{"id":7794,"date":"2018-12-03T12:28:33","date_gmt":"2018-12-03T17:28:33","guid":{"rendered":"http:\/\/www.monsffa.ca\/?p=7794"},"modified":"2018-12-03T12:28:33","modified_gmt":"2018-12-03T17:28:33","slug":"eating-the-fantastic","status":"publish","type":"post","link":"https:\/\/www.monsffa.ca\/?p=7794","title":{"rendered":"EATING THE FANTASTIC"},"content":{"rendered":"

Cheerfully snitched from File 770:<\/a><\/strong><\/em><\/p>\n

EATING THE FANTASTIC. <\/strong>Scott Edelman offers listeners the chance to join Jo Walton for a seafood lunch<\/a> in Episode 83 of his Eating the Fantastic<\/em> podcast:<\/p>\n

\"\"<\/a><\/p>\n

Jo Walton<\/p>\n<\/div>\n

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\nI don\u2019t know what you<\/em> were doing last week on Black Friday, but as for me, I was taking this year\u2019s Chessiecon<\/a> Guest of Honor Jo Walton<\/a> out to lunch at the nearby Bluestone Restaurant<\/a>. And, of course, recording the conversation so you\u2019d be able to join us at the table!<\/p>\n

Jo Walton<\/a> won the John W. Campbell Award for Best New Writer in 2002 and the World Fantasy award for her novel Tooth and Claw<\/em> in 2004. Her novel Among Others<\/em> won both the 2011 Nebula Award and the 2012 Hugo Award for Best Novel, and (according to those who keep track of such things) is one of only seven novels to have been nominated for the Hugo Award, Nebula Award, and World Fantasy Award.<\/p>\n

Her novel Ha\u2019penny<\/em> was a co-winner of the 2008 Prometheus Award. Her novel Lifelode<\/em> won the 2010 Mythopoeic Award. Her incisive nonfiction is collected in What Makes This Book So Great<\/em> and An Informal History of the Hugos<\/em>. She\u2019s the founder of International Pixel-Stained Technopeasant Day, something which we never quite got around to talking about, so if you want to know more about that holiday, well, Google is your friend<\/a>. Her next book, Lent<\/em>, a fantasy novel about Savonarola, will be published by Tor Books in May 2019.<\/p>\n

We discussed how Harlan Ellison\u2019s fandom-slamming essay \u201cXenogenesis\u201d caused her to miss three conventions she would otherwise have attended, why Robert Silverberg\u2019s Dying Inside<\/em> is really a book about menopause, the reason she wishes George Eliot had written science fiction, the ways in which during her younger days she was trying to write like Poul Anderson, her technique for getting unstuck when she\u2019s lost in the middle of writing a novel, why she loathes the plotter vs. pantser dichotomy, how she developed her superstition that printing out manuscripts is bad luck, the complicated legacy of the John W. Campbell Award (which she won in 2002), how she managed to write her upcoming 116,000-word novel Lent<\/em> in only 42 days, and much, much more.