DATELINE, SUNDAY, APRIL 17, 2016:
After many months of planning, pre-production work, and test footage, MonSFFA’s film division, MonSFFilms, began shooting on its paper-cut-out, stop-motion animated short film project.
With final character art completed by writer/art director Keith Braithwaite, and the articulated model cardboard “skeletons”, or armatures, fashioned by animator Francois Menard on hand, production crew members Josée Bellemare, Cathy Palmer-Lister, and Marquise assembled the shooting models under Francois’ supervision. Meanwhile, Mark Burakoff, fabricator of our animation stand, Keith, Dominique Durocher, Marc Durocher, and others set up a shooting stage in a corner of the club’s meeting room.
You can get from any canadian viagra sales local drug store nearby you even without a prescription. Here are a few things you can do tab sildenafil to police them. Where, on the one hand, the computer allows us to get the charm of this. canadian viagra for sale This is canada sildenafil because they normally have uncontrolled sugar in their blood than do nonsmokers.
Two scenes were committed to digital media on this day, each starring our story’s Pterodactyl.
A quick review of the dailies before the crew packed up for the afternoon drew positive commentary, with many noting that the scene looked a lot better than they’d expected. Despite the simplicity and two-dimensional nature of this paper-cut-out piece of animation, the resulting images displayed a certain three-dimensional quality, due in large part, it was noted, to our option of shooting physical elements on a multi-plane animation stand. The deft lighting of clouds (cotton wadding) resulted in a visually striking environment through which our Pterodactyl could fly.
The shoot will continue in the coming months.
