familiar than most with crime detection. In the early 1990s, his company Forensic Technology, located atop a Montreal Urban Community police station across from the Cavendish Mall in Côte-StLuc, created the groundbreaking, automated Integrated Ballistics Identification System, better known as IBIS.

Simply put, this technology accurately proves that every fired bullet and cartridge casing tells its own story. That’s because every firearm, from handguns to howitzers, has unique characteristics — the equivalent of human fingerprints — that are transferred to the bullets and casings when shot.

Forensic labs — including the RCMP, INTERPOL, the FBI and the Bureau of Alcohol, Tobacco and Firearms in the U.S. — in more than 70 countries employ this ammo-identification system (now available in 3D-HD), which has been credited with getting convictions, and has been featured in the TV crime labs of the various CSI and Law & Order series, as well as numerous films.

Continue reading Fun is in evidence at CSI exhibit

Let’s capitalize on AI revolution

Montreal is welcoming leading technologists to the city this week for the C2 (commerce/creativity) conference, just as the city could be on the verge of becoming an international hub for Artificial Intelligence (AI) technology. Capitalizing on this brewing revolution will require governments to drastically alter traditional modus operandi, loosening their grip on the entrepreneurial class and suppressing nationalistic impulses.

Advocating for massive government spending with little restraint admittedly deviates from the tenor of these columns, but the AI business is unlike any other before it. Having leaders acting as fervent advocates for the industry is crucial; resisting the coming technological tide is, as the Borg would say, futile.

The roughly 250 AI researchers who call Montreal home are not simply part of a niche industry. Quebec’s francophone character and Montreal’s multilingual citizenry are certainly factors favouring the development of language technology, but there’s ample opportunity for endeavours with broader applications.

AI isn’t simply a technological breakthrough; it is the technological revolution. In the coming decades, modern computing will transform all industries, eliminating human inefficiencies and maximizing opportunities for innovation and growth — regardless of the ethical dilemmas that will inevitably arise.

“By 2020, we’ll have computers that are powerful enough to simulate the human brain,” said (in 2009) futurist Ray Kurzweil, author of The Singularity Is Near, a seminal 2006 book that has inspired a generation of AI technologists. Kurzweil’s projections are not science fiction but perhaps conservative, as some forms of AI already effectively replace many human cognitive functions. “By 2045, we’ll have expanded the intelligence of our human-machine civilization a billion-fold. That will be the singularity.”

Continue reading Let’s capitalize on AI revolution

Montreal to become world centre of AI

Montreal is positioning itself to become a world centre of artificial intelligence with impressive amounts of cash flowing into academia, public-private partnerships, research labs and startups. Bertrand Marotte reports on some of the big brains behind the suddenly hot trend.

PHOTOS: JOHN MAHONEY Jean-François Gagné is co-founder and chief executive officer of Element AI, an artificial intelligence startup factory launched in Montreal last year. “We want to be part of that conversation — shaping what AI is going to look like,” he says.

It might seem like an ambitious goal, but key players in Montreal’s rapidly growing artificial intelligence sector are intent on transforming the city into a Silicon Valley of AI.

Certainly, the flurry of activity these days indicates that AI in the city is on a roll. Impressive amounts of cash have been flowing into academia, public-private partnerships, research labs and startups active in AI in the Montreal area.

And hopes are high that a threeday conference starting May 24 — AI Forum — will help burnish Montreal’s reputation as one of the world’s emerging AI advanced research centres and top talent pools in the suddenly very hot tech trend.

Topics and issues on the agenda include the evolution of AI in Montreal and the transformative impact AI can have on business, industry and the economy.

For example, researchers at Microsoft Corp. have successfully developed a computing system able to decipher conversational speech as accurately as humans do. The technology makes the same, or fewer, errors than professional transcribers and could be a huge boon to major users of transcription services like law firms and the courts.

Setting the goal of attaining the critical mass of a Silicon Valley is “a nice point of reference,” said tech entrepreneur Jean-François Gagné, co-founder and chief executive officer of Element AI, an artificial intelligence startup factory launched last year.

“It’s ambitious,” allowed Gagné, one of the keynote speakers at the AI Forum, held in partnership with the annual C2 Montréal international gabfest.

The idea is to create a “fluid, dynamic ecosystem” in Montreal where AI research, startup, investment and commercialization activities all mesh productively together, said Gagné, who founded Element with researcher Nicolas Chapados and Université de Montréal deep learning pioneer Yoshua Bengio.

Continue reading Montreal to become world centre of AI

2016 Nebula Awards

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The Science Fiction & Fantasy Writers of America, Inc. has announced the recipients of the Nebula Awards®.

The Nebula Awards® are voted on and presented by the active members of SFWA for outstanding science fiction and fantasy published in 2016.

THE RECIPIENTS OF THE 2016 NEBULA AWARDS

NOVEL

  • All the Birds in the Sky, Charlie Jane Anders (Tor; Titan)

NOVELLA

  • Every Heart a Doorway, Seanan McGuire (Tor.com Publishing)

NOVELETTE

  • “The Long Fall Up”, William Ledbetter (The Magazine of Fantasy & Science Fiction)

SHORT STORY

  • “Seasons of Glass and Iron”, Amal El-Mohtar (The Starlit Wood)

RAY BRADBURY AWARD FOR OUTSTANDING DRAMATIC PRESENTATION

  • Arrival, Directed by Denis Villeneuve, Screenplay by Eric Heisserer, 21 Laps Entertainment/FilmNation Entertainment/Lava Bear Films/Xenolinguistic

ANDRE NORTON AWARD FOR YOUNG ADULT SCIENCE FICTION AND FANTASY BOOK

  • Arabella of Mars, David D. Levine (Tor)

2017 DAMON KNIGHT GRAND MASTER AWARD

  • Jane Yolen

SOLSTICE AWARD

  • Peggy Rae Sapienza (Posthumous)
  • Toni Weisskopf

KEVIN O’DONNELL JR. SERVICE TO SFWA AWARD

  • Jim Fiscus

Toastmaster Dr. Kjell Lindgren.

Prix Imaginales — Les Lauréats 2017

Créé en mai 2002 à l’initiative de la Ville d’Epinal, le Prix Imaginales est le premier prix exclusivement consacré à la fantasy en France.

Il récompense à la fois des écrivains, des illustrateurs, des essayistes ou des traducteurs.

Un jury composé de journalistes, de critiques et de spécialistes départage les meilleures œuvres de fantasy dans six catégories.

  • Roman francophone
  • Roman étranger (traduit)
  • Illustration
  • Jeunesse
  • Nouvelle
  • Prix spécial

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Les six lauréats reçoivent un prix doté.

L’annonce des prix se fait début mai, afin de pouvoir, dans la mesure du possible, accueillir les auteurs récompensés aux Imaginales à Epinal.

Jury 2017

  • Jacques GRASSER (Président)
  • Jean-Claude VANTROYEN (Vice-président)
  • Annaïg HOUESNARD (Secrétaire)
  • Stéphane WIESER (Directeur du Festival)
  • Christophe de JERPHANION
  • Natacha VAS-DEYRES
  • Frédérique ROUSSEL

Les Lauréats 2017

  • Catégorie roman francophone : Anthelme HAUCHECORNEJournal d’un marchand de rêves (L’Atelier Mosésu)
  • Catégorie roman étranger traduit : Anna STAROBINETSRefuge 3/9 (Agullo), traduction de Raphaëlle Pache
  • Catégorie jeunesse : Fabien CLAVELPanique dans la mythologie : l’Odyssée d’Hugo (Rageot)
  • Catégorie illustration : Aurélien POLICE, pour les couvertures de la trilogie La Voie des oracles, de Estelle Faye (Scrinéo)
  • Catégorie nouvelle : Jean-Claude DUNYACHLe Clin d’œil du héron (L’Atalante)
  • Catégorie prix spécial du jury : Tom SHIPPEYJ.R.R Tolkien, auteur du siècle (Bragelonne), traduction de Aurélie Brémont.

Where the Deep Ones Are

HP Lovecraft’s story, The Shadow Over Innsmouth, retold in a parody of Where the Wild Things Are.

“The Deep Ones croaked their terrible croaks and smacked their terrible lips and rolled their terrible eyes and waved their terrible flippers” Renowned Mythos aficionado Ken Hite retells H P Lovecraft’s “The Shadow Over Innsmouth” in this parody of classic children’s literature.

After greedily yelling for more fish, young Bobby is sent to his bedroom without any supper at all. But Bobby escapes when the Manuxet River runs right through his room, carrying an old boat that takes him to a magical town full of fish and slimier things … the town of Innsmouth. Will Bobby join the wild rumpus under the sea, and be crowned the most Deep One of all?
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Where the Deep Ones Are features 32 pages of full-color illustration by Andy Hopp, and is sure to be a hit with the newest generation of Lovecraft fans and their parents. The first in the Mini Mythos series.

https://www.youtube.com/watch?v=Xnyp8el0OZM&feature=em-subs_digest

Trailer for Star Trek: Discovery

The first rule of Star Trek: Discovery is —  Don’t ask when it’s going to air….

Before Kirk, Spock and the Enterprise there was Discovery. Now, one of the most iconic and influential global franchises returns to television with Star Trek: Discovery.

https://www.youtube.com/watch?v=2qt4vquGz_A

And the second rule is Don’t try to figure out the time line–it will warp your brains.

Article below is snitched from: http://www.haibane.info/2017/05/18/star-trek-discovery-first-trailer/

OK, I understand the idea behind the visual redesign. It’s 2017, not 1967. And the showrunners opted for Prime universe rather than Kelvin to preserve creative independence from whatever the movie franchise is doing. They do, however, want to appeal to the audience that the new movies in the Kelvinverse have recruited. Therefore: lens flares and Apple Stores.

Klingonbar640
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But really, hairless Klingons? With a H.R. Geiger armor aesthetic?

It’s not like we haven’t seen the 60’s aesthetic embraced by modern television. Deep Space Nine went there and did it brilliantly – they arguably made the TOS USS Enterprise look even more gorgeous than any of her successors, and they didn’t change anything about her at all – just lighting and texture. Enterprise itself managed to authentically portray a pre-Kirk technology chic that had a more industrial feel, which was utterly believable as the ancestor to the softened look of the Kirk era. I do not accept that the Kelvinization of the Prime timeline was necessary to modernize the production. After all, the aesthetic of The Expanse and Dark Matter is thoroughly modern but doesn’t have the same Kelvin fascination with chrome and glass. Not that I want any Trek to go the grunge-fi look, but I do at least want Trek to honor it’s own identity. This feels like a rejection – purely a Han shot first decision.

Unless directly contradicted on screen, I think that my own headcanon about First Contact creating Enterprise can be amended here to argue that Discovery is in a Beta timeline. The Prime timeline was TOS/TNH/VOY/DS9, but the events of First Contact created the Beta timeline, and the Kelvinverse is an alternate reality branching from the Beta timeline.

Some may dismiss all this timeline canon angst as pointless, but since time travel and timelines are literally a backbone plot of the Star Trek universe, this is a legitimate area of fan analysis.

Related – great discussion threads at /r/DaystromInstitute that disagree with my headcanon First Contact created the alternate (Beta) timeline and a discussion of whether Enterprise is in Prime or not.

 

New driverless bus hits congested streets of downtown Montreal

From the Montreal Gazette, May 17

Montrealers got a glimpse of the future in public transportation with free demo rides aboard a driverless shuttle bus.

The “autonomous driverless electric” shuttle bus operated in a closed circuit next to the Palais des Congrès, where the 2017 Montreal Global Public Transport Summit  runs until May 17.

Passengers were given a short ride around a public square (Place Jean-Paul Riopelle) aboard the Navya shuttle, which followed a pre-determined, mapped-out route via GPS.

View video

Most passengers seemed to like the electric shuttle’s smooth ride.

“It’s incredible,” said Leonardo Secondi, who enjoyed his short spin. “It’s super-smooth. It can detect if anything comes at it from 100 metres away, then it will come to a dead stop.”

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“It is state-of-the-art,” he said Secondi, adding that such driverless shuttles are the future.

READ MORE

War for the Planet of the Apes Final Trailer

War for the Planet of the Apes Final Trailer

Coming to theatres July 14

In War for the Planet of the Apes, the third chapter of the critically acclaimed blockbuster franchise, Caesar and his apes are forced into a deadly conflict with an army of humans led by a ruthless Colonel. After the apes suffer unimaginable losses, Caesar wrestles with his darker instincts and begins his own mythic quest to avenge his kind. As the journey finally brings them face to face, Caesar and the Colonel are pitted against each other in an epic battle that will determine the fate of both their species and the future of the planet.

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Disney’s Pirates of the Caribbean: Dead Men Tell No Tales

Winners Announced!

Congratulation to Steven, Yves, Isis, Keith who each won a double pass to the advance screening of Disney’s Pirates of the Caribbean: Dead Men Tell No Tales. Watch for an email from MonSFFA with your code to download your passes.

©2017 Disney

 

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In theatres May 26, 2017

http://www.imdb.com/title/tt1790809/