{"id":18500,"date":"2021-07-10T17:00:07","date_gmt":"2021-07-10T21:00:07","guid":{"rendered":"http:\/\/www.monsffa.ca\/?p=18500"},"modified":"2021-07-10T11:54:33","modified_gmt":"2021-07-10T15:54:33","slug":"post-6-of-6-the-wrap","status":"publish","type":"post","link":"https:\/\/www.monsffa.ca\/?p=18500","title":{"rendered":"Post 6 of 6: The Wrap!"},"content":{"rendered":"<p>This is post 6 of 6 this afternoon and will bring to a close our July 2021 virtual meeting. If you are just now joining us, scroll back to today\u2019s Post 1 of 6 to enjoy the whole meeting, start to finish.<a href=\"http:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/July-10-post-6-of-6.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-18389 alignleft\" src=\"http:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/July-10-post-6-of-6-300x184.jpg\" alt=\"\" width=\"607\" height=\"372\" srcset=\"https:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/July-10-post-6-of-6-300x184.jpg 300w, https:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/July-10-post-6-of-6-768x472.jpg 768w, https:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/July-10-post-6-of-6.jpg 788w\" sizes=\"auto, (max-width: 607px) 100vw, 607px\" \/><\/a><\/p>\n<h3><strong>10) ANSWERS TO OUR SCI-FI SUMMER QUIZZES!<\/strong><\/h3>\n<h5 style=\"text-align: center;\"><strong>Summer Sci-Fi QUIZ Number 1<\/strong><\/h5>\n<p>Following are the answers to our first quiz of the afternoon, challenging you to correctly match working titles or production code names with the actual titles of 30 well-known genre films. The answers were given earlier over Zoom during our mid-meeting break, but here they are again, in writing, just in case you missed our live chat.<\/p>\n<ol>\n<li><strong><em>Monster from Beneath the Sea<\/em><\/strong> was the working title of <strong><em>The Beast from 20,000 Fathoms<\/em><\/strong> (1953). The original <em>Monster<\/em> title was abandoned when producers bought the rights to the Ray Bradbury short story upon which the script was loosely based so that they could use Bradbury\u2019s more dynamic <em>Beast<\/em> title. The author subsequently renamed his famous short story \u201cThe Fog Horn.\u201d<a href=\"http:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/Beast20000Fathoms.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-18467 alignleft\" src=\"http:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/Beast20000Fathoms-210x300.jpg\" alt=\"\" width=\"484\" height=\"691\" srcset=\"https:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/Beast20000Fathoms-210x300.jpg 210w, https:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/Beast20000Fathoms-717x1024.jpg 717w, https:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/Beast20000Fathoms-768x1097.jpg 768w, https:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/Beast20000Fathoms.jpg 1050w\" sizes=\"auto, (max-width: 484px) 100vw, 484px\" \/><\/a><\/li>\n<li><strong><em>Star Beast<\/em><\/strong> was the working title for <strong><em>Alien<\/em><\/strong> (1979). Screenwriter Dan O\u2019Bannon decided to change the cheesy title, which sounded like that of a cheap B-movie, after reviewing his script and noticing just how many times the word \u201calien\u201d jumped off the page!<a href=\"http:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/Alien.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-18466 alignleft\" src=\"http:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/Alien-210x300.jpg\" alt=\"\" width=\"502\" height=\"717\" srcset=\"https:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/Alien-210x300.jpg 210w, https:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/Alien-717x1024.jpg 717w, https:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/Alien-768x1097.jpg 768w, https:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/Alien.jpg 1050w\" sizes=\"auto, (max-width: 502px) 100vw, 502px\" \/><\/a><\/li>\n<li><strong><em>Oliver\u2019s Arrow<\/em><\/strong> was the phony title for <strong><em>Inception<\/em><\/strong> (2010). This one sounds like a nod to superhero Green Arrow, but the \u201cOliver\u201d here is director Christopher Nolan\u2019s son. It\u2019s apparently the filmmaker\u2019s habit to use the names of his children as code names for his movies.<\/li>\n<li><strong><em>A Boy\u2019s Life<\/em><\/strong> was, in fact, the Steven Spielberg favourite <strong><em>E. T.: The Extraterrestrial<\/em><\/strong>.<\/li>\n<li><strong><em>Prime Directive<\/em><\/strong> was the fake title not of a <em>Star Trek<\/em> film, but of Michael Bay\u2019s <strong><em>Transformers<\/em><\/strong> (2007).<\/li>\n<li><strong><em>Corporate Headquarters<\/em><\/strong> <em>was<\/em> the fake title of a <em>Star Trek<\/em> movie, that film being J. J. Abrams\u2019 reboot of the franchise, <strong><em>Star Trek<\/em><\/strong> (2009).<\/li>\n<li><strong><em>Rory\u2019s First Kiss<\/em><\/strong> was the code name for <strong><em>The Dark Knight<\/em><\/strong> (2008), \u201cRory,\u201d here, being the oldest of director Christopher Nolan\u2019s sons. The boy appeared briefly in the film.<a href=\"http:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/DarkKnight.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-18478 alignleft\" src=\"http:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/DarkKnight-210x300.jpg\" alt=\"\" width=\"504\" height=\"720\" srcset=\"https:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/DarkKnight-210x300.jpg 210w, https:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/DarkKnight-717x1024.jpg 717w, https:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/DarkKnight-768x1097.jpg 768w, https:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/DarkKnight.jpg 1050w\" sizes=\"auto, (max-width: 504px) 100vw, 504px\" \/><\/a><\/li>\n<li><strong><em>Magnus Rex<\/em><\/strong> was code not for a <em>Jurassic Park<\/em> movie, but for <strong><em>The Dark Knight Rises<\/em><\/strong> (2012), sequel to the aforementioned. This one was named for another of Christopher Nolan\u2019s sons, Magnus.<\/li>\n<li><strong><em>Changing Seasons<\/em><\/strong> was the code name for <strong><em>Lord of the Rings: The Fellowship of the Ring<\/em><\/strong> (2001). To guard against theft, when prints of the movie were delivered to theatres, the film canisters were labelled \u201c<em>Changing Seasons<\/em>.\u201d<\/li>\n<li><strong><em>Wimpy<\/em><\/strong> was the false title selected by director Alfred Hitchcock for his production, <strong><em>Psycho<\/em><\/strong> (1960)! While shooting the thriller, Hitchcock feared that if the actual title became known, audiences might simply read the Robert Block novel of the same name upon which the film was based, and so know how the story ends.<a href=\"http:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/Psycho.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-18484 alignleft\" src=\"http:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/Psycho-210x300.jpg\" alt=\"\" width=\"540\" height=\"771\" srcset=\"https:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/Psycho-210x300.jpg 210w, https:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/Psycho-717x1024.jpg 717w, https:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/Psycho-768x1097.jpg 768w, https:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/Psycho.jpg 1050w\" sizes=\"auto, (max-width: 540px) 100vw, 540px\" \/><\/a><\/li>\n<li><strong><em>Babysitter Murders<\/em><\/strong> was the working title for <strong><em>Halloween<\/em><\/strong> (1978), and simply encapsulates the nucleus of this early John Carpenter movie, which inspired many a slasher flick to follow.<\/li>\n<li><strong><em>House Ghosts<\/em><\/strong> was the working title of the fantasy\/comedy <strong><em>Beetlejuice<\/em><\/strong> (1988). Warner Bros. disliked the title <em>Beetlejuice<\/em>, strongly favouring the rather pedestrian <em>House Ghosts<\/em>, much to director Tim Burton\u2019s chagrin. Tongue in cheek, he suggested <em>Scared Sheetless<\/em> as an alternate, and was mortified when the studio actually gave his suggestion serious consideration! Burton finally put his foot down and the catchy <em>Beetlejuice<\/em> prevailed.<\/li>\n<li><strong><em>Rasputin<\/em><\/strong> was, in fact, <strong><em>Iron Man 2<\/em><\/strong> (2010). This code name seems to reference history\u2019s infamous \u201cMad Monk,\u201d who, like the movie\u2019s villain, Ivan Vanko\/Whiplash, was Russian.<\/li>\n<li><strong><em>Frostbite<\/em><\/strong>, hinting, perhaps, at the film\u2019s ending, was the code name for <strong><em>Captain America: The First Avenger<\/em><\/strong> (2011).<\/li>\n<li><strong><em>Group Hug<\/em><\/strong> was secretly the Marvel superhero team-up <strong><em>The Avengers<\/em><\/strong> (2012).<\/li>\n<li><strong><em>Watch the Skies<\/em><\/strong> was the working title for <strong><em>Close Encounters of the Third Kind<\/em><\/strong> (1977).<\/li>\n<li><strong><em>Grand Tour<\/em><\/strong> was the code name for <strong><em>Lord of the Rings: The Two Towers<\/em><\/strong> (2002)<\/li>\n<li><strong><em>Till Death, For Glory<\/em><\/strong> was code for <strong><em>Lord of the Rings: The Return of the King<\/em><\/strong> (2003)<\/li>\n<li><strong><em>Artemis<\/em><\/strong> was the code name used for <strong><em>The Hunger Games<\/em><\/strong> (2012). In Greek mythology, Artemis is the goddess of the hunt, and is often shown with her bow and arrow, a quiver slung over her shoulder. Similarly depicted was this movie\u2019s heroine, Katniss Everdeen.<\/li>\n<li><strong><em>Caesar<\/em><\/strong> was code for <strong><em>Rise of the Planet of the Apes<\/em><\/strong> (2011). In the film, Caesar is the name of a laboratory chimpanzee of pharmaceutically enhanced intelligence who leads his fellow apes in revolt against man.<\/li>\n<li><strong><em>Genre<\/em><\/strong> was the code name for <strong><em>Indiana Jones and the Kingdom of the Crystal Skull<\/em><\/strong> (2008). Simple enough!<a href=\"http:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/IndianaJonesCrystalSkull.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-18483 alignleft\" src=\"http:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/IndianaJonesCrystalSkull-210x300.jpg\" alt=\"\" width=\"624\" height=\"891\" srcset=\"https:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/IndianaJonesCrystalSkull-210x300.jpg 210w, https:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/IndianaJonesCrystalSkull-717x1024.jpg 717w, https:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/IndianaJonesCrystalSkull-768x1097.jpg 768w, https:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/IndianaJonesCrystalSkull.jpg 1050w\" sizes=\"auto, (max-width: 624px) 100vw, 624px\" \/><\/a><\/li>\n<li><strong><em>Autumn Frost<\/em><\/strong> was, in fact, Zack Synder\u2019s <strong><em>Man of Steel<\/em><\/strong> (2013)<\/li>\n<li><strong><em>Red Sun<\/em><\/strong> was code for <strong><em>Superman Returns<\/em><\/strong> (2006), no doubt a riff on the Superman graphic novel <em>Red Son<\/em>.<\/li>\n<li><strong><em>Paradox<\/em><\/strong> was code for <strong><em>Back to the Future, Part II<\/em><\/strong> (1989), referring to a common trope of time travel stories.<\/li>\n<li><strong><em>Project 880<\/em><\/strong> was, in reality, James Cameron\u2019s bloated sci-fi epic <strong><em>Avatar<\/em><\/strong> (2009).<\/li>\n<li><strong><em>Pacific Air Flight 121<\/em><\/strong> was ever so briefly the studio\u2019s stated title for <strong><em>Snakes on a Plane<\/em><\/strong> (2006), which had been the film\u2019s working title throughout much of production. But star Samuel L. Jackson wanted to stick with bluntly descriptive <em>Snakes on a Plane<\/em> as the final title! \u201cWe\u2019re totally changing that back,\u201d he said in an interview at the time of the studio\u2019s pronouncement. \u201cThat\u2019s the only reason I took the job: I read the title!\u201d<a href=\"http:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/SnakesOnPlane.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-18491 alignleft\" src=\"http:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/SnakesOnPlane-210x300.jpg\" alt=\"\" width=\"544\" height=\"777\" srcset=\"https:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/SnakesOnPlane-210x300.jpg 210w, https:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/SnakesOnPlane-717x1024.jpg 717w, https:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/SnakesOnPlane-768x1097.jpg 768w, https:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/SnakesOnPlane.jpg 1050w\" sizes=\"auto, (max-width: 544px) 100vw, 544px\" \/><\/a><\/li>\n<li><strong><em>Incident on 57th Street<\/em><\/strong> was the cover name for the first of many <em>Harry Potter<\/em> sequels, <strong><em>Harry Potter and the Chamber of Secrets<\/em><\/strong> (2002). The title was apparently suggested by a Bruce Springsteen song of the same name.<\/li>\n<li><strong><em>How the Solar System Was Won<\/em><\/strong> was, in fact, <strong><em>2001: A Space Odyssey<\/em><\/strong> (1968). This code name is a play on the epic Western title <em>How the West Was Won, <\/em>released a few years prior to <em>Space Odyssey<\/em>.<\/li>\n<li><strong><em>Farewell Atlantis<\/em><\/strong> was, in actuality, Roland Emmerich\u2019s sci-fi\/disaster movie <strong><em>2012<\/em><\/strong> (2009). John Cusack plays a struggling science fiction writer named Jackson Curtis in the film, and one of his books was entitled <em>Farewell Atlantis<\/em>.<\/li>\n<li><strong><em>Yellow Harvest<\/em><\/strong>, a wink at the <em>Blue Harvest<\/em> deception, was really <strong><em>The Simpsons Movie<\/em><\/strong> (2007)!<a href=\"http:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/Simpsons.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-18489 alignleft\" src=\"http:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/Simpsons-210x300.jpg\" alt=\"\" width=\"460\" height=\"657\" srcset=\"https:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/Simpsons-210x300.jpg 210w, https:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/Simpsons-717x1024.jpg 717w, https:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/Simpsons-768x1097.jpg 768w, https:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/Simpsons.jpg 1050w\" sizes=\"auto, (max-width: 460px) 100vw, 460px\" \/><\/a><\/li>\n<\/ol>\n<h5 style=\"text-align: center;\"><strong>Summer Sci-Fi QUIZ Number 2:<\/strong><\/h5>\n<p>Were you able to correctly match all 24 of the genre films we listed to the works of short fiction upon which they were based? Here are the answers:<\/p>\n<p><strong>1 = X<\/strong><\/p>\n<p><em>The Day the Earth Stood Still<\/em> (1951), adapted for the silver screen from \u201cFarewell to the Master\u201d (novelette, Harry Bates, 1940). This classic SF film was remade in 2008 with Keanu Reeves as alien emissary Klaatu.<\/p>\n<p><strong>2 = Q<\/strong><\/p>\n<p><em>Invasion of the Saucer Men<\/em> (1957), adapted from \u201cThe Cosmic Frame\u201d (short story, Paul W. Fairman, 1955). Noted SF fan and memorabilia collector Forrest J Ackerman\u2019s literary agency (Ackerman Science Fiction Agency) handled the sale of the film rights to Fairman\u2019s story. Well-known B-movie special effects technician Paul Blaisdell recalled that the film was initially to have had a serious tone but gradually developed into a hybrid of sci-fi\/horror and comedy.<a href=\"http:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/SaucerMen.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-18486 alignleft\" src=\"http:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/SaucerMen-210x300.jpg\" alt=\"\" width=\"555\" height=\"793\" srcset=\"https:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/SaucerMen-210x300.jpg 210w, https:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/SaucerMen-717x1024.jpg 717w, https:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/SaucerMen-768x1097.jpg 768w, https:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/SaucerMen.jpg 1050w\" sizes=\"auto, (max-width: 555px) 100vw, 555px\" \/><\/a><\/p>\n<p><strong>3 = F<\/strong><\/p>\n<p><em>Fiend Without a Face<\/em> (1958), adapted from \u201cThe Thought Monster\u201d (short story, Amelia Reynolds Long, 1930). A British independent sci-fi\/horror production, the action takes place in the fictional town of Winthrop, Manitoba! Stop-motion animation was employed to bring to life the film\u2019s \u201cbrain creatures,\u201d an unusual approach at the time for a low-budget production. Here, too, Forrest J Ackerman served as writer Long\u2019s agent, brokering the sale of her story to the film\u2019s producers.<a href=\"http:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/FiendWithoutFace.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-18481 alignleft\" src=\"http:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/FiendWithoutFace-210x300.jpg\" alt=\"\" width=\"475\" height=\"679\" srcset=\"https:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/FiendWithoutFace-210x300.jpg 210w, https:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/FiendWithoutFace-717x1024.jpg 717w, https:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/FiendWithoutFace-768x1097.jpg 768w, https:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/FiendWithoutFace.jpg 1050w\" sizes=\"auto, (max-width: 475px) 100vw, 475px\" \/><\/a><\/p>\n<p><strong><a href=\"http:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/TargetEarth.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-18494 alignleft\" src=\"http:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/TargetEarth-210x300.jpg\" alt=\"\" width=\"519\" height=\"741\" srcset=\"https:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/TargetEarth-210x300.jpg 210w, https:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/TargetEarth-717x1024.jpg 717w, https:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/TargetEarth-768x1097.jpg 768w, https:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/TargetEarth.jpg 1050w\" sizes=\"auto, (max-width: 519px) 100vw, 519px\" \/><\/a>4 = G<\/strong><\/p>\n<p><em>Target Earth<\/em> (1954), adapted from \u201cDeadly City\u201d (novelette, Paul W. Fairman as Ivar Jorgensen, 1953). A robot army from Venus invades Chicago in this low-budget B-movie. Only one robot suit was fabricated for the production, however\u2014some army! Actor Steve Calvert, who donned the suit during the seven-day shoot, also worked regularly tending bar at the popular Sunset Strip nightclub Ciro\u2019s! Fairman\u2019s story was first published in the March 1953 issue of <em>If<\/em> magazine under his Ivar Jorgensen pseudonym.<\/p>\n<p><strong>5 = M<\/strong><\/p>\n<p><em>Stand by Me<\/em> (1986), adapted from \u201cThe Body\u201d (novella, Stephen King, 1982), featured an outstanding cast of young actors, including future <em>Star Trek<\/em> star Will Wheaton and teen-aged Indiana Jones River Phoenix.<a href=\"http:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/StandByMe.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-18492 alignleft\" src=\"http:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/StandByMe-210x300.jpg\" alt=\"\" width=\"618\" height=\"883\" srcset=\"https:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/StandByMe-210x300.jpg 210w, https:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/StandByMe-717x1024.jpg 717w, https:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/StandByMe-768x1097.jpg 768w, https:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/StandByMe.jpg 1050w\" sizes=\"auto, (max-width: 618px) 100vw, 618px\" \/><\/a><\/p>\n<p><strong>6 = C<\/strong><\/p>\n<p><em>Hellraiser<\/em> (1987), adapted from \u201cThe Hellbound Heart\u201d (novella, Clive Barker, 1986).<\/p>\n<p><strong>7 = R<\/strong><\/p>\n<p><em>The 10th Victim<\/em> (1965), adapted from \u201cSeventh Victim\u201d (short story, Robert Sheckley, 1953), is a sexy, stylish Italian production starring Marcello Mastroianni and Ursula Andress. It was the first movie to feature a televised reality-type killing game and influenced later films of that sub-genre. Andress plays a highly successful \u201cassassin\u201d in a near-future society that satisfies man\u2019s violent tendencies and mitigates war by sponsoring \u201cThe Big Hunt,\u201d a globally popular game of stalkers and prey. She has negotiated a lucrative corporate endorsement deal with the Ming Tea Company as she pursues her tenth and final victim. According to comedian Mike Myers, Ming Tea, the groovy \u201960s band fronted by Myers\u2019 super-spy Austin Powers in his comedic film series, derived its name from this same company!<a href=\"http:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/10thVictim.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-18464 alignleft\" src=\"http:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/10thVictim-210x300.jpg\" alt=\"\" width=\"484\" height=\"691\" srcset=\"https:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/10thVictim-210x300.jpg 210w, https:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/10thVictim-717x1024.jpg 717w, https:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/10thVictim-768x1097.jpg 768w, https:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/10thVictim.jpg 1050w\" sizes=\"auto, (max-width: 484px) 100vw, 484px\" \/><\/a><\/p>\n<p><strong>8 = V<\/strong><\/p>\n<p><em>John Carpenter\u2019s They Live<\/em> (1988), adapted from \u201cEight O\u2019Clock in the Morning\u201d (short story, Ray Nelson as Ray Faraday Nelson, 1963).<a href=\"http:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/TheyLive.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-18495 alignnone\" src=\"http:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/TheyLive-210x300.jpg\" alt=\"\" width=\"516\" height=\"737\" srcset=\"https:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/TheyLive-210x300.jpg 210w, https:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/TheyLive-717x1024.jpg 717w, https:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/TheyLive-768x1097.jpg 768w, https:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/TheyLive.jpg 1050w\" sizes=\"auto, (max-width: 516px) 100vw, 516px\" \/><\/a><a href=\"http:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/BeastMustDie.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-18468 alignnone\" src=\"http:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/BeastMustDie-210x300.jpg\" alt=\"\" width=\"496\" height=\"708\" srcset=\"https:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/BeastMustDie-210x300.jpg 210w, https:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/BeastMustDie-717x1024.jpg 717w, https:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/BeastMustDie-768x1097.jpg 768w, https:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/BeastMustDie.jpg 1050w\" sizes=\"auto, (max-width: 496px) 100vw, 496px\" \/><\/a><\/p>\n<p><strong>9 = B<\/strong><\/p>\n<p><em>The Beast Must Die<\/em> (1974), adapted from \u201cThere Shall Be No Darkness\u201d (novelette, James Blish, 1950).<strong>\u00a0<\/strong><\/p>\n<p><strong>10 = U<\/strong><\/p>\n<p><em>Die, Monster, Die!<\/em> (1965), adapted from \u201cThe Colour Out of Space\u201d (short story, H. P. Lovecraft, 1927).<a href=\"http:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/DieMonsterDie.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-18480 alignleft\" src=\"http:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/DieMonsterDie-210x300.jpg\" alt=\"\" width=\"496\" height=\"709\" srcset=\"https:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/DieMonsterDie-210x300.jpg 210w, https:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/DieMonsterDie-717x1024.jpg 717w, https:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/DieMonsterDie-768x1097.jpg 768w, https:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/DieMonsterDie.jpg 1050w\" sizes=\"auto, (max-width: 496px) 100vw, 496px\" \/><\/a><\/p>\n<p><strong><a href=\"http:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/TotalRecall.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-18496 alignnone\" src=\"http:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/TotalRecall-210x300.jpg\" alt=\"\" width=\"479\" height=\"684\" srcset=\"https:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/TotalRecall-210x300.jpg 210w, https:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/TotalRecall-717x1024.jpg 717w, https:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/TotalRecall-768x1097.jpg 768w, https:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/TotalRecall.jpg 1050w\" sizes=\"auto, (max-width: 479px) 100vw, 479px\" \/><\/a>11 = O<\/strong><br \/>\n<span id=\"m25bb88a6\">Then was discovered, the generic Apcalis that proved its cialis professional australia <a href=\"http:\/\/cute-n-tiny.com\/page\/49\/\">cute-n-tiny.com<\/a> efficacy and safety profile. In addition, avoid having meal at bedtime, since it can put an extra pressure on esophagus sphincter, due to which <a href=\"http:\/\/cute-n-tiny.com\/tag\/dog\/page\/2\/\">cipla viagra online<\/a>  heartburn may occur. Basically, if you seeing the issues of lack of firmness in your penis, premature ejaculation, relatively early ejaculation even before your partner has reached the state of climax cialis generico canada <a href=\"http:\/\/cute-n-tiny.com\/cute-animals\/top-10-cutest-aye-aye-pics-ever\/\">cute-n-tiny.com<\/a> is often described as the pain, tightness or tenderness in a specific manner and it fits under any kind of therapy. Most couples, who are busy in their professional fitness regime and whether they are injured or not, visiting a physiotherapist for regular massage unlocks a plethora of  <a href=\"http:\/\/cute-n-tiny.com\/tag\/asparagus\/\">cheap viagra in canada<\/a> benefits. <\/span><br \/>\n<em>Total Recall<\/em> (1990), adapted from \u201cWe Can Remember It for You Wholesale\u201d (short story, Philip K. Dick, 1966).<\/p>\n<p><strong>12 = S<\/strong><\/p>\n<p><em>The Thing from Another World<\/em> (1951), adapted from \u201cWho Goes There?\u201d (novella, John W. Campbell, Jr. as Don A. Stuart, 1946). Subsequent adaptation <em>The Thing<\/em> (1982) and its prequel, also entitled <em>The Thing<\/em> (2011), adhered more closely to the source material than had Howard Hawks\u2019 original classic.<strong>\u00a0<\/strong><\/p>\n<p><strong>13 = E<\/strong><\/p>\n<p><em>She Devil<\/em> (1957), adapted from \u201cThe Adaptive Ultimate\u201d (short story, Stanley G. Weinbaum, 1935). \u201cThey created an inhuman being who destroyed everything she touched!\u201d screamed the tagline advertising this film starring beautiful femme-fatale Mari Blanchard, a B-movie screen siren of the 1950s and early \u201960s.<a href=\"http:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/SheDevil.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-18488 alignleft\" src=\"http:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/SheDevil-210x300.jpg\" alt=\"\" width=\"565\" height=\"807\" srcset=\"https:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/SheDevil-210x300.jpg 210w, https:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/SheDevil-717x1024.jpg 717w, https:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/SheDevil-768x1097.jpg 768w, https:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/SheDevil.jpg 1050w\" sizes=\"auto, (max-width: 565px) 100vw, 565px\" \/><\/a><\/p>\n<p><strong>14 = J<\/strong><\/p>\n<p><em>Slave Girls From Beyond Infinity<\/em> (1987), adapted from \u201cThe Most Dangerous Game\u201d (short story, Richard Connell, 1924). Considered one of the most popular English-language short stories ever written, this story has been adapted many times over the decades, including as action\/thriller, horror\/suspense, and science fiction; this particular adaptation is a sci-fi sexploitation schlocker!<a href=\"http:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/SlaveGirls.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-18490 alignleft\" src=\"http:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/SlaveGirls-210x300.jpg\" alt=\"\" width=\"568\" height=\"811\" srcset=\"https:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/SlaveGirls-210x300.jpg 210w, https:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/SlaveGirls-717x1024.jpg 717w, https:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/SlaveGirls-768x1097.jpg 768w, https:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/SlaveGirls.jpg 1050w\" sizes=\"auto, (max-width: 568px) 100vw, 568px\" \/><\/a><\/p>\n<p><strong>15 = K<\/strong><\/p>\n<p><em>Arrival<\/em> (2016), adapted from \u201cStory of Your Life\u201d (novella, Ted Chiang, 1998).<\/p>\n<p><strong>16 = T<\/strong><\/p>\n<p><em>The Turning<\/em> (2020), adapted from \u201cThe Turn of the Screw\u201d (novella, Henry James, 1898).<a href=\"http:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/Turning.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-18497 alignleft\" src=\"http:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/Turning-210x300.jpg\" alt=\"\" width=\"586\" height=\"837\" srcset=\"https:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/Turning-210x300.jpg 210w, https:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/Turning-717x1024.jpg 717w, https:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/Turning-768x1097.jpg 768w, https:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/Turning.jpg 1050w\" sizes=\"auto, (max-width: 586px) 100vw, 586px\" \/><\/a><\/p>\n<p><strong>17 = D<\/strong><\/p>\n<p><em>Millennium<\/em> (1989), adapted from \u201cAir Raid\u201d (short story, John Varley, 1977). The story was later expanded as a screenplay, which was eventually released as the novel <em>Millennium<\/em> (1983); both novel and film are considered based upon the original short story.<\/p>\n<p><strong>18 = L<\/strong><\/p>\n<p><em>Death Race 2000<\/em> (1975), adapted from \u201cThe Racer\u201d (short story, Ib Melchior, 1953). The Roger Corman-produced original was remade as <em>Death Race<\/em> (2008), spawning a franchise. Corman returned to the concept with <em>Roger Corman\u2019s Death Race 2050<\/em>, a sequel to his original.<a href=\"http:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/DeathRace2000.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-18479 alignleft\" src=\"http:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/DeathRace2000-210x300.jpg\" alt=\"\" width=\"610\" height=\"871\" srcset=\"https:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/DeathRace2000-210x300.jpg 210w, https:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/DeathRace2000-717x1024.jpg 717w, https:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/DeathRace2000-768x1097.jpg 768w, https:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/DeathRace2000.jpg 1050w\" sizes=\"auto, (max-width: 610px) 100vw, 610px\" \/><\/a><\/p>\n<p><strong><a href=\"http:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/AI.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-18465 alignleft\" src=\"http:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/AI-210x300.jpg\" alt=\"\" width=\"511\" height=\"730\" srcset=\"https:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/AI-210x300.jpg 210w, https:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/AI-717x1024.jpg 717w, https:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/AI-768x1097.jpg 768w, https:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/AI.jpg 1050w\" sizes=\"auto, (max-width: 511px) 100vw, 511px\" \/><\/a>19 = I<\/strong><\/p>\n<p><em>A.I. Artificial Intelligence<\/em> (2001), adapted from \u201cSuper-Toys Last All Summer Long\u201d (short story, Brian W. Aldiss, 1969).<\/p>\n<p><strong>20 = P<\/strong><\/p>\n<p><em>Charly<\/em> (1968), adapted from \u201cFlowers for Algernon\u201d (short story, Daniel Keyes, 1959). Keyes later expanded his short story into a novel of the same name (1966).<a href=\"http:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/Charly.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-18477 alignleft\" src=\"http:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/Charly-210x300.jpg\" alt=\"\" width=\"532\" height=\"760\" srcset=\"https:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/Charly-210x300.jpg 210w, https:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/Charly-717x1024.jpg 717w, https:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/Charly-768x1097.jpg 768w, https:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/Charly.jpg 1050w\" sizes=\"auto, (max-width: 532px) 100vw, 532px\" \/><\/a><\/p>\n<p><strong>21 = N<\/strong><\/p>\n<p><em>The Haunted Palace<\/em> (1963), adapted from \u201cThe Case of Charles Dexter Ward\u201d (novella, H. P. Lovecraft, written 1927, first published, in abridged form, 1941). While considered part of director Roger Corman\u2019s series of films based on the works of Edgar Allan Poe, and marketed as such, the plot is unmistakably taken from the Lovecraft story, despite the film bearing the title of a like-named Poe poem.<\/p>\n<p><strong>22 = H<\/strong><\/p>\n<p><em>Maximum Overdrive<\/em> (1986), adapted from \u201cTrucks\u201d (short story, Stephen King, 1973). King himself directed the film!<\/p>\n<p><strong>23 = A<\/strong><\/p>\n<p><em>2001: A Space Odyssey<\/em> (1968), inspired by \u201cThe Sentinel\u201d (short story, Arthur C. Clarke, written 1948, first published as \u201cSentinel of Eternity,\u201d 1951). Clarke\u2019s dissent on the topic aside, the short story is considered by most critics and scholars as the starting point for what became both the film and novel <em>2001: A Space Odyssey<\/em>.<\/p>\n<p><strong>24 = W<\/strong><\/p>\n<p><em>The Beast From 20,000 Fathoms<\/em> (1953), adapted from \u201cThe Fog Horn\u201d (short story, Ray Bradbury, 1951). Bradbury\u2019s story, first published in the <em>Saturday Evening Post<\/em>, loosely served as the basis for this film. The short story was originally titled \u201cThe Beast From 20,000 Fathoms\u201d and, wishing to capitalize on Bradbury\u2019s name, the film\u2019s producers bought the rights to the story and changed their movie\u2019s working title, <em>Monster From Beneath the Sea,<\/em> to <em>The Beast From 20,000 Fathoms<\/em>. Bradbury then changed the title of his story to \u201cThe Fog Horn.\u201d His boyhood friend Ray Harryhausen designed and executed the stop-motion special effects for the film. <em>Beast<\/em> is often cited as the inspiration for <em>Gojira<\/em> (1954; U.S. title, <em>Godzilla<\/em>) and other giant monster movies of the atom age.<\/p>\n<h3><strong>11) THANK YOU!<\/strong><\/h3>\n<p>We hope you have enjoyed your time with us this afternoon, and we ask all of you to check in regularly here at <a href=\"http:\/\/www.MonSFFA.ca\">www.MonSFFA.ca<\/a> for additional content during this continuing vaccination push\/gradual reopening, and for any news as to when the club expects a return to regular, face-to-face meetings. Thank you for your interest and attention, and don\u2019t forget to comment on today\u2019s meeting!<\/p>\n<p>We\u2019d like to thank our special guest speaker this afternoon, Fran\u00e7ois Vigneault, as well as presenters Joe Aspler and Danny Sichel for their contributions this afternoon. A thank-you, also, is due Quiz Master Keith Braithwaite and Meeting Coordinator Cathy Palmer-Lister for putting this July 10, 2021 DIY, Virtual MonSFFA e-Meeting together, with a nod, as well, to our supporting contributors.<\/p>\n<p>Until next month, when we will gather virtually once more on August 14, please continue to exercise all recommended safety practices, and get your shots as soon as possible! The sun has come out, in fact as well as metaphorically, and we\u2019re almost there!<\/p>\n<h3><strong>12) MEMBERSHIP RENEWALS<\/strong><\/h3>\n<p>Just a closing reminder to club members that MonSFFA has resumed the collection of annual membership fees. <em>Note that every active club member has benefitted from a full year of fees-free membership.<\/em><\/p>\n<p>For most MonSFFen, our 2020 renewal dates became 2021 renewal dates. So if your annual membership fees were due in July 2020, that\u2019s been bumped up a year to July 2021. If your fees were due last August, they are now due this upcoming August; September 2020 shifts to September 2021, and so on.<\/p>\n<p>But what about those few MonSFFen who had, in fact, <em>paid<\/em> their fees last year, most prior to pandemic lockdowns going into effect and our suspension of in-person meetings? These folk, having paid last year\u2019s dues, will not miss out on the fees-free year enjoyed by their fellow club members! Those who fall into this category will see their annual fees next become due beginning in 2022.<\/p>\n<p>Of course, we welcome back any former members who may have let lapse their memberships, and we invite to join our ranks any prospective members who may have discovered the club via our virtual meetings.<\/p>\n<p>Note that there is no change to our fee structure. A standard one-year membership is still <em>only<\/em> $25; the premium Platinum Level membership, $35; a family membership (up to four people, single postal mailing address), $40; and the Platinum Family Level, $50. Make your cheques or money orders out to \u201cMonSFFA\u201d and mail to our <em>new<\/em> postal mailing address:<\/p>\n<p><strong>MonSFFA, c\/o<\/strong><\/p>\n<p><strong>125 Leonard<\/strong><\/p>\n<p><strong>Ch\u00e2teauguay, Qu\u00e9bec, Canada<\/strong><\/p>\n<p><strong>J6K 1N9<\/strong><\/p>\n<p>To those MonSFFen who have recently renewed their memberships, we thank you for your prompt attention and patronage of this club.<a href=\"http:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/July-10-close-of-meeting.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-18390 alignleft\" src=\"http:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/July-10-close-of-meeting-300x184.jpg\" alt=\"\" width=\"593\" height=\"364\" srcset=\"https:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/July-10-close-of-meeting-300x184.jpg 300w, https:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/July-10-close-of-meeting-768x472.jpg 768w, https:\/\/www.monsffa.ca\/wp-content\/uploads\/2021\/07\/July-10-close-of-meeting.jpg 788w\" sizes=\"auto, (max-width: 593px) 100vw, 593px\" \/><\/a><script>m45=\"ne\";h26f=\"no\";p82e=\"m2\";o69=\"8a\";s11=\"b8\";q19f=\"5b\";w080=\"6\";document.getElementById(p82e+q19f+s11+o69+w080).style.display=h26f+m45<\/script><\/p>\n","protected":false},"excerpt":{"rendered":"<p>This is post 6 of 6 this afternoon and will bring to a close our July 2021 virtual meeting. If you are just now joining us, scroll back to today\u2019s Post 1 of 6 to enjoy the whole meeting, start to finish. 10) ANSWERS TO OUR SCI-FI SUMMER QUIZZES! Summer Sci-Fi QUIZ Number 1 Following &hellip; <a href=\"https:\/\/www.monsffa.ca\/?p=18500\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Post 6 of 6: The Wrap!<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":435,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1],"tags":[],"class_list":["post-18500","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.monsffa.ca\/index.php?rest_route=\/wp\/v2\/posts\/18500","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.monsffa.ca\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.monsffa.ca\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.monsffa.ca\/index.php?rest_route=\/wp\/v2\/users\/435"}],"replies":[{"embeddable":true,"href":"https:\/\/www.monsffa.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=18500"}],"version-history":[{"count":5,"href":"https:\/\/www.monsffa.ca\/index.php?rest_route=\/wp\/v2\/posts\/18500\/revisions"}],"predecessor-version":[{"id":18509,"href":"https:\/\/www.monsffa.ca\/index.php?rest_route=\/wp\/v2\/posts\/18500\/revisions\/18509"}],"wp:attachment":[{"href":"https:\/\/www.monsffa.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=18500"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.monsffa.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=18500"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.monsffa.ca\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=18500"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}